
Explore the enjoyment of short stories through memorable reading experiences, while learning basic story structure and literary devices, including exposition, rising action, climax, falling action, and denouement.
Explore how the title signals meaning and how setting, plot, and conflicts shape the protagonist's world, with attention to author and narrator roles.
Explore core literary devices such as hyperbole, imagery, irony, and foreshadowing, and learn how they shape short stories, poetry, and novels for clearer analysis and enjoyment.
Explore Stephen Leacock's life and humor as we analyze his short story 'The New Food,' focusing on hyperbole as a core literary device with illustrative examples.
Explore how predicting what happens next in a story keeps you engaged, using evidence from the text, practice with twists, and express predictions through writing or multiple-choice exercises.
Explore imagery and allusion, and how diction creates verbal pictures that engage the five senses; analyze the festive table scene where a pill of nourishment stands in for Christmas dinner.
Explore how the climax heightens the story’s conflict and pivots toward a turning-point resolution, using hyperbole and prediction around the new food moment.
Explore satire as a humorous device to critique human vices and trace denouement and resolution in the short story, where the new food causes the pill to expand.
Explore the satirical 'the new food' by Stephen Leacock, examining humor, cautionary themes, and ideas about revolutionizing the future of food.
Explore Anton Chekhov's country cottage through vivid imagery that builds mood and atmosphere; study personification and anthropomorphism as a newlywed couple shares a moment by the station.
Explore foreshadowing as a narrative device in Chekhov's country cottage, and how prediction, anthropomorphism, personification, mood, and structure guide reader interpretation.
Chekhov's a country cottage uses simile and metaphor to create vivid imagery, while foreshadowing and prediction shape the arrival of Varya, Sasha, the governess, and the grandmother.
Examine the story's climax, major conflict, and resolution within a country cottage, tracing how Sasha and Varya confront relatives, the moon's shifting mood, and their fragile relationship.
Explore Chekhov's 'A Country Cottage' through Sasha and Varya's evolving dynamics, the moon as a character, and the chaotic arrival of family, illustrating shifting mood and connections.
Explore Kate Chopin's the story of an hour through in media res, imagery, irony, mood, foreshadowing, and diction, while engaging with short story structure and feminist literary themes.
Use vivid imagery to explore emotional states in Kate Chopin's the story of an hour, revealing changing emotions through scenes at the open window, spring rain, blue skies, and sparrows.
Reveal epiphany as a turning point in the story of an hour, as the heroine senses something approaching, seeks it, and experiences freedom through suspense, withheld information, and diction.
Analyze how diction shapes imagery and meaning in Kate Chopin's The Story of an Hour, exploring rationalization, self-assertion, and the moment of personal freedom.
Examine dramatic, romantic, and modernist irony—where what is said differs from meaning or what the audience knows—and see how in the hour-long story joy that kills.
Explore how Kate Chopin's story of an hour uses concise diction and a brief timeframe to reveal the protagonist Louise's psychology and complex feelings.
Examine the narrator and the author-narrator boundary, compare first- and third-person points of view, and consider unreliable narration in Dead and Gone.
Explore how the narrator's reliability, foreshadowing, vivid imagery, and intentional diction—with similes—reveal Grandpa's character and the family's response to loss.
Explore how contrast, diction, and figurative language illuminate the short story's structure and rhetorical devices as the narrator recalls grandpa and processes loss through memory.
Explore the conflict and the approaching end of the story as the narrator confronts loss at Grandpa's funeral, in a heavenly setting, recalling memories while the priest speaks.
Explore how the title 'dead and gone' guides interpretation and how the story's point of view shapes the reader. Engage with the child's panic, endings, and connections to writing essays.
Explore the egg as a stream of consciousness through a first-person interior monologue, revealing a narrator's evolving sensations, home, warmth, time, and the transcriber's intrusion.
Explore how suspense builds anticipation in stories and films. The egg story reveals restless transformation, dwindling nourishment, and a chilling sense of the unknown.
Explore the egg's narrative point of view, comparing first person and third person narration while examining how suspense, humor, and personal interpretation shape readers' connections to the story.
Keep reading to spot the elements, devices, and short story structure in stories and novels, enhancing enjoyment and understanding, and connect with Ron Johnson for further courses.
Explore Mark Twain's celebrated jumping frog of Calaveras County, a humorous short story of Jim Smiley's betting on everything, and the frog Daniel Webster.
Relax and enjoy poetry, then annotate and reread to uncover subject, title significance, and meaning. Analyze language, devices, structure, tone, and mood to support your interpretation.
Bonus videos added:
* The Celebrated Jumping Frog of Calaveras County - July 2024
* Tips for Reading Poetry - July 2024
This course is especially for personal development although there are some academic components.
It will be up to the student to determine how in-depth they want to delve into the assignments. They can simply enjoy or they can dig deep.
Reading short stories is more than reading. It is about engaging with the material, the author, the structure, and literary devices that amplify and deepen our understanding and appreciation.
We will be reading a number of short stories, three older stories from famous authors and two stories by yours truly.
We will be looking at the basic short story structure as well as elements and literary devices used by authors, including hyperbole, prediction, imagery, allusion, satire, personification, mood, foreshadowing, similes, in media res, and much more.
The primary goal, however, is to spark enthusiasm in the process of reading. By looking for and extracting more meaning and connections within various texts, the more we can grow and celebrate not only the story we are reading but the whole network of knowledge around fiction – and non-fiction!
We also discover a lot about ourselves through the thoughts and ideas of others.
It is truly incredible how healing learning can be, and learning through fiction can be as simple or as complex as we like.
My wish is for students to fully enjoy the stories while, at the same time, exploring arenas they might never have broached otherwise – not only the stories we cover but in their future reading endeavors as well.