
Discover a mental model that reveals the pattern in scales, letting you solo across the fretboard and improvise melodies without memorizing large scale shapes.
The mere basics needed to understand the words used in this course.
Learn the major scale using two compact shapes, eight notes each, to navigate the guitar fretboard from the C root on the 3rd fret of the 5th string.
Learn three rules for guitar improvisation: proper left-hand fingering, alternate picking, and metronome-based practice to navigate the fretboard and develop rhythm.
Move a single guitar shape across the fretboard to play major scales in multiple keys, with a one-fret shift when crossing the 2nd-3rd string boundary explained via refraction.
Practice major shape 1 through exercises with a metronome, starting slow and focusing on accuracy while exploring scale up and down, three- and four-note groups, and shifting across the fretboard.
Explore major shape 2 for guitar improvisation, building on shape one with string shifts, rooted at the C note on the third fret of the fifth string.
Practice shape 2 with slow, deliberate tempo, using alternate picking and a metronome. Complete scales, groups of 3 and 4 notes, and fretboard-shift exercises across the neck.
Learn the two shapes that navigate and improvise the fretboard in the major key; practice them inside out and combine them to unlock the method's full power.
Learn how two simple shapes combine to unlock powerful guitar improvisation, as you practice and visualize them anywhere on the fretboard, including with string shift.
Merge major shapes 1 and 2 by practicing up and back through the shapes from the same note, exploring variations such as starting from shape one or shape two.
Learn to merge major shapes in guitar improvisation by visualizing fretboard shapes and transitioning between shape one and shape two at shared notes.
The lesson merges two major guitar shapes by aligning identical notes, showing the notes share the same frequency and that the third note acts as a link between the shapes.
Merge major shapes 2-1 with a string shift; practice shape one and shape two from fifth-fret C on the third string, then alternate and visualize the other shape for improvisation.
Learn to navigate the fretboard by dividing it into four zones and using major shapes to move right, left, up, and down, then practice merging shapes for solos.
Apply major shapes to improvised guitar lines by starting from the key note on the fifth string, mixing shapes with a metronome or backing track, and developing recurring melodic phrases.
Learn a practical method for guitar improvisation by visualizing fretboard shapes and navigating from root notes, switching between shape one and shape two to develop melodies on the spot.
Master the fifth fret tuning rule on the guitar. See how notes align from open strings to the fifth fret, with exceptions on strings two and three.
Apply the two by two rule across the fretboard to locate the same note an octave higher, using the shift line and the two by two box.
Master the Caged method to locate notes and their octaves on the guitar using the C and G shapes, the box rule, and the shift line.
Count notes alphabetically on the six-string guitar to improvise, using open string e as reference and the b–c and e–f fret steps for counting notes.
Practice finding notes on the fretboard across all positions, using open strings, the C and G shapes, and box patterns to locate F, E, and other notes.
Explore two eight-note shapes of the minor scale and shift them across the fretboard, using the pinky on the fifth fret and notes on the second and third frets.
Practice the first minor shape across the fretboard with progressive exercises: up and down, groups of three, and shifting positions with a metronome to play in any key.
Master second minus scale shape in a minor, with simple fingering: five-seven-eight on fifth string, then four-five-seven on the next, using index on fret five and ring/pinky on seven and eight.
Practice minor shape two exercises across the fretboard, mastering up-down patterns, group-of-three notes, and root notes in G minor; use proper fingering, alternate picking, and a metronome, playing slowly first.
Combine minor shapes one and two to cover the fretboard, visualize them quickly across the board, and use the two shapes in soloing with opposite directions.
Learn to merge minor shapes 1-2 by transitioning at shared notes, starting from e on the seventh fret or from the top, and visualize the moves for improvisation.
Merge the two minor shapes by placing shape one right of shape two. Play shape two to the seventh fret on the fifth string, finish on twelfth fret E.
Switch between minor shapes by using shared notes as bridges to transition from shape one at the 12th fret to shape two across the strings.
Move in four directions across minor keys using simple shapes, demonstrated on the seventh fret, third string. Mirror shapes to go in any direction.
Master improvising with two minor shapes to fluently navigate the fretboard in e minor and g minor, alternating shape one and shape two for fast routes.
Improvise in E minor by using two minor scale shapes, starting from the open E string and locating root notes on the fretboard, then develop melodies across octaves.
Practice regularly to navigate the fretboard and create melodies through improvisation. Build your vocabulary by studying solos and techniques, jamming with friends, and improvising with songs in any key.
The core of this course is simplified mental model, that, when fully grasped and applied, will change the way you visualize the major and minor scales on the fretboard.
Both major and minor scales have only 7 notes, so why should the scale shapes be any longer or more complex? So thought I every time trying to improvise using the 5 scale shapes, each time guessing, which one out of the 5 shapes should I use. They just didn't work for me, so with time I came up with a simpler way to play scales, based on understanding the structure, not memorizing the big long shapes.
With just 2 small shapes combined together, and one simple rule how they are moved across the strings, you can easily cover the whole fretboard.
The key to better understanding is that in this course all the diagrams are drawn directly on the guitar, so you don't have to guess behind the fingers, what notes are being pressed, or do the tedious mapping between the whiteboard pictures and the fretboard.
This course also has a quick music theory introduction, so that you can understand the words used in this course without any music theory background, and a simple method to finding notes so that you can play in any key.