Photography - The Ultimate Guide to Using Off-Camera Flash
- 3.5 hours on-demand video
- 6 downloadable resources
- Full lifetime access
- Access on mobile and TV
- Certificate of Completion
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- Know what type of equipment suits them best
- Know how all of the gear fits together
- Understand the various methods of triggering flashes
- Know how to get perfect exposures using the manual mode
- Discover how to make beautiful light for stunning images
- Know how to control and light backgrounds
- Understand and use various portrait lighting patterns
- Know how to balance ambient and flash light
- Know how to take dramatic images, indoors and outdoors
- The student must have a camera with a hot shoe and be capable of Manual mode
- The student's camera must have hot shoe, and be capable of Manual mode
- At least one external flash, capable of varying power levels.
** Voted by students as one of Udemy's outstanding instructors of 2014 **
'Bernie does it again'
... another brilliant course by one of the very best instructors on Udemy. (thanks Marie)
'Worthy of Ten Stars' (thanks Diane)
Learn the fundamental principles and advanced concepts of using off-camera flash to take stunning portraits. This is a very comprehensive, practical photography course that covers everything you need to know.
Just because there is enough light in a room or outside to take a photo, doesn't mean that it's great light....
Learn how to create beautiful light using small flashes.
- Follow me on 19 photo shoots, indoors and out
- Take stunning images on a small budget and in a small room.
- Learn the easy steps to getting your flash off your camera
- Discover the inexpensive equipment you need, with links to the gear
- Learn what modifiers do, and how they can make a significant difference.
- Understand the various triggering methods and which one suits you best
- Learn and understand the 5 aspects of off camera flash exposure
- Understand why Manual mode is best, and what makes it so easy
- Learn advance techniques, controlling backgrounds / multiple flashes / gels / light patterns / balancing ambient and flash light etc...
- Learn how High Speed Sync and ND filters can help to get better backgrounds outside
- Everything explained in detail, with a fun teaching style
- Be amazed at the results from my 'bonus' product photo shoot using a DIY box
A powerful skill at your fingertips
Advanced and professional photographers do not generally use any of the semi-automatic modes (e.g Aperture / Shutter Speed priority etc..) when shooting in a studio environment. This course will demonstrate why, and show you just how easy it is to use Manual modes for consistent exposures and how it can aid the learning process.
Content and Overview - Downloads are ENABLED for this course!
The course goes right back to basics, but also covers advanced topics. You'll learn about the equipment, what to buy and what not to buy if on a tight budget. It demonstrates how to put the gear together, how to modify it, and shows various ways of triggering the flashes, Exposure is covered in great details, with one video on each of the 5 aspects of exposure.
Come with me on these photo sessions, and watch as I talk through the camera and flash settings and take (mostly) great photos with (mostly) gorgeous models, using a fun teaching style.
A bonus video on product photography is included, a DIY setup that can provide spectacular results. Great for eBay or just making some money on the side.
Designed for beginners (although not complete beginners), through to enthusiasts and professionals, on completing this course you'll have the knowledge and confidence to start taking beautifully lit portraits that will wow your family and friends.
Modesty almost forbids me publishing some comments about my teaching style, taken from reviews of some of my other courses, but I overcame that, so here they are:-
Bernie is really easy to listen to, and his videos were really entertaining and kept you listening. (I also like his accent!)
Many online courses suffer from over prepared, monotonic boring voice overs but Bernie's style is a bit like having your mate round to show you how to do something. This even goes to leaving some bloopers in which makes it human and fun.
Bernie is a hoot! He knows his material, presents it well, and is witty to boot. It's a great combination in a teacher.
I love Bernie's approach. Such a great instructor,
Bernie is an excellent teacher and his enthusiasm for photography is contagious.
Bernie is a fantastic tutor,
Love it, love it, love it!!
- Not suited for beginners who have only just purchased a camera
- Suitable for beginners who are familiar with their camera, through to advanced and pro photographers
Cameras and flashes - what do you need?
The chances are you already have some of the equipment you need, but even if you don't, it's not necessary to spend a small fortune, it can be done on quite a small budget. Speedlights in particular can be purchased at low cost, but what type of off-camera speedlight do you need.
After watching this video you will know if your camera and flash is suitable, and if not, what gear to to buy.
How to mount your flash onto a stand using a flash umbrella bracket.
In this video, I demonstrate how the flashes, stands and umbrellas all fit together. It's quite straightforward, but you're going to need a flash umbrella bracket to make sure the flash fits on the light stands along with either a shoot thorough or reflective umbrella.
In this video I go through each of the various ways to trigger off-camera flash, and there's a few of them, some more expensive than others! This video goes into detail but please take a look at the 'Triggering Summary' PDF document for a brief summary.
Shoot through umbrellas, softboxes, reflective umbrellas, grids, snoots and gobos. The generic term for these is 'Light Modifier', because they erm... modify the light.
This video describes them in details and points out some pros and cons for the type of off-camera flash photography that I'll be demonstrating later videos.
In the context of off-camera flash, some light meters are commonly referred to as flash meters. But do you need one for this type of photography. Some would argue that you should always use them, others that they're antiquated in this digital age.
In this video, I offer you my opinion.
In this whole series of lectures, i'll only be using the Manual mode on both the camera and flash. No Aperture priority, no Shutter speed priority and no TTL.
Manual mode is easy to understand and do, and is another 'string to your bow' when it comes to exposure.
The overall exposure is controlled by the Aperture, the Shutter Speed and the ISO, flash to subject distance and flash power.
The shutter speed has no impact on the flash exposure because it's a very fast burst of light compared to shutter speeds which are much slower. So what does the shutter speed do? Well, it has a specific role to play when using flash.
You would think that if you moved the flash twice as far from the subject, that you would halve the light.
But you'd be wrong, in fact you'd lose a whole lot more light than that. This video explains in simple terms, the effect it has when you change the distance from flash to subject, especially on the background.
This lecture is from my other course, Become a Better Photographer - Part II
What is flash sync speed exactly, why is there a maximum sync speed, and what's the way around it?
Maybe you're already aware that your camera's shutter speed is limited to (usually) around 1/250th of a second when using flash. But why is that, and what happens if you ignore it, (assuming your camera allows you to ignore it?) There is a way round it using High Speed Sync, but it's not a perfect solution.
This film includes some focal plane shutter animation to explain in detail what it's all about.
This lecture demonstrates the first steps needed in order to improve the look of the background.
Sometimes, the less you light something, the more interesting it becomes. Honeycomb grid attachments for speedlights are great because they produce a small shaft of light. They can give a really cool look, terrific for a little extra creativity.
Shooting outside with off-camera flash requires a little more thought than when shooting inside. With off camera flash exposure indoors, you usually (but not always) want to avoid including any of the tungsten or fluorescent ambient light, outdoors you usually want to balance the ambient light with that of the flash.
Having a perfect balance between the ambient and flash light will mean that the flash is acting as a fill light.
That's ok and works well, but to create a more dramatically lit portrait requires a difference balance.
Outdoor photo session at dusk
Outdoor sessions are much easier when you shoot at dusk or in a shaded area because the lower light levels allow more flexibility regarding wider apertures.
Not only are larger aperture easier on your flashgun, but they are great for blurring the background.
On a bright day, typical exposure settings for off camera flash might be 1/250th at f8 or f11, ISO 100, so at your maximum sync speed it's impossible under normal circumstances to shoot with wide apertures in order to blur the background or do selective focusing.
There a couple of solutions, neither is perfect, but they do work. you can use either High Speed Sync (HSS) or a Neutral Density filter. There are pros and cons of each and this video explains them, I also carry out a simple experiment to compare the two solutions.
Demonstration of the benefits of High Speed Sync
So far in these videos, i've been using manual triggers, and they work just great. However, they restrict you to the maximum sync speed of your camera, and that becomes a problem when shooting outside in bright conditions. In bright conditions at your max sync speed, you're forced to shoot at small apertures like f11, but sometimes it's great to be able to blur the background using wider apertures.