
This lesson introduces the entire Music Theory Classroom curriculum and ends with a bridge to the first lesson of both Fundamentals courses.
How do we negotiate changes in meter or time signature within a piece?
What if it feels like a mixture between simple and compound meter?
Print out this sheet of rhythm examples and practice performing them.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
Triplets are not the only irregular beat divisions.
Note: the assignment uses more than one of the styles of tuplet notation for compound meter, as described in the video. In some cases, if your answer does not match the answer key precisely, you might still be correct.
Print out this sheet of rhythm examples and practice performing them.
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
Can there be more than 4 beats in a measure? What about frequent changes of time signature?
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
What if it feels like the beats in a measure are not the same length?
Print out this sheet of rhythm examples and practice performing them. When you feel ready, try performing them along with the video.
Music Theory Classroom is a four-course, one- to two-year music theory curriculum designed for high-school and homeschool students. It covers the material studied by music majors in the first one to two years of college, but it is structured so that a diligent student can complete it in three 14-week terms.
The four courses in the curriculum include: two Fundamentals courses which are intended to be taken concurrently, followed by Diatonic Harmony and then Chromatic Harmony. Each course has 28 lessons, so the recommended pace is approximately two lessons per week (when taking the Fundamentals courses, this means two lessons from each of the two courses). Students should feel free to move more slowly if the material is completely new.
This is Part 3 of the Fundamentals of Rhythm course. Students are assumed to have already mastered many aspects of rhythm (see above). If you have not mastered these, you should consider starting with either Part 1 or Part 2.
Note: Some lesson numbers appear out of order. Even though they're distributed across the three parts of the course, the lessons are numbered in the suggested order.
For a more complete description of the curriculum, check the MusicTheoryClassroom dot com website.