
This lesson introduces the entire Music Theory Classroom curriculum and ends with a bridge to the first lesson of both Fundamentals courses.
This video is for students who are starting with this course and did not take Fundamentals of Rhythm 1. It explains how re-notation exercises work. These exercises may not seem very musical, but if you can master them, you will understand rhythmic notation inside and out!
This lesson begins with a review of the previous assignment, from a lesson that is not included in this package. You might get something out of watching it anyway, or you can fast forward.
More work with sixteenth notes. Some of this may not seem crucial for reading music, and perhaps only useful for composers and arrangers, but if you can master it, you will understand rhythm inside and out and be that much better of a music reader.
We will review part of today's assignment at the beginning of the next lecture.
Print out this sheet of rhythm examples and practice performing them.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
Older (and some newer) vocal music uses beams in a different way. Also, there are note durations shorter than sixteenth notes, especially if the tempo is slow.
We will review part of today's assignment at the beginning of the next lecture.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
What happens when a dotted note has an extra dot?
We will review part of today's assignment at the beginning of the next lecture.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
The quarter note does not always represent the beat.
We will review part of today's assignment at the beginning of the next lecture.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
The beat can also be represented by the half note, and even the whole note.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
This video is for students who are starting with this course and did not take Fundamentals of Rhythm 1. It explains some of the standard practices of notation in compound meter as covered in lessons 15-18, including some re-notation exercises.
We continue the road to understanding rhythm inside and out as we do trickier exercises.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
Can there be only one beat in a measure?
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
Notes other than the dotted quarter can represent the beat.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
The dotted eighth is a particularly good note value for representing the beat.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
Music Theory Classroom is a four-course, one- to two-year music theory curriculum designed for high-school and homeschool students. It covers the material studied by music majors in the first one to two years of college, but it is structured so that a diligent student can complete it in three 14-week terms.
The four courses in the curriculum include: two Fundamentals courses which are intended to be taken concurrently, followed by Diatonic Harmony and then Chromatic Harmony. Each course has 28 lessons, so the recommended pace is approximately two lessons per week (when taking the Fundamentals courses, this means two lessons from each of the two courses). Students should feel free to move more slowly if the material is completely new.
This is Part 2 of the Fundamentals of Rhythm course. Students are assumed to have already mastered many aspects of rhythm (see above). If you have not mastered these, you should consider starting with either Part 1. On the other hand, if you feel you even understand a lot of the topics to be covered in this course, you may want to consider starting with Part 3.
Note: Some lesson numbers appear out of order. Even though they're distributed across the three parts of the course, the lessons are numbered in the suggested order.
For a more complete description of the curriculum, check the MusicTheoryClassroom dot com website.