
Explore how you are so beautiful to me in the introduction, and how you are everything I hope for and everything I need.
Explore a logic-based piano program that lets you play in every style instantly with minimal practice, taught by jazz pianist Amnon Feldman.
Engage in a professional piano course for all levels with an energizing, 'let's do it' approach to start practicing and progress confidently.
Learn the piano notes across the keyboard and master major chords quickly by counting from the root to the fifth, using 1-2-3 finger positions for an open hand.
Master the three major categories - bass note style, open voice, and block chord - and combine left-hand bass, right-hand melody, and chords across songs at speed.
Learn proper seating to reach both ends of the piano without moving your chair, avoid sitting too close, and practice slow, hard touches to embed speed and technique.
Explore blues origins in Africa, learn the 12-measure blues pattern, and practice piano with left-hand bass and right-hand chords in C, F, and G.
Develop blues playing with a steady rhythm while talking at the same time; this homework trains coordination for right-hand melodies in the next lesson.
homework 2 in the professional piano course for all levels. homework 2 in the professional piano course for all levels.
Explore blues based on five right-hand notes A, G, E flat, D, C with a left-hand bass C, E, G, C, and practice two-note figures with fingers 2 and 3.
Learn to feel the keyboard by linking musical notes to numbers, practicing right and left hand patterns to hear how one, two, five create simple, personal melodies.
Learn to count notes, not durations, using eight, quarter, and six eighth notes, with half notes tied to quarters, plus triplets and sixteenth note patterns like one e and a.
Play a simple five-note arrangement of when the saints with right-hand melody and left-hand bass, using quarter notes as a metronome, and plan a richer bass in stage two.
Enhance this piece by crafting two-measure bass lines in left hand, keeping bass low above e, while the right hand adds chord tones, especially the third, to preserve rhythm.
Borrow the eight-note feel from jazz greats to treat each beat as uneven, emphasize long and short notes with do and ba, and sing the rhythm for spacious tone.
Modernize the blues within 12 measures by introducing c, f, c6, and c7 changes, exploring various baselines and emphasizing the last eighth-note g7 to f7.
Master piano technique using the popular United States song he's got the whole world in his hands, focusing on syncopation and coordination for players at all levels.
Practice six- and seven-chord voicings with the right hand on the sixth and seventh of C while the bass outlines the one-three-five-eight; keep the bass steady and don't rush.
Learn to identify the one, three, five, six, seven, nine, eleven, and thirteen chords across keys, and boost speed through mental practice and the musical sudoku game.
Explore Daniel's Blues with hands-on practice of left-hand baselines inspired by Ray Charles, comparing modern eight-note patterns (long-short) to classical phrasing and choosing comfortable baselines.
Learn the enduring one six two five chord progression (I-vi-ii-V) in piano, with C major examples and familiar songs built on this pattern from the 50s.
Learn to play the piano by practicing with familiar tunes like Blue Moon; the more you play, the better you get, and you can create your own songs.
Practice the left-hand bass pattern 1-6-2-5 evenly, while selecting right-hand notes from chord tones and exploring common notes across chords to build know my way.
Explore two-measure bassline patterns over chords to keep the groove moving, avoid a boring sound, and apply the boogie approach to songs like Rock around the clock.
Explore the pentatonic scale, a five-note pattern ideal for creating original music and improvisation. Use rhythmic variation with notes C, Eb, F, G, Bb to shape a distinct sound.
Explore the blue note scale, a six-note blues scale that fuels improvisation. Start with two notes, C and E flat, then add rhythm ideas to shape melodies.
Explore how embellishments beautify chords by adding notes before chord tones. Land on the chord note at the end of each phrase, with half-step approaches before C, E, and G.
Explore embellishments to beautify the melody by adding notes before the target note, such as G, G flat, or approaching E, and learn to play the same song with embellishments.
Develop piano embellishments as you continue to embellish The House of the Rising Sun for all levels in this course.
Learn the open voice piano style with left-hand one-five-seven and right-hand three-seven, melody on top. Keep within one octave, adjust sevenths, and practice two measures at a time.
Learn the block chord style for jazz, emphasizing the third, seventh, and ninth, with notes chosen for comfort; explore chords like C79, F9, Bbmaj7, C6, Dm7, G7 flat9.
Moon River, in block chord style with open voice, is played chord by chord while the melody sits on top, with left-hand one-five and right-hand melody notes.
If You can count to 5, I will teach you how to use a Simple Secret System, and almost in an instant you will be able to play the piano, in any style you wish.
I do not want my students to waste time learning any of the old concepts they never going to use.
I do not want to teach my students anything that is not going to improve their piano playing, or voice training.
What makes this program so special?
It's the only program that gets you to play a professional in the leasr amount of time.
It's the only program that shares with you musical shortcuts and secrets even professional musicians don't know.
The only program that makes it so simple to understand that all you need to know is to count from 1 to 5 and you will instantly know and understand every chord. You simply cannot find an easier program just about every one can count from 1 to 5. That's how simple it is, even little children are using it.
Once you know the secrets you can sound like a professional in the shortest possible time.
"It does not take a lifetime to do it"
When I was in the begining of my career I asked my teacher to share with me a very simple melody pattern I heard on the radio. My teacher and other teachers, all refused to teach it to me regardless how bad I wanted it.
Finally, a famous great musician and composer Willie Dixon who I recorded with yesrs later at the "Chess" Recording Company, opened my eyes to the simple musical secret everyone can use. I'm sure the musical secrets and shortcuts are the main reason for my success and the ability to play at my level of playing.
I am embarrassed for those teachers who hide such great information from their students.
This amazing secret pattern can be used by every level of playing, from a complete beginner who never played before, to the most advanced student or teacher who wants to play better. It provides everyone with musical tools and ability to play on every level from the beginning level, to the most advanced, even the ability make their own music at an instant. As soon as the students become aware how wasy it is, they get to feel so much freedom and confidence in their playing, that in many cases they no longer fell the need for a teacher. Yes, You can be one of those student who can get to play like a professional for the least amount of time, and the least amount of money.
Even when the student learns only one of the secret, he becomes more confident in his playing, and understands how music really works. For the first time he starts to sound like a real pianist.
Just imagine how your friens and family will feel when they get to listen yo you play. For the first time you will know and understand the reasons for every move you make in your playing. It's amazing how one little secret can give you ability to play, and even make your own music with complete confidence.
I will share this secret with you together with other musical secrets I'm using in my playing, and you will realize It does not take a life time to learn to play.
I know you want to get results the fastest way possible as a part of my teaching I share this secret with my students in the first or second lesson, and i will share it with you as well.
Maybe some piano teachers may get offended because of this, but my students are extremely important for me and i prefer not to consider other teachers feelings and to share everythingI know with my students as soon as possible as I've been doing exactly that with over 40,000 students privately, in classes and seminars.
Because the program based on logic and the students understand the reason for every musical movemebt, they can choose to play any kind of music they wish: BLUES, CLASSICAL, POPULAR, COUNTRY, JAZZ, ORIGINAL.
One the students understand the simple logic in music they easily master the ability to play and perform in the shortest possible time.