
Learn how to use content aware fill in Photoshop to erase unwanted elements, using selections and sample areas to blend shadows, grass, and textures across layers.
Learn to use puppet warp in Photoshop to distort images by placing anchor points on bodies or objects, transforming limbs, leaves, and landscapes with careful adjustment.
Learn to fix camera angle in architecture photos with photoshop for architecture using the camera raw filter, geometry tools, and manual line corrections to parallel vertical lines and adjust perspective.
Explore Photoshop's sky replacement tool to automatically replace skies in 2021 or newer, or manually insert a sky in older versions; adjust lighting, color balance, and masks for architecture renders.
Learn to manually replace skies in a Photoshop workflow for architecture, using polygonal lasso and inverse selection to create a layer mask, adjust color balance, levels, and color for realism.
Learn to create a realistic sky reflection on a water pool in Photoshop for architecture by masking, transforming, and blending layers, applying wave distortions and blur.
Edit architectural imagery in Photoshop for the B2 house project, adjusting image size, canvas, brightness, and then add a real grass texture on a masked layer with tuned opacity.
Learn to integrate vegetation into architectural scenes in Photoshop by selecting with polygonal lasso, creating vegetation layers, masking, and refining transitions with gradients and brushes for realistic placement.
Learn to perform photo insertion in Photoshop for architecture by merging a site image with a CAD rendering, adjusting brightness, and using masks and the polygonal lasso to blend elements.
Learn to place people in a scene, create shadows, and fine-tune color, lightness, and perspective with hue/saturation, blur, and gradients, finishing with brightness/contrast tweaks before exporting a jpeg.
Turn a daytime or dim image into a nightly architectural scene by using sky replacement, adjust brightness, exposure, and color balance, and blend the new sky with precise masking.
Learn to composite a nightly architectural scene in Photoshop by placing a sculpture, adding vegetation, and integrating people, while adjusting lighting, saturation, and shadows for realism.
Explore creating red, orange, and yellow light trails in a nightly architecture scene using Photoshop, with custom brushes, gaussian blur, color balance, and motion effects.
Learn to craft a rainy scene by replacing the sky, adding umbrella-clad figures, and adjusting shadows, masks, and curves in Photoshop for architecture-ready visuals.
Apply a rain effect to the architecture scene by creating a 4000 by 2000 document, painting raindrops with brush settings, adding motion blur, wind direction, and splash back.
You are not happy with your Architectural Presentations or haven’t even started yet? Be one of the first and learn Photoshop for architectural post-production with the AGA Studio’s experience here!
I will show you step by step how to use the tools to produce professional pictures, starting with basic principles that guide the graphic design. We proceed showing some tips and tricks, insertion of people, vegetation, cars, shadow and light effects, among other tools to create realistic 3D images and illustrated sections. We also explore the production of nightly, rainy and after rain scenes. We do all this on the computer together. All you need is your laptop and the software installed on it. You will learn skills and knowledge that will benefit you for the rest of your life.
Photoshop is the most used software for images edition. In this course we go directly to the point for architects, using this powerful software to make architectural post-production projects. The video lessons are divided into 12 sections, guiding you step by step from the absolute zero knowledge to a professional level.
My studio, AGA - Alexandre Gonçalves Architecture, has been successful with international experiences since 2016. This Photoshop training will be a life-changing in your architect/designer career.