
This lesson is present in both courses, with a small variation. This is an introduction to classic SF, a little of the history and the basic conventions.
This lesson digs into the work of the authors who defined the genre, to find the common values at the core of Space Opera; the foundation that makes it instantly recognizable as a genre.
This is the course outline. Try not to think too hard about the recursive nature of reading the description of the lesson that describes all the lessons. Unless you want to write “weird SF” in which case, definitely do think too hard about it.
The complete outline is available to download in the resources section.
There's a lesson with this name in both courses, but the lessons themselves are different, and mutually complementary. They deal with the sometimes thorny issue of what makes some science fiction harder and some softer.
This lesson is almost identical to the lesson of the same name in the sister course. In it you'll learn about Science Fiction's uncertain relationship with the future and with futurology.
You'll also learn the key technique of "Lighthousing" for managing your reader's expectations.
In this lesson you will learn an approach and some methods, to ensure you build the right kind of Universe for a Space Opera to take place in.
About working with multiple main characters, this lesson covers the uniquely social nature of the characters in Space Opera, and how not to get it disastrously wrong.
The next lesson is on the nature of, and how to create, the main characters in Space Opera – in particular, how they differ from the characters in much of the rest of fiction!
The third is about the essential role of secondary characters in a Space Opera story and its Universe. In particular, how to use them to enhance your main characters, without giving the reader too many names to remember.
The last course where I use an operatic metaphor in the title! In this lesson you will learn the gold rule of Space Opera plotting: "Short Stories, Long Arcs." You'll also learn the importance of outlining, and what elements of the plot need to be outlined.
This lesson is in the form of a summary of the main points. The summary, along with the assignments, will help you to solidify the lessons of this course, as well as providing a sort of prompt-sheet, for when you go back to your SF WIP to apply the lessons you will learn here. The full script of the summary is available as a handout. Feel free to print it out and use it as a wall chart!
This is a bonus lesson in the broad and accepted definitions of Science Fiction; an opportunity to deepen a little your knowledge of the genre.
Do you want to write a book?
In particular, do you want to learn about writing a book in the genre of Science Fiction, Space Opera?
Do you love classic SF?
In these two courses, I'm going to show you some of the familiar conventions and tropes of 20th century SF. I'm going to show you how to approach plot, characters, world and story to create a convincing, optimistic vision of the future, at the same time as a satisfying read. But I'm going to apply, as I expect you to apply, experience and judgment to those conventions and tropes. I'm going to show you what's wrong with the way that both classic and contemporary SF is written, show you how to adapt the tropes and conventions so they will be meaningful to readers.
You will learn:
What makes it SF
How to define your rules for following the conventions of SF writing
How to build an SF Universe suitable for Space Opera
How to create characters for Space Opera
How to compose a group of main characters
How to conceive and design the plot of a Space Opera
All the images used in the course are either original or NASA images in the public domain.