
This introduction touches on the value of using Bargue drawings as a tool to improve your own drawing. You will learn how this course differs from most other approaches to making Bargue copies. For example, measuring is not recommended -- at least not much. Also, the course focuses primarily the beginning stages; how to get started, what kinds of lines to make, etc. and not "how to draw". Most uniquely, the finishing and rendering stages are described and demonstrated in full.
Introduce the basics by working with the "eyes plate."
How can you set up to draw successfully?
Improve your drawing acumen by learning how to see proportion, space, alignment etc.
Discussion and demonstration.
This reinforces how best to setup your reference (Bargue) alongside your drawing: how to keep them parallel and ready for a "sight-size" (same size) rendering.
Using the kneadable eraser.
Drawing the 'Eyes' plate.
A close investigation of line drawing and the qualities we go after.
Stages of building and refining the lines.
Discuss the range of pencils and erasers we use plus other supporting tools.
Convert an outline drawing into shapes with colour-in.
Demonstrate and explain the initial lay-in step.
Judge and use the correct value.
Sped-up demonstration of the drawing process with no narration.
Build up towards an even, uniform tone.
Refinement and tips.
Refine the silhouette.
How to achieve an even, uniform tone?
Use the right type of pencil.
Using the eraser as a drawing tool.
Deal with corrections.
Speed-up demonstration.
How far can you go?
Discuss the quality we get in the source material.
Estimate the value of the dark silhouette.
Observe areas that require correction and make adjustments.
Look at abstract shapes.
Speed-up demonstration.
Clarity of shapes after clean-up.
Blend the edges of shadow shapes.
Understanding form and shadow.
Qualities of form shadow and cast shadow.
Aeroplan stroke.
Gradient and the sense of roundness.
Round the forms.
Problem with graphite pencil.
Avoid overdoing the mid-tone.
Drawing the darker parts in the shadow.
Criticism and review.
Final touches.
Produced by 8D Studio and instructed by Juan Carlos Martínez.
We offer nearly 3 hours of quality information, demonstration, detail discussion, illustration, tips, problem solving and more. On top of that, a few suggested exercises are available to help with the understanding of certain key concepts.
An in-class student could spend up to six-months to learn the basics of pencil drawing. In these video lessons, the gist of the information is offered but the viewer should practice at least 4 drawings to fully appreciate the depth and breadth of what is covered here.
Introduction
Welcome
An introduction to Bargue Drawing
Starting with lines
Setting up for success
Line quality
Exercise - draw the facial features
Tools and materials
The silhouette
The silhouette - part 1
The silhouette - part 2
The silhouette - part 3
Exercise - study the silhouette
Second pass
Filling in
Exercise - value scale
Perfecting and clean up
Rendering and finishing
Rendering: Rounding and shading - part 1
Rendering: Rounding and shading - part 2
Finish
Exercise - More Bargue plates to study from
- ABOUT JUAN -
Juan Carlos Martínez is a multi-award winning Artist and Art educator for more than twenty years. Recognized as a Living Master by the Art Renewal Center, Juan is known for his Portrait and Figurative works. His works and commissions hang in public as well as private collections in Canada, US, and Europe.
As an educator, Juan was a Senior Instructor at the Academy of Realist Art in Toronto and conducted workshops Internationally. He authored several articles for major art publications. Juan frequently lectures on technical or art historical and other matters relating to representational art and its grand traditions.
Today, Juan continually develops his body of work and maintains an influence as a teacher and mentor, and as a commissioned portrait painter. He also welcomes inquiry regarding available work, commissions, or about instruction, lectures, and workshops.
- TESTIMONIALS -
"Juan was instrumental to my growth as a painter, and I would not be the artist I am today without his guidance. He's not only a great teacher but very fun and interesting with knowledge in topics beyond the visual arts that relate directly to them. He is possibly an ancient wizard, despite his age claims, he looks not a day over 40."
- David Shepherd
"I had the great pleasure of working with Juan Martinez during his tenure at the Academy of Realist Art here in Toronto. The school offered a one-week course in 'alla-prima portrait painting' with senior instructor Juan Martinez and I immediately signed up. I had been a drawer for the past 50 years, so I was relatively new to painting having only started to paint in 2003. I felt that an intensive portrait painting workshop with one of the ARA’s principle instructors would be helpful in broadening my abilities.
Day One of the workshop began with a 3-hour demo by Juan and I immediately knew I was in the right place. Not only was he a superb painter, but his explanations of the process of painting were clear and well-directed to the various student levels in the room. His understanding of light and shadow and (more importantly) his ability to pass this understanding on to his students was remarkable. Over the week I found Juan to be an excellent instructor with personal, individual help for every student and an easy-going charm in the classroom. Would I sign up for the course again? Absolutely."
- Brian Smith AOCA