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Playing Guitar By Ear: Unlock Your Ear To Musical Freedom
Highest Rated
Rating: 4.6 out of 5(142 ratings)
1,110 students

Playing Guitar By Ear: Unlock Your Ear To Musical Freedom

Play Guitar By Ear to Massively Improve Rhythm Guitar, Lead Guitar, Music Theory, Songwriting, Transcription, Improv
Created byErich Andreas
Last updated 6/2023
English
English [Auto],

What you'll learn

  • How to play guitar by ear.
  • How to better one’s “ear” to become the best musician one can be.
  • How to intelligently understand what one is hearing by developing aural awareness.
  • How to use some basic musical rules, along with the ear to learn the notes and chords of songs with ease..
  • Basic music theory which will help musicians quickly identify notes and chords used for transcription, improvisation, songwriting and a myriad of other uses.

Course content

1 section30 lectures3h 4m total length
  • Introduction3:29

    Learn to play guitar by ear by tuning your ear to musical details, identify tones without charts, and translate what you hear into real-world guitar skills.

  • Relative Pitch vs Perfect Pitch5:26

    Explain the difference between relative pitch and perfect pitch, show how relative pitch enables playing by ear, and address tone deafness as not a barrier to development.

  • Playing Guitar by Ear is THAT Easy3:20

    Discover how to play guitar by ear by listening for cues, translating them to the guitar, and building a foundational skill set through real-time demonstrations.

  • Orchestral Conductors & Babies4:56

    Learn to train your ear by actively listening and mapping what you hear to the guitar neck, moving from passive to proactive listening and decoding major and minor chords.

  • Notes on the Fretboard5:37

    Learn fretboard notes by two rules: A–G and no sharps on B or E; memorize the open strings E A D G B E.

  • Hum and Hunt Method: Melody First11:17

    Apply the hum and hunt method to develop melody by ear, hum a note, guess its guitar position, move chromatically on a single string, and learn melodies from songs.

  • Stationary Springboards2:51

    Discover stationary springboards on the guitar neck, fixed octave and unison references. Recognize twelfth fret repeats, fifth-fret A matches, and B string major third tuning.

  • Movable Springboards4:00

    Discover movable octave springboards on the fretboard to locate notes quickly; apply down two strings up two frets, or down two up three frets for octaves, in standard tuning.

  • Active Listening5:16

    Develop proactive listening to observe tempo, major or minor mood, and rhythmic details in songs, then describe what you hear to improve playing by ear.

  • Construction of the Major Scale4:42

    Master the major scale construction using the whole-step, half-step pattern starting on the tonic to form a major scale in any key. Practice with fretboard templates to internalize the formula.

  • Identify the 1,4,5 Using the Bolt Method3:29

    Identify the 1, 4, 5 using the bolt method to quickly locate the most common notes and chords on the fretboard, using the magic z pattern as a reference.

  • Chord Flavors (Major/Minor/etc)8:06

    Explore chord flavors, major, minor, and diminished, and how diatonic harmony from the major scale shapes triads. Learn the steps that form major and minor chords and when diminished appears.

  • The Capo is Your Friend3:36

    Use a capo to stay in easy keys like C or G, avoid many bar chords, and quickly learn open chord shapes.

  • Finding the Tonal Center & Why It’s Important7:20

    Identify the tonal center to anchor notes and chords, then use this focal point to predict likely notes and chords, speeding up playing guitar by ear.

  • Three Powerful Ways to Find the Tonal Center of A Song3:58

    Identify the tonal center of a song by blending audio, visual cues from the fretboard, and music theory, using capo signals, key signatures, and chord progressions.

  • Song Components for Organization2:39

    Learn to organize songs by core components—verse, chorus, and sometimes bridge—plus intro and outro as verse variations. Use four-, eight-, twelve-, or sixteen-measure phrases to rinse and repeat, reducing overwhelm.

  • Song Example: Won’t Stop Loving You10:48

    Learn to find a song’s key and tonal center by ear, using bass notes, first and last chords, capo placement, and chorus mood cues.

  • Song Example: Lose You Tonight6:53

    In real time, learn to find the tonal center and determine the key by ear, using tuning, capo, bass notes, and chords like C major and D minor.

  • Song Example: Underneath the Wheels6:13

    Identify the tonal center by ear to reveal the key—often Bb minor or its related major—then anchor with six core chords and capo guidance.

  • Song Example: Whisper to Me11:26

    Learn to locate the tonal center and identify chords like C, D minor, E minor, F, G, and A minor using the hum and hunt method and bass clues.

  • Song Example: Death & Taxes9:12

    Identify the key and tonal center with capo and the hum and hunt method, and explore diatonic chords plus flat three, flat six, flat seven as outside chords.

  • Song Example: Folsom Prison Blues6:34

    Identify the tonal center of Folsom Prison Blues by applying the hum and hunt method, explore key choices, chord progressions, and seventh chords to play by ear.

  • Song Example: He Stopped Lovin’ Her Today9:16

    Identify chords and a key change in the country classic 'he stopped loving her today.' Track bass notes, melody, and a brief g sharp modulation with a capo.

  • Song Example: House of the Rising Sun8:37

    Train your ear to identify key centers and diatonic chords using House of the Rising Sun, exploring the 12-key approach in C major with D major and E major.

  • Song Example: Don’t Fear the Reaper7:37

    Explore identifying tonal center and major/minor chords by ear using Don't fear the reaper as a case study, focusing on motifs, bass notes, and diatonic triads.

  • Song Example: Suspicious Minds9:55

    Learn to play by ear in the key of G, using the one, four, and five chords, bass movements, and diatonic harmony to navigate suspicious minds.

  • Chords That Don’t Occur Naturally7:23

    Explore chords that fall outside the key, including borrowed chords and inversions, and learn to identify them by bass notes, major/minor quality, ear, and theory.

  • Chord Substitutes (Sister Chords)5:40

    Explore chord substitutes and sister chords, showing how major and minor chords relate by going down three half steps, revealing relative major and minor relationships and practical ear tests.

  • Chords Extensions3:20

    Explore chord extensions beyond basic triads, including seventh and ninth chords, suspended chords, and chords with sixes, sharp nines, and flat nines, to play guitar by ear quickly.

  • Conclusion1:56

    Practice using the tools and song examples you've learned to sharpen your ear and playing; consistent practice unlocks continual improvement with no limit.

Requirements

  • An open mind and a desire to develop new tools that will rocket you forward as a musician.
  • Willingness to identify musical patterns on the guitar which will revolutionize how the player hears/“sees” music.

Description

Have you ever desired to play guitar by ear? Have you ever watched your favorite guitar hero seemingly grab melodies out of thin air? Have you ever seen a musician listen to a song and then start playing it right away, including chords?


If you answered yes to any of these, you are in the right place. As a young musician with limited funds and no Internet, learning to play guitar by ear was what I relied on for many years and is the most important and indispensable tool a guitar player/musician can have.


In this 30 lecture course I immediately dispel the myth that only some people can play guitar by ear, and show you how a newborn baby and an orchestra conductor will hear music the exact same way… but will interpret it differently. THAT is the key to this whole course!


I then show you a small set of extremely powerful yet easy to use tools that will allow you to take what you've heard and find it on the fretboard with ease(a skill that will continue to get better with use).


Then, after learning some very basic music theory patterns, I show you how to find the tonal center/tonic of a song and use the same rules to determine the chords for 10 popular songs.


By the end of this step-by-step, easy-to-follow course, you will not only know how to play 10 new songs, but more importantly, you  will be able to bring this skill to every song you desire, making you an unstoppable musician.


Jump in right now and let me show you how dead simple playing guitar by ear actually is!


Prepare to amaze yourself!


:)

Erich



Who this course is for:

  • This course is for anyone desiring to better their “ear” and understanding of music to make playing music easy and fun. After all, music is an aural sport!
  • Lead guitar players, rhythm guitar players and songwriters in rock, blues, jazz and virtually any genre that uses notes and chords.