
Trailer for the course explaining what will be covered
Classifications of budget levels and the kind of production this course is aimed at
Neil's experience as a producer and elsewhere in the film industry
Tips for successful crowdfunding
Understand the role of the producer in originating and managing a production
The pros and cons of the producer also being the director or writer-director
Demonstration of creating a script breakdown in Google Sheets
Script breakdown demonstration continues with several more example scenes
How to arrange a script breakdown into shooting days, a precursor of the schedule, to determine how many days key props, cast, locations and so on will be needed
Learn why having figures budgeted is a vital part of making even the most low-budget film
A discussion of the ethics and other considerations around a voluntary cast and crew
Discussion of several different methods for arriving at budget estimates
Neil shows and discusses the topsheet of the budget for "Ren: The Girl with the Mark" Season Two
Neil shows and discusses the detailed budget lines for "Ren: The Girl with the Mark" Season Two
Neil shows and discusses the actual spend for "Ren: The Girl with the Mark" Season Two
How to make an initial approach to a location
What to look for on a location recce (scout)
The considerations and practicalities of building sets
How and where to advertise for cast, and what to include in the ad
How to manage in-person auditions
The pros and cons of casting 'names', i.e. well-known actors
Discussion of the biggest and most common mistake in low-budget film scheduling
Neil shows and discusses the shooting schedule for "Ren: The Girl with the Mark" Season Three, covering many key concepts like turnaround, split days, continuous days, cover sets, lunch breaks and unit moves
How to schedule the working hours within a day
How to organise carpooling and travel expenses
How to organise catering
How to keep cast and crew morale up
The importance of staying in touch with your production crew and cast during post-production
The benefits of establishing your post-production crew and workflow before shooting
The benefits of screening your edit to a test audience for feedback
How to manage VFX
How to find a suitable colourist and manage a post-production sound crew
You’ve got a great script, but you don’t have any Hollywood execs on speed dial. But you still want to make that film, with the bit of money you’ve scraped together from savings, friends, family, maybe a crowdfunding campaign. Where do you start?
In this course I’ll take you through all the steps you’ll need to consider to get your film made. I’ll show you how to break down a script, how to turn that into a schedule and a budget – because however little money you have, it always pays to have a budget. I’ll cover how to approach locations, tackle casting, and organise all the dull but vital stuff like catering and transport. Most importantly, I’ll explain how to make sure things run so smoothly and people have such a good time that they’re raring to come back for your next film.
My name’s Neil Oseman. In my 25+ years as a director of photography, I’ve witnessed good producing and bad producing firsthand, and the effects it has on cast and crew morale, productivity and the final quality of the film. This course is built from the lessons I’ve learnt from those productions, and my own producing experience, including the feature film "Soul Searcher", a proof-of-concept shoot starring Benedict Cumberbatch, and two seasons of the multi-award-winning short-form "Ren: The Girl with the Mark".