
Welcome to the Course! If you've taken our "Getting Started" series, you're ready to go. If you missed it, you might want to check it out to get a foundation for what we're doing.
We'll review the previous course in this one, so if you're ready, dive in!
Students who take this course should already be familiar with the 12-bar blues pattern in E-flat. They should also feel comfortable improvising on the black keys with the right hand, and should be able to add a couple of color-note white-keys as well. This video will cover everything you need in order to move forward.
A more detailed explanation for the teacher about what the student should know before beginning this course.
Why is it so important to use only the left pinky at this stage?
Should students be "metronome steady" in the left hand?
Which hand should we prioritize at this stage?
What do we mean by "color notes?"
A and D are the two white-key "color notes" we teach at this stage. If your student is curious about using the other white keys while playing Blues in E-flat, should we include them?
What is the name of the bass line we've been using up to this point?
What is the 1-3-5 bass line?
Here's a closer look at the 1-3-5 bass line and how it's related to the earlier bass line we already know.
What happens when we add the right hand on black keys to a 1-3-5 bass line?
What can we do if combining the hands with a 1-3-5 bass line is too difficult for us?
What happens when we add color notes in the right hand over a 1-3-5 bass line?
It's time to get good at a 1-3-5 blues!
Why is this bass line called the 1-3-5?
There are lots of ways to play the 1-3-5 bass line. Is there a compelling reason to stick with one fingering?
What are the options regarding "start-stop" playing around a 1-3-5 bass line?
What do we do if they just can't play a right hand solo over a 1-3-5 bass line?
If a student is having a lot of difficulty keeping the right hand going while playing a 1-3-5 bass line, or is making mistakes in the left hand while soloing with the right, "The Game" is the best tool they have to overcome their difficulties!
Your assignment is to win "The Game!"
What does losing "The Game" look like?
If desired, we can add a third color note in the right hand to color notes A and D.
How can teachers help students determine the right level of difficulty for The Game?
How does The Game teach finger independence? What's the actual skill here?
Is it wise to add a third color note?
What is the 1 #4 5 bass line?
What do we mean by "sharp four?"
Here's a closer look at the 1 #4 5 bass line and how it's played!
Your assignment is to play a 1 #4 5 bass line.
How do we add the right hand over a 1 #4 5 bass line?
Your second assignment is to play a right-hand solo over a 1 #4 5 bass line.
Can you play color notes over the 1 #4 5 bass line?
Why do we teach the 1 #4 5 bass line to students?
What special considerations should teachers be considering when teaching the 1 #4 5 bass line?
So far we know three bass lines. What are they?
A review of the fingers we should be using to play our bass lines.
Introducing our first four-note bass line, the 1-3-#4-5!
The 1-3-#4-5 bass line is a four note bass line. How does that make it different to play?
Start-Stop is a great way to deal with the non-stop bass line 1-3-#4-5!
A quick review of all fingers and notes used in the 1-3-#4-5 bass line in E-flat.
It's time to add the right hand again, this time over a 1-3-#4-5 Bass Line!
Your assignment: Play a steady 1-3-#4-5 bass line
Your second assignment: Play a solo in the right hand over a 1-3-#4-5 bass line.
Can you add color notes A and D over a 1-3-#4-5 Bass Line?
Why do we teach the 1-3-#4-5 bass line? What's special about it?
What is the 1-2-3-5 bass line?
What are the notes of the 1-2-3-5 bass line in the key of E-flat?
Your assignment: Play a steady 1-2-3-5 bass line
Is it possible to play a right hand black-key solo over a 1-2-3-5 bass line?
Your second assignment: Solo with the right hand over a 1-2-3-5 bass line
Your third assignment: Add color notes A and D to your right hand solo over a 1-2-3-5 bass line
How is the 1-2-3-5 bass line different from the other bass lines?
What characteristics does the 1-2-3-5 bass line share with the other bass lines we have learned?
Should we teach other bass lines besides the five we've already covered?
This is our opportunity to review the five bass lines we have learned, one after the other.
In order to prepare for the next, important step, students should be comfortable soloing over each bass line we have learned.
What should our students know and be able to do before we introduce them to the next step?
Should we as teachers insist our students play color notes in their solos?
Remember that "The Game" is a great resource to help firm up bass lines that students are finding it difficult to solo over.
What are "combined" or "improvised" bass lines?
Using elements from the five bass lines, students can create an entirely new bass line from scratch!
Here are some ways to make the process of learning to combine bass lines a little easier...
Your assignment: Create a bass line out of the five available bass lines you know.
Now it's time to play a right hand solo while improvising or combining bass lines with the left.
Your second assignment: play a solo in the right hand while improvising a bass line in the left hand.
Do color notes still work over an improvised bass line?
We're getting our students ready to do something incredible!
Should we tell our students what they have accomplished?
When we help students improve, which hand should we focus on first?
Are there things we can remind the student to focus on as they improve in this skill of soloing over an improvised bass line?
There are other bass lines besides the five we've learned. Should we begin to learn them and include them?
There are lots of other color notes besides A and D. Should we be learning about them now?
Once we've gotten good at soloing over an improvised bass line in E-flat, what's next?
When should we as teachers introduce new bass lines beyond the five they know?
When should we as teachers introduce other color notes beyond A and D?
What will we learn in the next Piano Blues Master course?
Now that you've found freedom, it's time to get secure on your feet, as a player AND a teacher!
With easy steps, the Piano Improvisation Series takes you deep into the fundamentals of blues and piano technique. You'll be learning so gradually that you'll be amazed what you can do by the end!
In our "Piano Freedom" course, we introduced students to the power of the black keys. With a simple three-note bass line in the left hand, and the freedom to play any note on the black keys with the right hand, you can play music that sounds authentic and interesting, and which is an expression of your own self and musicality. Instead of playing formulas, you're really improvising, making up music on the spot, and it sounds good!
In "Piano Security" we give you more sophisticated tools to grow your improvisation abilities. You'll learn four new bass lines: The 1-3-5, the 1-#4-5, the 1-3-#4-5 and the 1-2-3-5. The best part is: You can solo over each of these bass lines just like you did over your first bass line, so by learning just a little, your range of sound will increase dramatically!
Once you know five bass lines, you can combine them into original new bass lines. That's right, you're making up bass lines! And when you add a solo on the black keys, you're improvising in two hands at once.
You'll see how incredibly fun it can be to get this kind of mastery in our Piano Security course. Best of all, you'll be set to go even farther in our next set of courses.
Our Teacher-Edition provides extra videos for piano teachers who want to provide powerful improvisation lessons to their students. Whether you know the blues or not, whether you've ever improvised before, these lessons are easy enough to get you going so that you can offer your students a whole new level of instruction.