
In case you are interested to see where I paint, teach and record my instructional videos,
I created this short video tour of my studio.
Discover why professional grade paints yield vibrant pigment and binder performance, build a core palette for oils and acrylics (titanium white, cadmium yellow light, ultramarine blue), and use value checker.
Toning a canvas is a very good idea if you are an oil, acrylic or tempera painter. It helps the painting process. You can also create different effects with it, if you experiment and use different colors for the toning. I will go into that in more detail in later lectures.
Explore how to use different brush stroke types, including flat, round, and fan brushes, to create texture, blends, and smooth backgrounds, plus palette knife techniques and canvas toning.
Explore essential drawing supplies, from charcoal pencils with workable fixative to prevent smudging, to brush methods with solvent for quick-drying sketches, plus reference options and grids.
This foreword presents three beginner-friendly drawing methods to build perfect bases for painting, starting with a computer reference, then a calendar photo, then a book or master reproduction.
Learn to pre-sketch from a photo on your computer by cropping, marking proportions, and drawing grid or envelope lines to transfer a simple chicken image to canvas.
Learn the grid method to transfer a reference image onto a canvas using a protective sleeve, ruler, and grid lines, then paint in simple shapes.
Explore how to use viewfinders, grids, and simple edge marks to strengthen drawing skills and artistic vision, with flexible setups for studio and outdoor landscapes.
Explore how composition and values form the backbone of painting by arranging dark and light shapes into a strong design, while encouraging experimentation beyond formulas.
Explore composition types and how arranging value shapes guides the viewer's eye to tell a painting's story, using rule of thirds, s-curve, diagonal, odds, and golden ratio as guidelines.
Learn how value shapes form in painting by practicing a black-and-white value scale and a sphere, showing how light and dark create three-dimensional form and support composition.
Learn to build and use a nine-value value scale or checker to judge painting values by mixing white and black on canvas, including a center hole for precise checks.
Learn to paint form, create the illusion of 3 dimension by using the correct values.
Mix a value scale to render a three-dimensional sphere, from darkest to lightest, and apply cast shadow, form shadow, halftones, and mid-tones driven by a defined light source.
Learn to render a three-dimensional sphere by building soft transitions from halftone to core shadow, incorporating reflected light and edge softening for realism.
Develop dimensional form with light, shadow, and halftone, then master foreground–background relationships and value contrast to create space around a sphere.
Learn the basics of color: primaries red, yellow, blue; secondary and tertiary hues; and how complementary colors tone and balance vibrant greens.
Create a balanced color wheel with two reds, two blues, and two yellows to achieve clearer secondary colors. Use a circle, compass or ruler, pencil, and brushes to guide it.
Demonstrate building a balanced color wheel by drawing two inner circles, selecting primaries, and mixing secondary colors, while adjusting value with white and keeping brushes clean.
Learn how color value works, including light, medium, and dark values, and how black and white modulate color as non colors, and compare values to describe lightness.
Explore color saturation, hue, and value with a color chart, distinguishing saturated and muted colors, and learn how these qualities interact to affect chromatic strength.
Explore color temperature, distinguishing warmer and cooler hues on the color wheel. Learn how temperature relates to value, saturation, and light source, using red and blue to signal warmth, coolness.
Explore hue, pigment purity, and the impact of fillers on color mixing. Master values, saturations, and temperature with primary colors to produce vibrant mixes.
I demonstrate how to match items from nature.
Learn to mix muted colors and chromatic grays by pairing primary, secondary, and tertiary colors, using complementary hues to mute and tint with white or black.
Explore edge types in painting, including hard, soft, and diminishing edges, as planes, halftones, and value changes define the subject and ground.
Explore how hard, soft, and lost edges shape focal points across landscapes, portraits, and still lifes, guiding the viewer through contrasting values and edge variety.
Explore hard edges, soft edges, and lost edges in painting, and learn to block in values, test color mixtures, and adjust edges with surrounding colors.
Refine hard and soft edges by adjusting values, mixing ultramarine with yellow-green and red to build dimensional planes and subtle light transitions.
Control edges by applying soft edges and observing value changes across colors like white, purple, green, and yellow. Learn how edge adjustments transform a painting.
This lecture will be about two different approaches to start any painting. Students are encouraged to follow along and later practice on their own. These methods are ideal for all mediums, except watercolor.
Tone the canvas to a neutral background before painting, using a palette knife, Gamsol solvent, and a cotton rag, with two methods shown and timing options.
Mix black and white to a medium gray, tint with orange for a neutral brownish tone, and apply thinly with a lint-free cotton rag and solvent. Let it dry.
Explore underpainting with dry canvas, building a value map to guide lights and darks, with options of sketching, grid, or viewfinder, and compare oil and acrylic underpainting.
Learn the wipe-off technique with cloth and finger to sketch a pear, lift paint, and reveal light and shadow before adding color, using a prismatic palette.
Block in the background, establish darkest darks first, then build halftones and lights to create a rounded pear with soft lost edges and a reflective surface.
In this section, students can watch and practice the 4 foundational elements of painting, using a simple subject.
Reference photos are downloadable.
Block in the background with darker greens and sand tones. Blend ultramarine, alizarin crimson, and white to build light, refine edges, and capture the sunlight on the chicken.
Block in the sunlit chicken with light, warm color mixtures—white plus yellow, white plus red, and blue-crimson—knowing sunlight isn’t pure white. Create halftones and refine edges and value for depth.
Master halftones by blending or mixing color to create smooth transitions between light and shadow, using a cooler mix of blue, orange, and crimson for a more life-like chicken painting.
refine edges and master detail through careful halftones adjustments, warm color notes, and value accuracy to bring a chicken painting to life without solvents.
Master the finishing touches by building up layers of light with white and color, keeping edges varied and colors warmer or cooler to capture sunlight, mood, and your focal point.
Starting with a simple block-in process of this still life master study, of Emil Carlsen's painting. Master studies are an excellent way of learning and practicing each foundational elements of painting. This type of exercise will also strengthen your technical skills in painting.
Block in shadows with varied stroke directions and soft edges, building background and foreground, then render a cast shadow. Mix warm and cool tones and study value relationships.
Learn blocking in lights and half tones, value-driven color mixing, and edge refinement in a still life master study, with practical tips for beginners to build confident painting skills.
Block in still life fruits by mixing warm yellow, creamy white, orange, and greenish tones, compare to the picture, adjust edges, and prepare for refining the next steps.
Develop color mixing and edge control to render core shadows in a still life, using warm greens, darks, and oil paints to refine values, temperatures, edges, and transitions.
Refine the still life by deepening shadows and sharpening edges. Apply light with flat-side brush work, mixing purple and greenish yellow to enhance the form.
Finish this still life master study with lights, half tones, and edges, using a dry brush technique to build texture and learn when to stop.
Wrap up the painting made simple for beginners course by encouraging learners to explore oils as a forgiving, fun medium, and discover the instructor’s work and teachings.
I designed this course to help complete beginners who'd like to learn to paint a simple, easy to understand and straightforward way.
Everything is distilled down to the most essential elements of painting for a faster and easier learning experience.
I strongly believe that no talent is necessary to paint beautiful paintings. Painting is a skill that can be learned if you have the right tools, the right teacher and you are willing to put in practice what you learn.
I've taught countless online and in-person courses over a decade, and this experience helped me to understand what guidance beginner painting students need to achieve success in painting.
This simple beginners painting course contains all of the core elements, from color mixing, design, sketching, value shades and specific steps of painting from start to finish.
The class is divided into larger main units for each of the core painting material, and than further divided into smaller painting segments that will help you to schedule your learning and the time that you would like to dedicate to practice each element of beginner painting.
There are also practice suggestions, which is an essential part of learning to paint. The more time you can dedicate to practice what you learn the better you will get at painting.
Doesn't matter what medium you will choose, whether acrylics painting, oil painting, or tempera is your favorite, this beginner course will give you all the foundations you need to start painting in a realistic way. The course is demonstrated with oil paints.