
Explore Olmec art as a prehistoric culture, examining figurative sculpture, monumental heads, portraits and masks, and the monuments, stelas, and symbols that define Olmec architecture.
Trace the Olmec heartland along the Gulf of Mexico across early to late formative periods, and examine their exchange with neighboring cultures through major sites and river-fueled abundance.
Explore the Olmec central deity image, a rare circular jade sculpture from Tabasco. Highlight jaguar motifs, Asian-style eyes, and a square form linked to maize, the civilization's basis.
Gesture conveys life in Olmec art, from a basalt sculpture in the National Museum of Anthropology to expressive figures that contrast with Greek serenity.
Olmec sculptors deliberately adjusted proportions, emphasizing enlarged heads and anthropomorphic features to suit the sculpture's purpose, producing nonstandard forms where the head may occupy about a third of the figure.
Explore Olmec art in the Valley of Mexico with Tlapacoya and Tlatilco, featuring distinctive earthenware figurines with large heads, hip emphasis, and decorated headdresses that show Olmec influence.
Explore how Olmec sculpture uses postures and gestures to reveal who people were, from jaguar-faced figures to kneeling and shaman transformations, a recurring sitting pose across periods.
Explore how Olmec sculptures transform a mother holding a baby into a jaguar helmeted figure, revealing symbolism and rulership.
Olmec portrait and deity masks reveal abstract forms with slanted eyes, downturned mouth, and epicanthic folds; many function as funerary or ceremonial masks with eye holes for dancers.
Study monumental Olmec basalt heads and jadeite details, with precise eyes, nose, mouth, helmet, and a center of consciousness symbol; they likely served as funerary monuments and portraits of rulers.
Explore early formative Olmec art of flora and fauna, from carved pumpkins and squash vessels to jaguar iconography, open-fire ceramics, and abstract animal forms.
Explore Olmec abstract and non-figurative design through vessels from the early formative period, whose beauty and symmetry reveal the artist's hand, while symbolism remains deliberately enigmatic.
Examine how Olmec jade forms, from jadeite and nephrite varieties, function as utilitarian tools and ritual objects, while maize and fertility imagery reveal religious thanksgiving and cycles of life.
Explore La Venta, one of the three major Olmec sites, famed for basalt monuments and stelas, including monument 5 'the grandmother', altars for offerings, and ritual imagery.
Explore how the Olmec began encoding images as symbols, tracing early glyphs like eye and leaf motifs across formative monuments. It links Olmec symbolism to Maya writing and dating practices.
Explore Olmec art and related courses surveying American civilizations, from Maya architecture to urban design and ceremonial centers. Learn origins of agriculture and religious practices through ceramics and sculpture.
This Olmec art course is a journey into the jungles of the Black Jaguar, Ex Balam. We will study and enjoy the art produced by this mysterious and long forgotten culture. It is a culture that through its art influenced all the subsequent cultures that emerged in Mesoamerica. I grew up exploring, playing, finding and wondering at these monumental and exquisite works of art from the past. And have continued to date to study, marvel and enjoy the art produced by these people. So, I bring you direct knowledge and contact with the Olmec and their unique, beautiful and mystifying art. During my career I have received three Senior Scholar Fulbright awards as part of my continued study, research and enjoyment of Olmec art and architecture. Central Deity, Tenocique, Tabasco. The were-jaguar was both an Olmec motif and a supernatural entity, perhaps a deity. The were-jaguar motif is characterized by almond-shaped eyes, a downturned open mouth, and a cleft head. The Central Deity and the Evolution of Mesoamerican
Maize Deity
The evolution of Mesoamerican rain and maize gods:
Left, the Zapotec and Mixtec deities;
Center, the Central Mexican Tlaloc;
Right, the Maya Chaak;
Bottom center, the Olmec Maize deity.
Olmec Art
Lectures
1.Welcome and Table of Contents
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2.The Olmec Heartland
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3.The Central Deity
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4.Figurative Art
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5.The Proportions of Olmec Sculptures
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6.Tlapacoya and Tlatilco
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7.Postures
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8.Transformations
9. Portrait and Deity Masks
10. Monumental Heads
11. Flora and Fauna
12. Non-figurative and Abstract Designs
13. Celts and Olmec Theology
14. Monuments and Stelas from La Venta
15. Beginnings of Writing. Images to symbols