
Explore romanticism in Constable's landscapes, his early life, mentors, and notable works. Learn to keep a sketchbook, develop hand-eye awareness, and study nature as Constable did.
Explore Constable's English landscapes, especially Dedham Vale, as a leading 19th-century romantic landscape artist, and examine his letters and memoirs to understand his views of beauty.
Explore John Constable's early landscape works (1800-1817), rendered in pen and ink then watercolor, featuring trees, clouds, church porches, a lower-third horizon, and detailed animals and figures.
Explore John Constable’s landscape studies of trees, trunks, and valleys, and learn to render botanical subjects across media while using oil sketches as preparatory works.
Explore John Constable's oil sketches from the Victoria and Albert Museum. See how preliminary studies test composition and inform finished landscapes, signaling an avant garde shift in landscape painting.
Constable grows from small field studies to six-footers, capturing the store river, flatfoot mill, and mill stream with massed tones, reflections, and evolving detail.
Delve into Constable's 1820s landscapes—Gillingham mill, Brighton Beach, the cornfield, and the chain pier—highlighting his long horizon lines, water and sky tones, and rural scenes.
Constable secures patronage from John Fisher, bishop of Salisbury, and portrays Salisbury Cathedral as a gesture of appreciation, with a rainbow over Fisher's house.
Explore Constable's landscapes and cloud studies as he elevates everyday scenery near his home to art, capturing buildings, architecture, clouds, and surroundings in iconic watercolors from 1832 to 1837.
This is a course on the beautiful English Landscape paintings of John Constable. Constable is one of the worlds leading landscape painters. Constable Country, “I should paint my own places best,” he wrote to his friend John Fisher in 1821, “painting is but another word for feeling.” We are going to walk, study and enjoy this beautiful part of the world and see it through the eyes of this master artist. I teach lecture courses and studios as I wish they would have been taught to me. Much of the graphic material in my lectures is taken or generated first hand directly by me on site. I teach to learn. I teach subjects as I wish they were taught to me. The Mission Statement. Education is a tool for the improvement of successive generations. I hear and I forget. I see and I remember. I do and I understand. Confucius
This course is designed under the premise that humans should be taught in a way that is modeled after the educational patterns of evolution.
The design, development and application of educational systems based on the educational principles of evolution generates a philosophy and methodology of education in synchrony with the evolutionary education system that is firmly and deeply rooted in each of us.
Education for evolution is an educational system designed to help propel humans forward in the natural course of evolution. The purpose of education for evolution is to enhance and strengthen the natural evolutionary process of humans through the mechanism of education. The means to achieve this objective is the design of a curricula based on the same educational techniques and strategies used by natural evolution, enhanced and guided by the application of conscious educational decisions.