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2021-01-13 20:51:53
30-Day Money-Back Guarantee
Design Graphic Design & Illustration Photoshop

Seamless Photoshop Repeating Background Pattern

Create a Pattern with No Visible Seam
New
Rating: 0.0 out of 50.0 (0 ratings)
0 students
Created by Delores Orridge Naskrent
Last updated 12/2020
English
English [Auto]
30-Day Money-Back Guarantee

What you'll learn

  • How to create a seamless background texture tile
  • Students will learn to create a background tile with no noticeable seams

Requirements

  • Basic Photoshop skills are an asset
  • Knowing the basic functions in Photoshop reduces confusion

Description

Hey there! Thanks for your interest in Repeat Textural Backgrounds for Pattern Design Swatches. A seamless pattern is an image that can be placed side-by-side with copies of itself. Ideally, there are no visible seams, so you can repeat this image and create a pattern that can go on infinitely to create unique backgrounds, text effects or brand elements. Often, we need a textured background, or a texture to overlay other objects. Most of the time we need a seamless tile so that it can repeat indefinitely. Tiled textures work well with repeating patterns. With a tiled texture, you can create a small image file, then make it repeat several times across the object. It is not necessarily just for use in pattern design. I personally make use of these in my illustrative work as well.

I have geared this class specifically in response to a student who wanted to produce a soft texture behind line art flowers she produced in one of my other classes, Textural Floral Pattern Design with the Photoshop Extension Textile Designer.

Creating a seamless repeating pattern is quite easy using the methods in this class, Repeat Textural Backgrounds for Pattern Design Swatches. The easiest way to show you the concept is with quick demonstrations, so I have tried to keep all the lessons short and to the point. I am using Photoshop, but the concept is what is important. This works fine in Gimp and other software that has an offset filter and a rubber stamp or cloning tool with the same functionality.

It is best to start with an image with a relatively even and continuous tone, but I demonstrate with a watercolour and later with some line art. If your image has an obvious element on one side and is light on the other, it will show and it will be more difficult to work with, but I show you how to make it work. I then demonstrate using that tile in the background of the repeat pattern I made in my class Troubleshooting Adobe Textile Designer Issues.

This is a great course for you to take no matter what your purpose for the end pattern swatch you create. Start straight away, so you can be benefitting from your knowledge immediately in your art practice!

Who this course is for:

  • Surface Pattern Designers, web developers, textile designers, artists, graphic designers

Course content

1 section • 6 lectures • 35m total length

  • Setting Up and the Offset Filter
    06:58
  • Preview03:51
  • Finessing the Outside Joins
    04:07
  • Testing with Adobe Textile Designer
    08:49
  • Playing in Illustrator
    03:50
  • Half Drop Repeat Tile
    07:59

Instructor

Delores Orridge Naskrent
Veteran Designer/Teacher with 30+ years of design experience
Delores Orridge Naskrent
  • 4.0 Instructor Rating
  • 98 Reviews
  • 424 Students
  • 42 Courses

Hello, I'm Delores. I was an art educator for 30 years, teaching graphic design, fine art, and theatrical design. My own education took place at college and university, in Manitoba, Canada, and has been honed through decades of graphic design experience and my work as a professional artist, which I have done for over 40 years (eeek!). In the last few years I have also been involved in art licensing with contracts from Russ, Artwall, Studio El, Trends, Metaverse and more.

This is where I say something existential or clever about my inspiration: The colours of nature and my intuition guide my art: my most generous muses are light, sunshine, and flora. My work ranges through multiple media: my confidence with acrylic paint, ink, marker, collage, pencil, pastels, pencil crayon, watercolour, and digital painting provide many ready paths of self-expression.

But to be honest, often I don’t plan how a piece will ultimately look, but work in many layers, creating new relationships and deepening the complexity, intricacy and subtlety of the images over time. Once complete, I use this art for greeting cards, wall art and many other pieces I sell though art licensing and on products I create for my store. The bottom line? I love to experiment and mix both natural and digital mediums to create everything from very commercial work to very non-commercial fine art abstract paintings (and yes, I do sell these, so I guess they are commercial after all).

I am so excited to share my knowledge with you all in the Udemy universe as this has been one of my favourite haunts. I feel privileged and excited to become an online teacher here amongst some real stars in the art world. Please join me in my classes and follow me. I am sure we will have tons of great adventures together (oh my, so cliché). Anyhow, here we go...

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