
Introduction to Roman art traces Etruscan foundations and Greek influence, surveys the four painting styles, and highlights Roman sculpture, portraits, busts, ceramics, and mosaics.
Trace the Etruscan civilization as a direct predecessor of the Romans, with Greek influences, tomb murals, and the founding of Rome by the she-wolf Romulus and Remus.
Trace the origins of Rome from the seven hills and the Tiber River to early Palatine Hill huts, postholes, and the triad of crops—bread, olives, and grapes.
Explore how Greek art influenced Roman sculpture, from temples in southern italy to roman copies that advance realism, with figures like julius caesar and cleopatra.
Explore Roman painting through Pliny the Elder's account of wall frescoes and the four styles, tracing development from myth and landscape to war scenes.
Explore the first style of Roman wall painting, imitating marble on plaster with masonry-like veneer and plinth, then the shift to architectural illusion in the second style.
Explore the second style of Roman wall painting, which imitates architectural forms with door renderings and columns, showing objective depictions of daily life, plants, fruits, and mosaics on plastered stone.
Explore seven undisturbed Roman bedroom frescoes at the villa near Pompeii, showcasing advanced mural techniques, early one-point perspective, atmospheric perspective, and marble-imitating columns within a richly preserved interior.
Explore Roman second style figurative art, revealing naturalistic human figures, depth, and proportionality in Pompeii scenes like the Villa of the Mysteries and the dionysiac cult, contrasting with egyptian works.
Explore the third style of painting, known as the Manresa style, circa 20 b.c. to a.d. 65, featuring a white background, slender columns, and light, airy figures in Pompeii frescoes.
Explore the fourth style of Roman wall painting (65 to 79) from Pompeii, highlighting baroque features, proportioned architecture, revived figurative art, fresco techniques, pigments, and garden scenes in Pompeian interiors.
Explore how Roman sculpture evolved from Etruscan roots to masterful nude and draped figures, blending Greek influence, advanced anatomy, and techniques like lost-wax method for bronze and marble subtraction.
Roman sculpture captures precise likenesses in portraits and busts, surpassing Greek styles through keen observation and realism, with togas and facial features revealing history through figures like Caesar and Augustus.
Explore Roman ceramics and amphoras, the ship-fitting storage jars, alongside glassware and plates and bowls from Cologne and other Roman colonies in Germany.
Explore Roman mosaic art from Pompeii and beyond, featuring floor flagstone mosaics, hunting scenes, mythological imagery, elegant borders, water-protective designs, and iconic works like the Dionysius mosaic.
Examine the course catalog for roman art by analyzing a repetitive, emphatic delivery that centers on the phrase 'it's over' and playful interjections like 'birdie' and 'bernie'.
In this course on Roman Art we cover the following subjects. •Before Rome, The Etruscans, •The Foundation of Rome, •The Greek Influence, •The Four Styles of Roman Painting, •The First Style ca. 200 – 60 BC, •The Second Style ca. 60 – 20 BC, •Cubiculum M of the Villa of P. Fannius Synistor at Boscoreale, •Figurative Art in Roman 2nd Style Paintings, •The Third Style ca. 20 BC – 65 AD, •The Fourth Style ca. 65 – 79 AD, •Full figure Roman Sculptures, •Portraits and Busts, •Roman Ceramics, •Mosaics. This is an in depth, first hand, Master course for those seriously interested in Roman Art. It is also, like all my other courses a vehicle for introspection and reflection. Welcome. I teach lecture courses and studios as I wish they would have been taught to me. Much of the graphic material in my lectures is taken or generated first hand directly by me on site. I teach to learn. I teach subjects as I wish they were taught to me. The Mission Statement. Education is a tool for the improvement of successive generations. I hear and I forget. I see and I remember. I do and I understand. Confucius
This course is designed under the premise that humans should be taught in a way that is modeled after the educational patterns of evolution.
The design, development and application of educational systems based on the educational principles of evolution generates a philosophy and methodology of education in synchrony with the evolutionary education system that is firmly and deeply rooted in each of us.
Education for evolution is an educational system designed to help propel humans forward in the natural course of evolution. The purpose of education for evolution is to enhance and strengthen the natural evolutionary process of humans through the mechanism of education. The means to achieve this objective is the design of a curricula based on the same educational techniques and strategies used by natural evolution, enhanced and guided by the application of conscious educational decisions.