
We'll go into brief detail about why it’s important to learn the basics of sound--often, the basics are not something you can pick up in bits and pieces, and the producers of hit songs are fluent in them. Lastly, we discuss some of the cool tricks possible with a solid understanding of the basics.
After concluding this lecture, students should be able to:
We'll begin by discussing the sensation of silence. We then discuss the formation of vibration in everyday objects and how to create effective monitor stands for almost free. Lastly, we take a first look at sound transmission.
After concluding this lecture, students should be able to:
We’ll continue by looking at the sound transmission in the air. Specifically, we'll look at how speakers produce sound waves and begin exploring why an understanding of this will help improve your mixes. After concluding this lecture, students should be able to:
In this lecture, I’ll show you how to eliminate pops and clicks by trimming sound clips at the zero crossings, as well as let you know other methods to get around needing to do this in your own mixes. After concluding this lecture, students should be able to:
In this lecture, we'll look at point sources and something that sounds scary but is actually pretty simple: the inverse square law. We'll apply it to things like your car stereo, which will help you understand why treating your room requires more than tacking some egg cartons in random spots on your wall: how complicated, and yet how simple, sound waves really are. After concluding this lecture, students should be able to:
Lastly, we’ll discuss sympathetic vibration in depth. This brief lecture will go over why snare drums buzz from across the room, how your ears work, and why an acoustic guitar sounds fuller than an unplugged electric guitar. After concluding this lecture, students should be able to:
We’ll be taking a somewhat philosophical approach to sound reproduction. We’ll then trace the three physical properties of sound waves, and their respective perceptual qualities. We’ll tie the theoretical to the actual by considering the voice of Stevie Wonder.
You’ll be introduced to the two dimensions of sound waves. We’ll then focus on amplitude and its connection to loudness.
After concluding this lecture, students should be able to:
You will learn the difference between linear and logarithmic scales, and understand how the brain perceives sound logarithmically. After concluding this lecture, students should be able to:
You will learn how to read and think about the decibel scale, most particularly as it occurs on a mixing console and when discussed casually.
After concluding this lecture, students should be able to:
You will be introduced to decibel reference levels. The particular focus will be on dbSPL and how it is used.
After concluding this lecture, students should be able to:
You will learn how to use their new understanding of dBSPL, along with an SPL meter, to quickly an easily calibrate your studio monitors. This monitor calibration will result in better mixes—instantly.
After concluding this lecture, students should be able to:
You will be introduced to the reference levels dBu and dBV. With this understanding, you will learn to avoid one of the most frequent mistakes made in recording studios.
After concluding this lecture, students should be able to:
You will be introduced to the concepts of dBFS, headroom, and clipping. With this understanding, you’ll not only have better mixes, but also your work will be better prepared for mastering, have greater dynamic range, and cause less ear fatigue.
After concluding this lecture, students should be able to:
You will be introduced to the concept of cycles, and how to measure in hertz and kilohertz. Students will learn why understanding what A440 is will be useful when working with internationally-based products or musicians
After concluding this lecture, students should be able to:
You’ll learn about the casual classification of frequencies, and what terms like bass, mids, and treble really mean. Also, you’ll find out why you use, or should use, the smiley face curve.
After concluding this lecture, students should be able to:
You’ll be introduced to frequency response and how it affects your ears, microphones, and monitors. You’ll learn about why certain monitors have a great reputation, as well as about the elusive “flat response.”
After concluding this lecture, students should be able to:
Course updated on Dec 11, 2014. Over 1,100 students!
Learn tricks of hit producers and engineers, even without pro studio experience, immediately – you can use the same pro studio tricks most newbies ignore to skip over years of trial and error!
Please - if you're looking for shortcuts and presets, don't take this course. You'll need to study the course and grasp the concepts, which I've taught total newbies. These are secrets that you can't rely on physics teachers and electronics engineers to teach you—you need someone who speaks your language.
All you need is the willingness to experiment in the studio, and a dedication to improving your tracks.
About this course:
Enroll in this course now to learn the essential physics of sound for a creative edge over other producers, engineers, and musicians in the competitive world of music. Put the physics of sound to work for you immediately. You will gain insight and practical understanding of how the physics of sound affects your mixes, the sound quality of your music, and your ability to trust your own ears and equipment. This course will focus extensively on knowledge that can be applied to your work immediately, repeatedly, and throughout your career, making you more competitive in the world of music and audio.
I only teach the tricks and facts that have helped me in my own career as a producer. These are things you can put into use immediately—your mixes can improve today!
You'll learn
... and much, much more!
So, you've read this far! Thank you.
The first video in this course can be seen by everyone and discusses why the basics should be learned by everyone—and how they'll help you gain an edge in your own tracks. And I'm including a free video viewable by everyone showing you how to calibrate your monitors and improve your mixes quick and easy! It's simple if you follow the directions--and yet most people ignore this amazing tip!
One final very important point.
You can begin improving your mixes immediately—right after going through this course!
Click the "take this course" button, top right, now ... every hour you delay is setting your music career back…