
Choose a single point of view for your short story, exploring first, second, and third person narratives, and learn how an unreliable narrator reveals bias and emotion.
Explore the three main types of third person point of view—limited, omniscient, and objective—and learn to choose the best perspective for your story.
Craft a fitting title that crystallizes your story and grabs readers' attention, exploring options like a sentence from the story, a place, an object, or a character.
This lecture teaches how to create internal conflict by challenging the protagonist's beliefs and moral code, showing how emotional dilemmas and tough choices drive the plot.
1.Learn to differentiate between direct and indirect characterisation. 2. Learn to identify the type of characterisation used in a short story.
Learn how to read and write a short story by analysing texts from both international contemporary and classic authors as varied as Anton Chekhov, Richard Yates, Shirley Jackson, James Baldwin, Kurt Vonnegut, Flannery O'Connor, Katherine Mansfield, Margaret Atwood and Chimamanda Ngozi Adichie.
By the end of this course you will have:
1. Learnt how to critically analyse and appreciate a short story for its technique in delivery;
2. Prepared the first draft of your own story;
3. Read a range of stories by international authors;
4. Been making notes of your own observations, experiences and emotions to help you write; and
5. Experimented with different aspects of the writing craft.
Sign up if you love reading short stories, have always wanted to be exposed to a more diverse range of authors and want to write one of your own.