
Explore musical theatre singing with techniques across classic tunes, Tin Pan Alley, Rodgers and Hammerstein, Andrew Lloyd Webber, and contemporary shows, plus vocal health and audition tips.
Learn about course resources vetted by a media lawyer, including distinct copyrights for songs and recordings, with posted full recordings for four months on YouTube and provided chord sheets.
Trace the roots of modern musical theatre in music hall and operetta, and master breathing, speech quality, and projection for auditions.
Analyze vocal qualities in why am i always the bridesmaid by listening to the Lalime Morriss version, noting operatic, twang, and mixed styles with chords and backing track.
Listen to Daisy Bell and analyze the vocal style from a YouTube rendition, compare operatic and speech-like tones for men, and practice with a karaoke track.
Master breathing fundamentals for singing, using intercostal breathing to support phrasing, avoid shoulder tension, and practice slower breaths for consistent tone in musical theatre.
Explore speech-quality in music hall singing by using a conversational street style and speaking voice phrasing, then apply tilt to access higher ranges with an operatic style.
Learn the twang technique to brighten the voice, nasal resonance, and projection in musical theatre, with exercises and scales to strengthen the epiglottis sphincter for higher notes.
Explore operatic vocal technique within musical theatre, mastering a low, tilted larynx for resonant, classical quality, and practice with guided exercises like singing 'happy birthday'.
practice singing with karaoke tracks and piano accompaniments from abrsm and YouTube, select tracks, use the lyric pdf, and share mp3 clips for feedback.
Explore Tin Pan Alley and the American songbook, from sheet music and song publishers to Gershwin, Berlin, Porter, and Kern, shaping musical theatre vocal styles.
Explore show-style singing in someone to watch over me, focusing on twang, a nasal timbre, and american accent, with Ruthie Hounshell's performance, the attached chord shape, and a karaoke option.
Explore Frank Sinatra's swing vocal style in 'but not for me,' compare how various artists have covered the song, and practice technical exercises to mimic his tremolo and phrasing.
Practice sliding 5ths and sliding notes in a jazz blues context, using piano or voice to hear each note, and apply the exercise to your songs.
Explore a melancholic, expressive vocal approach to Tin Pan Alley songs, using subtle dynamics and sympathetic singing to tint lines with emotion, as demonstrated by Nina Simone and others.
Learn to sing Gershwin songs with backing tracks from YouTube, embracing rustic speech introductions and a 32-bar verse-verse-bridge-verse form, plus key selection and feedback.
Explore classic musical theatre vocal skills from the Rodgers and Hammerstein era, focusing on Broadway-style songs, a broad range, difficult intervals, and bridging the passaggio with darkening and lightening signs.
Explore the song something wonderful from King and I in an operatic musical theatre style, listen to 1956 film version, and use the provided link and chords to play along.
Explore singing some enchanted evening from South Pacific, a challenging piece in operatic musical theatre style; listen to the movie version, with chords and backing tracks provided.
Explore range-building with siren and arpeggios, plus a staccato five-note scale, to develop a comfortable, full vocal range.
Explore the passaggio break between chest voice and the operatic upper voice, tilt your voice for higher reach, and practice exercises to bridge the gap with consistency.
Explore falsetto technique and exercises to reach high notes with soft dynamics, using part voice and air flow, including the classic happy birthday example for musical theatre.
Explore the technique of darkening and lightening sound through practical exercises, tongue placement, and speech-like singing to craft a chiaroscuro operatic tone, exemplified by Maria Callas.
Experience challenging Rodgers and Hammerstein songs with guidance on selecting backing tracks, transposing chords to your key, and sharing mp3 recordings for feedback.
Explore Andrew Lloyd Webber's cross-genre influence and Boublil & Schönberg collaboration. Discover concept albums and vocal skills like belting, dynamic control, and discerning speech, twang, sob, falsetto, and opera.
Practice analyzing vocal quality and character portrayal in the song on my own from Les Misérables, using Leah Salonga's performance as a reference to study expressiveness in musical theatre.
Explore difficult vocal technique in music of the night from musical theatre, learn how dynamics shape the character, and get guidance to practice effectively.
Learn to avoid constriction by using retraction of the false vocal folds to open space in the voice, preventing nodules and ensuring notes ring clearly across passaggio.
Explore how to control vocal dynamics and breath to shape voice quality, using twang and falsetto exercises and breathing techniques for quiet and powerful singing.
Explore belting technique and practical exercises for musical theatre, emphasizing safe vocal practice, proper posture, and breathing to avoid vocal strain.
Recap the vocal qualities learned—speech quality, twang, and belt—and practice identifying them in performance, using Claire Burgan's 'I don't know how to love him' from Jesus Christ Superstar.
Build confidence tackling challenging musical theatre pieces, choose suitable backing tracks, and refine projection through technique-focused practice. Explore interpretation and vocal range, and share your sung versions for feedback.
Explore how musical theatre evolved after the Lloyd Webber era, blending chart music with stage shows—from Rent and Wicked to Disney musicals—focusing on words, characterization, and direction.
Perform a beautiful rendition of how far i'll go from Moana, with a recommended Disney version, and provide a video link and related app attachment.
Explore the example song One Song, Glory from the musical wrecked, and access a second video with a linked chord shapes PDA attached.
Stand against a wall to engage core muscles, lift the chin, keep shoulders off, and slowly move up to align the thoracic area, focusing on posture and control.
Master clear diction for musical theatre by sharpening consonants, managing sibilance, and practicing tongue twisters and vowel depth, with Italian phrasing guidance and practical articulation exercises.
Choose a karaoke track that suits you and feels natural, finishing this course with a beautiful encore. Contact me with questions about the technique involved in singing it.
Learn practical tips to protect vocal health for demanding musical theatre singing, including hydrating with two liters of water daily, balancing coffee with water, and using steam to maintain moisture.
Treat auditions like a job interview: study the brief, research the show, and be professional. Be yourself, stay relaxed, handle rejection, stay prepared, and wear appropriate footwear.
Music theatre exams require projecting a character through informed performance and monologue-like singing. Choose repertoire wisely, use acting and breathing techniques, stay comfortable in costume, and perform confidently for examiners.
Wrap up with an introduction to musical theatre vocal techniques and share exam boards, postgraduate programs at the Royal Academy of Music in London, New York, plus career guidance resources.
'This is the real deal voice training!'
Adalberto, Udemy student
'Easy to follow examples with good explanations.'
John Willis, Udemy student
NEW: COURSE NOW INCLUDES FREE DOWNLOADABLE MP3 EXERCISES.
Do you want to be able to sing to the standard of a West End or Broadway star? Learn with an award winning singer.
This is a course for you if you love musical theatre and also want a robust singing course that will stretch you beyond your current vocal capabilities. As well as being focused on music theatre, this course is a bootcamp for all vocalists.
You will learn to be a versatile music theatre singer by studying the singing techniques needed to hit the high notes from the major epochs of musical theatre, including music hall and operetta, Tin Pan Alley and early jazz show tunes (Gershwin, Cole Porter, Irving Berlin etc), classic Broadway music theatre (Rogers and Hammerstein, Kern, Rogers and Hart etc), 70s & 80s music theatre (Andrew Lloyd Webber, Boublil and Schönberg etc) and contemporary music theatre (Schwartz, Menken etc).
In each section, there is a brief introduction to the era and its composers plus an explanation of how the singing techniques of each era developed. We then dive into practical, technical exercises to help you master those techniques. We will look at vocal skills such as:
Expanding range
Mastering voice qualities to make the right sound for each show and character discussed
Dealing with the break in the passagio
Intercostal lateral breathing (required in music theatre exams)
Anchoring
Projection
Belting
Diction
The course will help you to ace musical theatre auditions and exams, help improve your vocal skills in a demanding and competitive field of singing and enhance your overall knowledge of music theatre in a way that will impress an examiner/audition panel. We will also have fun!
You can also send mp3s of your singing for feedback.
Please feel free to contact me with any questions. I look forward to working with you!