
This is course is a more advanced course on ear training, ensure you can match your voice with any given key. if you can't you can take SING ON PITCH #1
The first thing to do to begin harmonizing is to know where to start! This is more of creating or finding notes that will blend with each other. To do this: we will use the knowledge of intervals.
Explore intervals as the distance between pitches that shape chords, focusing on minor third, major third, perfect fourth, and perfect fifth in C major and how to start vocal harmony.
Develop vocal harmony by practicing minor third and major third intervals in ascending and descending patterns with 'What Child is This' and 'Hey Jude', while exploring interval recognition apps.
Master major third intervals by practicing ascending with oh when the saints go marching in and descending with swing low, using interval recognition and singing random notes.
Learn to move vocal harmony with the melody using four motion types: parallel, similar, oblique, and contrary motion, guided by the melody's direction and intervals.
u will need the following software/app for recording your voice:
Android phone users: Loopify or singplay box
Pc users: Download a free DAW called "Audacity"
Learn to set up Audacity for recording, check your mic, choose mono input and output, adjust volume to avoid clipping, add a harmony track, and export mp3 with a plugin.
Learn to use the liquify app to record, listen, and practice vocals by tapping circles to start and stop, then save, rename, and manage color and loop options.
Learn higher harmony by focusing on calling upon your name and striving for worthy harmony, empowering you to sing vocal harmony yourself.
Learn to sing vocal harmony yourself by practicing song one, focusing on lower harmony and the repeated phrases 'I will call upon your name' and 'worthy is the lamb'.
Learn melody through worship phrases that emphasize worshiping in the spirit and in the truth, and highlight beauty in the truth and in the spirit.
Explore lower harmony in song three, with repeated lines about being changed and all things new to practice vocal harmony within this course.
Identify the melody by locating the soloist, then track how it moves to alto, tenor, and chorus, or, if sung in unison, treat the unison line as the melody.
Decide which voice sings the melody based on vocal range and your preferred harmony placement; adjust the key if needed, and note typical ranges: soprano, alto, tenor, bass.
Tips for finding your voice type
Discover your vocal range by testing bass, tenor, auto singer, and soprano notes from low e to high c6, then assess ease, texture, sex or gender, and age.
Apply unison and voice swap to resolve difficult melodies while keeping soprano, alto, and tenor in singable ranges and avoiding voice crossing.
Master blending voices by conducting pitch checks, timing alignment, and vowel pronunciation to ensure a polished harmony before performance or recording.
Submit a recording of you harmonizing a Song
When a harmony is done well, two or more vocal parts come together in an arrangement that adds feeling, depth, texture, and perhaps even a sense of tranquility to a song.
Vocal harmonies involves singers singing different notes that are pleasing to the ear. i.e Soprano and alto singing their various parts
what makes a combination of notes “pleasing”?
I guess it depends on both the intentions of the composer, and the expectations of the listener. So, while a composer writing a “feel good pop song” would never consider smashing their flat hand across the low end of a piano to create a “pleasing effect,” another composer, writing the score for a horror film, might do this very thing to scare the heck out of its audience. To that composer, that is a perfectly “pleasing effect” in that it achieves the intended emotional impact.
This isn’t just random magic: chords are at play. Harmonization happens when musical notes combine into one chord often in thirds or sixths, and then into chord progressions. In a simple two-part harmony, the first person sings the melody and the second sings above or below that melody within the chord structure. In rock or pop music, a backup singer will harmonize with the lead singer by adjusting the pitch of her note based on the lead singer’s pitch so that they are in tune. In doo wop, backup singers would harmonize with each other in the background, taking the place of the instrument.
Some singers, like those involved with barbershop quartets, think of harmony as practically mathematical in nature. When they sing their four-part harmonies, getting it right is a science in which each singer has his or her own role often based on their voice type. For others, the ability to harmonize well is a skill they can’t explain but they’ve developed by listening and practicing, with that perfect harmony buzz as the goal. Many persons who find harmonies hard to explain but easy to sing have grown up in a church setting, hearing and singing hymns when they were very young.
If you find it difficult to find and stick to your voice parts, this course is for you because i started learning harmony at a much later time
Learn how to:
pick out choir parts from a recording
Train you ear to hear/find the right harmonies to any song by ear
find your voice type if you are a soprano, alto, tenor or bass voice
and others