
Master the slow minor blues feel with bass line, right-hand chords, left-hand voicings with tensions, and B.B. King phrasing, scales for improvisation, 16th notes, trills, and turns.
Add tensions to blues piano chords by using diverse voicings—seventh, third, ninth, eleven, and cluster tones, with options for left- and right-hand voicings in blues and jazz styles.
Learn 16th note improvisation within a slow blues, using two G minor pentatonic licks, and master phrasing through sequencing, rests, and starting on different beats for varied flavor.
Explore blues notes and bluesy tones in minor and dominant contexts, focusing on flatted third and flatted or sharp 11th, and the flatted fifth to shape improvisation through blue zones.
Learn crushed notes and blues improvisation with mini licks, double stops, and chromatic ideas, applying them over G minor pentatonic and C minor blues in a band setting.
Learn to execute trills on blues piano by rocking the wrist, using pedal and finger substitutions, exploring fifth-to-third and octave options, while avoiding arm tension and listening to your body.
Apply the rhythmic cell to comping by coordinating left- and right-hand parts, using accents and rhythm to support soloing, including comping behind solos and varying beat placement.
Love blues piano? So do I.
This lesson comes after my Slow Minor Blues Volume 1 lesson.
In this lesson, we will continue where we left off from volume 1. We begin by reviewing "The Thrill is Gone" groove and bassline. Everything is broken down for you step-by-step, making it easy to learn regardless of your skill level.
After mastering a basic version, we will add more tensions to the chords to create a richer blues sound.
Next we move on to improvisation. You'll learn 8 new scales for improvisation. We will work through different ways of breaking up the scales to create your own unique blues piano solo.
This lesson will focus more on improvisation. We will cover neighbor chords, trills, crushed notes, double-stops and more to create some cool sounding improvisation.
Trills, turns and double-stops are an important aspect of blues piano playing. We will cover these in detail!
You'll also learn how to improvise using rhythmic cells. Rhythmic cells are short rhythmic phrases that make it easier to create interesting sounding improvisation lines quickly.
Slow Minor Blues Volume 2 is JAM PACKED with a ton of blues piano gold tips. If you're serious about learning blues piano, you will want to check out this lesson!
Want to play with a group?
The techniques you'll learn in this course work well in both a group or solo piano setting!
Jam Tracks are included so you can jam with the band in the comfort of your own home.