Stagecraft for Live Sound Engineers
4.5 (44 ratings)
Course Ratings are calculated from individual students’ ratings and a variety of other signals, like age of rating and reliability, to ensure that they reflect course quality fairly and accurately.
182 students enrolled

Stagecraft for Live Sound Engineers

Improve your professionalism and impress employers
4.5 (44 ratings)
Course Ratings are calculated from individual students’ ratings and a variety of other signals, like age of rating and reliability, to ensure that they reflect course quality fairly and accurately.
182 students enrolled
Created by Soulsound School
Last updated 10/2015
English [Auto-generated]
Current price: $20.99 Original price: $29.99 Discount: 30% off
5 hours left at this price!
30-Day Money-Back Guarantee
This course includes
  • 1 hour on-demand video
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
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What you'll learn
  • Present themselves and their workspace professionally
  • Impress clients with safe, fast and efficient work
  • Create a comfortable performance space for the artist
  • Run a neat and efficient live music stage
  • Label and colour code a stage clearly
  • Set up microphone stands correctly
  • Place microphones so they don't suffer from droop
  • Coil cables correctly
  • Label and run cables, looms, fan outs and fan ins
  • Understand stage orientation terminology
  • Decide on a centre point of an asymmetrical stage
  • Know how to design your workspace on a stage
  • Set up wedge monitors for musicians
  • Create a great "gig bag" of tools to take to work
  • Students should have at least a small amount of experience on a rock and roll stage.

Justin Grealy has over thirty years experience in the rock and roll business, and has even had the verb "to greal" a stage coined after him - meaning to label and colour code a stage environment so that show-stopping mistakes are almost impossible to make.

This is an immensely practical course on how to make a rock and roll stage into an efficient, safe and pleasant working environment. You will need some experience on or around stages,understand basic signal flow in live sound - the difference between inputs and outputs, what satellite or sub boxes and monitors are - and that your job as a sound engineer is to provide a stage which makes it easy for the artist to perform.

The course consists of 16 videos which will take just over an hour to complete, but which will change your working life as a live sound engineer.

Who this course is for:
  • This course is suited to Sound Engineers who are either starting out and want to learn how to present themselves more professionally or other engineers who have fallen into bad habits with untidy stages!
  • It is not suited to seasoned pros who have immaculate stages
Course content
Expand all 16 lectures 01:07:26
+ Start Here
1 lecture 02:49

Justin explains why the practice of good stagecraft is so important. Good preparation of equipment and work space results in a stage that is safe, and which helps the performer to deliver the best performance possible.

Preview 02:49
+ Preparing For Work
3 lectures 13:34

Essential kit for a live sound engineer.

Preview 06:06

The correct technical terminology is important when talking about the stage and theatrical terms can be confusing. Not any more...

Preview 05:36

Justin describes how to make sure you have the correct information to hand before load-in, what to do if information doesn’t match up, and how to plan your work area.

Designing the Workplace
+ Cabling and Connections
1 lecture 08:34

Justin explores the contents of his cable trunk and gives us a detailed description of the different types of cables and their uses.

What's In My Cable Trunk?
+ Labelling
5 lectures 21:14

Justin explains how to “greal” a stage. The use of multicolour tape, clear and precise labelling, colour coding is essential, and removing old labels prevents confusion.

Introduction To Labelling

To make your set-ups and changeovers quick and efficient, Justin goes into detail about the best way to label cables and DI boxes (especially that pad switch!)

Labelling Inputs

Justin shows us how to label your satellite boxes so the switch between headliner and support band is a seamless operation, and gives us some handy tips to anticipate and prevent patching mistakes and make sure there is no possibility of a short.

Labelling Satellite Boxes

Justin demonstrates his highly organised and efficient method of labelling your tails to ensure there is no chance for error.

Labelling Tails

Yes, Justin is obsessed with labelling, and so should you be! Learn how to make really useful labels that are actually legible, from XLRs to mics and DI’s, labelling mains power and how to stop people plugging lights and fans into your nice clean audio mains.

Label Orientation and Labelling Mains Power
+ Plugging Up The Stage
2 lectures 10:48

There’s more to connecting up your wedges than meets the eye! Being methodical and tidy reduces margin for error, and makes a good impression. Making up a monitor loom is one way of keeping your stage neat, tidy and safe.

Connecting Monitors

The beauty of the “grealing” system is that once all is properly labelled, patching up your stage is simple and easy. Top tips on reducing margins for error.

Plugging Up The Stage
+ Microphone Stands and Positioning
2 lectures 05:33

Setting your mics stands up properly prevents embarrassing moments in a show. Justin shows you how to set up bullet-proof stands.

Setting Up Microphone Stands

Drooping microphones are not acceptable as it is, in fact, avoidable. Learn how to be more professional and impress your clients.

Microphone Positioning