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Solfège and Ear Training: Preliminary
Rating: 4.7 out of 5(48 ratings)
934 students

Solfège and Ear Training: Preliminary

Start with the basics!
Created byJosh Cook
Last updated 10/2023
English

What you'll learn

  • What is solfège
  • A brief history of solfège
  • How to best apply solfège as a modern musician
  • How to use solfège to start major and minor scales
  • How solfège can be used to better understand/write melodies
  • Develop your ear and musicianship

Course content

6 sections16 lectures1h 44m total length
  • What is Solfege5:35

    Before you commit to learning something as deep and involved as solfege, let's talk a little bit more about what solfege is, and how it can benefit you as a musician.

  • A Brief History of Solfege5:59

    Context never hurts, so let's talk about how solfege came to be and just how important Guido D'Arezzo was to the evolution of solfeggio and music notation.

  • Applying Solfege5:36

    OK, you know what solfege is, you know how it came to be, now let's talk about how you can actively apply solfege as a way of heightening your overall musicianship.

Requirements

  • No previous experience is required, but basic singing abilities will help

Description

Have you ever wondered how to think of melodies in a way where you can make sense of the notes? 
Are you sick of melodic information being vague and unfamiliar? 
Are you looking to expand your musicianship and learn the vocabulary of solfege to help you gain context for your melodic decisions? 

You've come to the right place!


We're going to start off very simple in this course and just cover Do-Re-Mi and Do-Re-Me.  In other words, the first 3 notes of major and minor scales.  Building these courses in small chunks allows students to saturate in each scale's environment, learning it's colors and characteristics, and then expanding their knowledge with each additional course. 

This preliminary course offers all of the information you'll need before progressing into the full beginners series of solfege and ear training.  From discussing what solfege is at it's core, to delving into it's history, and recommending how to apply solfege, this course isn't all about the technical and theoretical side of solfege, but rather a more broad look at solfege in it's most beginner stages. 

Designed to teach absolute beginners, or help fill in some knowledge of intermediate level students, this course is worth going through even if you think you know the basics well.  You never know which rock you'll overturn to find out something new within this vast topic of solfege!

Solfege helped me personally as a musician, as it gave me a language to make sense of how I was coloring my jazz chords as a pianist, and gave me an understandable vocabulary as a soloist so that my improvisations had intent and confidence behind them.  Solfege is now always available to me to better understand and demystify the music I listen to, as well as inform my decisions as a composer and performer.

You don't have to be a pro singer to take these courses, BUT being able to sing on pitch is a solid benefit.  You can think of understanding pitch sort of like understanding a language.  If you only ever read it or think it, you can still understand it, but as you get speaking it your understanding of the language becomes more developed and confident.  So, even if you don't sing well, at least try your best during the ear test portions.

This course is NOT a course on sight singing.  While the material covered will certainly help you improve your ability to sight sing, providing you have separate instruction as to how to develop that specific skill, these classes will not cover any form of music notation at this stage.  From taking these courses you will eventually be able to understand note selection in melodies of songs you hear, and have more confidence when writing your own melodies.  However, singing music off of a staff will not be developed until later courses.

So, if you're ready to demystify melodies, improve your musicianship, and improve your understanding of scales and solfege, then this course is the perfect starting point.

Who this course is for:

  • Beginner musicians looking to improve their general musicianship
  • Beginner music producers/composers looking to improve their understanding of melody writing
  • Beginner singers looking to improve their understanding of pitch in relation to scales
  • Students looking for supplementary material for the '4-start Sight Reading and Ear Tests' series
  • Musicians that quickly need to learn the basics of solfège before advancing their musicianship in post-secondary courses
  • Students in choir looking to improve their knowledge of solfège