This is the fundamental course; we encourage you to learn more about the Hadiths and recommend that you familiarize yourself with the content before proceeding to the next courses.

We expected after you finished the lesson, Q Learners could achieve learning objective
Understand the importance of learning Nagham Al-Qur’an

• Recognize the kinds of Nagham Al-Qur’an

• Identify the differences between the kinds of maqam in Nagham Al-Qur’an

• Applying the understanding of the use of maqam in verses of Al-Qur’an

The Maqam (melody) of Bayyati is one of the seven popular melodic modes in the world of Quranic recitation, particularly favored by Egyptian Qaris. Bayyati serves as a standard melody frequently performed and often chosen as both the opening and closing piece. In Egyptian society, this melody is commonly employed in various ceremonies, such as wedding celebrations. It is typically used in Quranic verses that convey news and are characterized by the qarar or nawa musical tone.

Maqam Shaba consists of several elements, namely the Awal maqam, Asyiran (nawa), ‘Ajami (jawab), and Quflah Bustanjar, a special note at the end of the Shaba melody. This maqam is characterized by its subtle and gentle nature, with a tone full of sadness that can evoke deep emotions. The melody tends to convey a sense of sorrow, making it suitable for verses that discuss news about the Day of Judgment, punishment, and supplications.

Maqam Hijaz, in the context of melody, consists of several levels, including the Awal Maqam, Hijaz Kar (nawa), and Hijaz Kar and Kur (jawab). This maqam illustrates a distinctive Eastern allure and exudes a particularly beautiful quality, with its original melody being fundamental. Some people say that this maqam is often sung by camel herders in the desert. It is most fittingly used for verses that convey good news, commands, and legal matters.

Similar to the Hijaz maqam (melody), Nahawand also follows the same structure of sound levels, comprising the Awal maqam, Nawa, Jawab, and Quflah Mahur as a distinctive final note commonly heard at the end of the Awal maqam Nahawand. The characteristic of Nahawand tends to evoke a sense of sadness, making melodies using this maqam suitable for reciting verses that carry deep and emotional meanings.

Maqam Rast holds a distinctive position as the most dominant and highly favored maqam among Egyptian Qaris when reciting the Quran. In daily activities, this maqam is often chosen for the call to prayer (adzan). Its primary characteristic lies in its dynamic and spirited melody. Verses that begin with the letter nida', indicating calls or summons, as well as verses conveying commands and prohibitions, are frequently utilized by qaris in the application of the Rast melody.

This maqam exudes a captivating rhythm, either raml or minor, that sounds exceptionally sweet, evoking deep emotions for its listeners. The melody is often resonated during the festive Takbiran celebrations of Eid al-Fitr or Eid al-Adha. The selection of verses in this melody tends to focus on topics related to the hereafter, featuring dialogues among the inhabitants of paradise and hell, as well as verses of supplication. "Jiharkah Song" can be performed with various levels, including the awal maqam, nawa, and jawab.

This Maqam is the final one and is characterized by its oriental, populist nature, making it easily recognizable and familiar. Among the people of Egypt, the Sika melody is highly popular due to its brilliant composition and its ability to convey the meaning of the recited verses. The Maqam consists of various levels, including the original/initial Maqam, Turki (response), Iraq (Nawa), and Raml (variation).

Examples of tausyikh found in Arab maqamat provide guidance for Qaris in placing melodies within the verses of the Quran. The existence of these maqamat aims to fulfill the primary purpose of Quranic melodies, which is to cultivate a deeper appreciation for the recited verses. Ultimately, this serves as motivation for individuals to develop love for the Quran and to practice its teachings.