
Master one-point perspective to quickly capture street scenes by identifying horizon and vanishing points, then measure lines and angles and apply ink and watercolor techniques for depth.
A supply list is attached.
Explore one point perspective with railroad tracks and cityscapes, where diagonal lines converge to a single point. Contrast with two point perspective on corners and interiors for street sketches.
Explore basic perspective by identifying the horizon line and vanishing point, and learn how eye level governs where heads and lines converge in one-point perspective.
Choose where to place the horizon line and vanishing point to shape your street scene, cropping to emphasize sky, pavement, buildings, or people.
Attached is the photo I'm using here and in the next section.
Establish perspective and placement with center lines, the horizon line, and a vanishing point, then build the street scene with pencil, diagonals, verticals, and foreground to distance detail.
Begin with a pencil underdrawing, then apply ink with a simple, playful pen to define angles and textures in a street scene while preserving room for detail and color.
Create a watercolor street scene in New York by applying a water glaze to the sky, painting simple buildings, and layering subtle shadows with four to five colors.
Attached is the photo I'm using for the three-minute sketch. Notice that I mentally zoomed in and did a smaller part of the image than what you see in this photo. This is definitely a good way to simplify!
I've attached the photo I'm working from in this section
Master a pencil sketch workflow for a French village: map angles to the frame, verify proportions, and build depth with a foreground anchor and distant lanterns.
Master ink drawing techniques for street scenes by leveraging a pencil underdrawing, applying light ink lines, adding texture, and using color washes to define edges and depth.
Paint a sunlit village scene in watercolor by laying a sky glaze, preserving white buildings, and layering roofs, greens, and blues for depth and light.
Mix ultramarine with shadow violet and purple to render sharp form shadows and cast shadows on buildings and roads; use paint pens for highlights.
Attached is the photo I'm working from in this section.
Develop depth and realism in street-scene sketches by refining ink and brush pen techniques, focusing on perspective, foreground details, roof textures, and light-dark contrasts.
Plan a precise pencil sketch of a street scene by marking centers and edges, measuring how buildings relate, then refine stairs, roofs, and light.
Begin with pencil drawing, refine with a fine line pen and a medium pen, and layer watercolor to build expressive linework and stone texture with tile roof detail and shadows.
Master brush pen techniques to deepen shadows, anchor linework, and model architectural features like tiled roofs, windows, and stairs, then apply watercolor for light and shade.
Master layering watercolor for a street scene: use wet-on-wet for sky and wet-over-dry for walls with cobalt blue, Naples yellow, and ochres, while preserving white highlights.
Keep the first layer completely dry, then sharpen edges and refine shapes and foliage with controlled wet-on-wet blending, using yellow ochre to unify the blue-purple shadows.
Learn to capture bustling street scenes with quick perspective, measure angles, place rooflines, and use selective linework for inviting, depth-filled sketches in your sketchbook practice.
The best part of travel sketching is capturing lively, bustling street scenes, whether it’s a big city like New York or a small village in Europe.
To do that quickly and accurately, it helps to have a grasp of the basics of perspective.
In this class, we’ll work on simple one-point perspective with New York as our model.
Then we’ll go to France and look at a village scene where those rules of perspective have to be tweaked to handle a sloping, winding road and a jumble of buildings that are lined up in a row.
Finally, we’ll go to Italy and work on adding just enough detail to really capture all the elements that make a scene so compelling.
Using pencil, ink, and watercolor, we’ll work on:
Perspective
Light and shadow
Varying line weights
Differences in color and shading in the foreground and background
What details to focus on, what to simplify, and what to leave out entirely
By the end of this class, you’ll have all the skills you need to incorporate lively street scenes into your sketchbook practice, when you travel and also in your own neighborhood.