
An overview of the pencils that we'll be using in the course, mostly the darker black ones from HB to 10B.
Let's start with the very basic. Pick up your 2B/HB pencil in hand, bring the paper and follow the instructions. Line drawing techniques are a great way to open your hand and understand the flow of the pencil. See where it takes you.
Blending is an important part of shading, so that there is a gradual flow of dark to lighter tones and vice versa. We're using the same pencil throughout.
Let's bring the blending further with laters in a narrow standing box.
We will be studying 7 main types of strokes in type of object i.e. a round ball. Some of the strokes we already know and it may have come naturally to us before as well. Here we are looking at
1. Hatching
2. and Cross Hatching
The next two are
3. Scribbling
4. Circling
and then comes
4. Stippling - see if you want to use a darker pencil for this, or perhaps a black ball point pen instead (optional)
5. Contour lines
6. and the last a mixture of all -called good old fashioned - blending
A quick recap for all of them by giving a shadow to each of them - with the same flow of pencil strokes
Now that we have an idea of the strokes and styles, let's work further with blending them out in shapes, draw a cone with imaginary light coming on the left.
Further practice, imaginary light on the right side of the cone
Have you ever stood in the middle of the road and noticed how the trees and lamp posts are getting smaller as they’re getting further away? One point perspective becomes very useful in understanding how objects such as boxes gets narrower when away from us. Understand vanishing point - which is only one here - connecting the corners.
Two point perspective - we have 2 vanishing points and study how the box turns when its corner is towards us. Followed by a simple shading cross hatch technique with the darker pencil.
Move to everyday object, making a coffee cup from imagination and adding your own light. Try it out with your cup - whether its got the curve or just straight on the edges
Sometimes a simple apple drawing can be a bit tricky in bringing the shape and the curves, not to mention shading it out. Go along with the lecture and feel free to use the eraser in the middle and for fine-tuning it out.
Drawing an imaginary face, it doesn't have to be the same as this one but as long as you follow the steps and where the starting feature is and then building it across with the remaining features and then the shape of the face followed by the hair. Best to get the eyes, nose lips placed first before doing the outlines
Let's draw an imaginary pear and understand where the light is coming from.
Follow along in practicing lines and pressure techniques by a quick practice of curves, and then bringing out flowers of your choice. As long we get the dark and light pencil pressure - you'll be great!
Let's loosen our hand in moving towards a larger drawing - of trees. More freehand strokes and movement
Time to sit out in the open and observe with natural light. Isn't it soothing to do live drawing with the entire composition already laid out in front of you? :) The photograph and the final work are attached in the resources.
A little recap in the beginning to the horizon line and one point perspective. A deeper drawing of meadows, hedges, trees and a barn, studying the light and bringing in gradation.
Soft pastel are light, soft (as per the name), quite chalky and mess your hands fast - but you'll love them! It's an easy medium to begin with where the main blending tool is your fingertip - that's it.
Let's study on how it comes to play here with colours alongside a comparison and a recap to pencil blending. We'll work once again on 2 balls, one with pencil and the other with soft pastels - you could select any colour of your choice. If you don't have soft pastels, try out the left ball only.
Bringing in the apple again, this time in colour, and that too in green!
These are water colour pencils which blend well with just the right amount of water. An introduction on how to blend it up with layers, same as pencil strokes but only this time with colour
Choosing a family of colours which are speaking to each other - dark and light of each colour and also a great recap exercise to blending and gradation.
We all have been sketching or scribbling since we were little, and probably know how to pick up the pencil. But do you know how to hold it? What makes some strokes dark, some light? Is it only with special kind of pencils?
Starting from the very basic of making lines, bringing out different shapes and then towards realistic objects followed by nature, let's build it up little by little.
We will be understanding how light plays an important role in adding to the realistic shapes, tones and on how to hold the pencil, what type of pencil and its pressure techniques.
If you already have a good idea on drawing but not getting the shading and gradation with the pencil, then this course will help you along your artistic practice.
We will start with making lines and understanding how pencils can vary but sometimes one pencil if gripped right, can do all the magic. We'll work with shapes and alongside jump right at it by shading them by placing imaginary light from different angles. There are many directions in which the pencil moves during the shading process and that's what we'll go deeper into. This will be followed by an overview on perspective drawing, everyday objects, portrait drawing and then towards nature and landscape followed by an introduction to blending in colours.
By understanding pencil shading and lighter and darker tones, there is an extra section with an introduction to colours - namely water colour pencils and soft pastels.
I will be available throughout the course and will be responding to any queries that go along the way. It's an interactive course where you can work alongside and keep pausing and moving along with the pencil towards many striking strokes and adding depth and richness to your drawings.