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The Five-Minute Singer Introductory Course
Rating: 4.2 out of 5(15 ratings)
857 students
Created byElaina Robbins
Last updated 2/2024
English

What you'll learn

  • The big-picture concept of how healthy, efficient singing works
  • How to use an anatomical focus to build new vocal habits
  • How to build your powers of vocal perception by focusing on four senses
  • How to learn to sing in tune
  • How to continue to perform while making technique changes

Course content

1 section7 lectures43m total length
  • The Big Picture: How Singing Works6:30

    Before we dive into the minutiae of singing and building good vocal habits, I want to give you the big picture of what happens when you sing optimally. By optimally, I’m not being judgy or valuing any genre or style of singing over another. I’m simply talking about efficiency—physically the most efficient way to use air to produce a singing sound. That means the best possible stamina (hours and hours of singing without fatigue) coupled with full and easy use of range, register, and volume. Here’s how you get there and how you can harness the senses of sight, sound, touch, and kinesthetic awareness to tell if you're singing this way.

  • Elaina's Singing Rules5:47

    Now that you understand the process of optimal singing and know what it looks, feels, and sounds like, I want to introduce my singing rules. I repeat these a lot throughout the course because they are concepts that seem to come up again and again. They kind of apply to life as well as singing, and you may have heard some of them applied to other situations already.

  • The Three Steps to Changing Vocal Habits6:19

    Getting real, tangible results using my method relies on making and breaking habits, and admittedly, that’s not an easy thing to do. Have you ever tried to change a habit? It takes an awful lot of focus and dedication. After working with more students than I can count in a one-on-one lesson setting, I’ve developed a simple three-step process for changing vocal habits.

  • How to Transform Your Singing with Five Minutes of Practice a Day6:22

    Once you’ve picked a body part to focus on, it’s time to start practicing! Most people will tell you that you can’t make any real progress in five minutes of practice a day, but I’ve seen (and experienced) plenty of evidence to the contrary. Once you’ve chosen your habit/body part, here’s how to practice so that your new habit starts to take hold.

  • Which Vocal Habit Should You Tackle First?3:08

    The easiest place to start building habits is at the beginning, with stance and breathing. But for some of you, skipping ahead to other parts of the vocal mechanism could actually be better and save you a lot of trouble. Here’s how I recommend you determine what habit to start with.

    If you choose an iteration of this course that includes personalized feedback, you can send me an evaluation video, and I will tell you where to start.

  • Three Types of Apps to Help You Learn to Sing in Tune10:31

    Not all vocal problems are fully based on anatomy. Intonation, or pitch matching, falls into this category. This section is for folks who feel like they can’t really sing in tune, so if you feel good about your pitch-matching abilities, feel free to skip to the next heading.

    Many of you may be just starting out, but there are some fairly seasoned and skilled singers who also fall into this camp. That’s because singing in tune is a pretty complicated physical process that involves both ear training and technique. If you’re using my paid course, you’ll have to practice pitch matching separately from your anatomical habits. That doesn’t mean you won’t have help, though. I have some recommendations for you, and I’ve successfully helped many singers learn to sing in tune.

    If you like using your phone, I’ve got great news for you: you can use apps to get better at singing in tune! Like my other pieces of advice, this doesn’t have to take a huge amount of time; you just have to be consistent about it and do a little every day. Here are the three main types of apps I'd recommend to help you nail that melody every time.

  • Technique Changes for Gifted Singers5:02

    Think about it like a Jenga tower: your Jenga tower as a gifted singer may not be perfectly straight, but it’s standing and stable. Start yanking out blocks and trying to adjust the tower, and the entire thing may well topple over. That can make you feel horrible and confused, and if you’re an active singer with performances lined up, it’s not something you can afford to do. Here's how to successfully work on your technique without derailing everything in the process.

Requirements

  • None

Description

This free introductory course is a prerequisite to my paid course, the Five-Minute Singer. It gives you all the background material you’ll need to use this course, but this is also information that can help you along your singing journey even if you can't commit to the larger course right now. This shorter, more general program includes how singing works as a whole, my methodology, how to practice, and special considerations for certain groups of people.

I created this course because traditional voice instruction doesn't agree with my brain. I started taking voice lessons as a teenager. Through the next decade, I studied with half a dozen extraordinary voice instructors at some of the best music schools in the country. But there was a disconnect—there was something wrong with me. The normal ways of teaching voice didn’t click with my brain. I may be a performing artist, but I’m not exactly artsy fartsy; I think logically and like specific, clear instructions. This is at odds with how voice is usually taught.

Traditionally, voice teachers rely on images, sensations, and ideas to communicate. Instructions like “imagine a blowhole in the top of your head” or “feel roots coming out of your feet” worked for me sometimes, but not all the time. Even when they worked, I didn’t understand why; I just knew I sounded better. And when the magic trick stopped working, it left me with no real knowledge about what was going wrong. I felt lost. Even after years of the best vocal instruction available, I felt like I knew nothing.

The turning point came during my master’s program at the University of Michigan. There, I studied with a fantastic teacher who, along with using images and sensation, focused heavily on anatomy. Finally! Anatomy was something logical something clear. Here was something I could work with.

Thrilled, I seized that concept and ran with it. I started getting really technical, breaking down the main body parts associated with singing and learning to isolate each one as best I could. I completely changed the way I practiced, focusing on anatomy-based habit building instead of rote repetition.

My singing transformed in one semester.

My singing isn’t perfect now, and it never will be. But now, when something goes wrong, I don’t feel lost. I understand what the problem is, and I know what steps to take to fix it. I am finally in control of my own instrument, and it feels amazing. You can do the same.

Through this book and the accompanying video course, you will learn to use the senses of sight, sound, and body awareness to objectively observe your singing. You will learn to isolate body parts associated with singing and gain control of these parts one at a time. You will learn to understand why you have the issues you are having, down to which body parts are causing the issues, and you will ultimately learn how to fix these issues.

If you’re worried about taking instruction from a classical singer, don’t be. This course is completely genre agnostic. I am a crossover singer, and I regularly perform genres ranging from pop and folk to punk rock. I believe the basic tenants of singing are the same whether you’re a rock star or an opera diva. While I do point out a few differences here and there, the vast majority of the advice in this course is not directed at a particular genre. After all, we’re all working with the same body parts.

An artistic, image-based approach to voice teaching has been the standard for hundreds of years. It works spectacularly for many students. If you aren’t one of those students—if your brain prefers concrete, specific instruction, or if you crave true understanding of the vocal instrument—I have a feeling we’re going to work very well together.


About The Five-Minute Singer: I designed my video course for logical thinkers who like concrete, tangible instructions and a real understanding of the mechanisms they're working with. The Five-Minute Singer teachers students to use the senses of sight, sound, and body awareness to objectively observe and transform their singing. If you choose to sign up for the full course, you will learn to isolate body parts associated with singing and gain control of these parts one at a time. You will learn to understand why you have the issues you are having, down to which body parts are causing the issues, and you will ultimately learn how to fix these issues via a habit-based, physical therapy-inspired approach.

Who this course is for:

  • Singers of every level, from beginners to working professionals