
Let's get you all set up.
Cleaning up the vocals is always step 1.
A simple but important next step. Let's cut out some bass and sub garbage artifacts.
Let's get the eq curve for your vocals balanced.
Same thing as the last class but more nuanced and detailed.
De-essing your vocals properly is SSSSSuper important.
Sometimes, it can be tough! As you'll see in this course, Ss's were the BANE of my existence, but we dealt with them over a few instances of Ss correction.
Let's smooth out the dynamics.
Now, let's shape the dynamics with punch and glue.
Things are about to get a little fuzzy.
NOW we can shape the color of the vocals with a color EQ.
At this stage, feel free to use a fancy EQ that you feel is transparent and musical (if that's what you're going for!)
Personally, I use a ton of artistic FX on my vocals. From vocoders, to Izotope's vocal synth, let's talk about some fun goodies you can add to your vocal effects.
Now let's set things in the right space.
It's important that other instruments don't conflict with the range and intelligibility of the vocals, so let's push the out of the way with grace.
Let's go back to the original session file and see how it is similar, and how it differs, from everything we've covered so far.
Great vocal production starts long before plugins — and ends with intentional creative choices.
Music Production: Vocal Processing walks you through a complete, practical vocal workflow used by modern producers and engineers. This course focuses on clarity, control, and musical decision-making, helping you turn raw vocal recordings into polished, mix-ready performances.
You’ll begin with recording fundamentals, including room treatment, microphone choices, and proper gain staging, so your vocals start clean and controlled. From there, you’ll learn why tuning and gating should come first, how to remove unnecessary low-frequency noise, and how to use corrective EQ and dynamic EQ to fix problems without damaging tone.
The course then moves into multi-stage compression, explaining how to smooth dynamics first and shape character second, using classic compressor styles as reference points. You’ll explore tasteful saturation, color EQ, and how to place vocals correctly within a full mix — not just in solo.
Finally, you’ll learn how to apply artistic and spatial effects, create space using sidechaining or intelligent tools, and avoid common widening and phase issues. Throughout the course, the emphasis is on intentional processing rather than over-processing.
By the end, you’ll understand not just what to use in a vocal chain, but why and when to use it — giving you consistent, professional vocal results across genres.