Music Production II - Music Production Workflow - COMPLETE!!

Jump into a hands-on music production workflow in Studio One Prime, preparing a session and recording, mixing, and mastering an acoustic version of 57 in Portland from start to finish.

Set up a studio session with Studio One Prime, pre-create sessions and tracks, configure inputs and tempos, and record scratch tracks using an affordable USB microphone and a close-miked guitar.

Launch Studio One Prime, create a new session, and set up scratch, vocal, guitar, percussion, bass, and software instrument tracks to start recording from scratch.

Explore the Studio One Prime main window toolbar, featuring the multi-tool, range tool, split tool, eraser, paint, mute, and listen tools. Learn editing and automation tips for precise audio work.

Learn to save your sessions quickly in the DAW on Mac or PC, using command s or control s and the file save option, and save often after recording.

Discover how to view, edit, and customize keyboard shortcuts in Studio One to boost efficiency, including eraser, loop, and record keys, and map them to logic, pro tools, or cubase.

Master essential daws tips like saving often, labeling tracks, using pre-roll with metronome and pre-count, and zooming in on waveforms for efficient sessions.

Learn to set up a recording session and prepare a productive studio vibe. Configure Studio 1, manage tracks and inputs, and get everything ready to go.

learn to work with live audio in studio one prime, set up interface inputs and outputs, master recording shortcuts, and create scratch and multiple takes with basic edits for tracks.

Set up the audio interface with a single input for one USB microphone, removing extra inputs to avoid confusion. You’ll configure track inputs and outputs in the next video.

Set your track input, select input one, and arm recording while you monitor the take. Turn off monitoring to avoid the delay and ensure a strong, mono mic signal.

Explore keyboard shortcuts for recording by switching Studio One to Logic Pro mappings, using spacebar to play, return to zero, and R to record, with import/export of settings as text.

Master advanced recording techniques for acoustic guitar and stereo miking, including recording two takes panned left and right, loop recording, and using multiple mics to create a huge present sound.

Record scratch guitar tracks to create a reference for layering, tune the guitar, set the tempo with a metronome and pre-roll, then plan scratch vocal work.

Learn to use auto punch with option p shortcut in studio one prime to punch in/out over a loop, record takes, and edit timing for a tighter scratch guitar.

Record a scratch vocal cue track to reference song sections, arming the vocal input, disabling monitor, and using auto punch to capture verses, choruses, and solos.

Record scratch vocals by duplicating the vocal track for cues and singing over them, then test and adjust mic levels via system preferences to keep a positive studio vibe.

Edit the scratch vocals by removing noise and mistakes, applying compression, trimming silences, copying and pasting sections, and adding fades to clean up the front end and chorus.

Complete the live audio section, record scratch and foundation tracks, set up a tidy session in Studio One Prime, and learn keyboard shortcuts to boost workflow.

Explore advanced midi concepts in music production, including setting up midi controllers and control surfaces, musical typing, software instruments, keyboard shortcuts, and quantization for future tracking sessions.

Set up your MIDI controller in Studio One Prime by adding a new keyboard, configuring input and output, and testing with a built-in piano to ensure proper readings.

Use MIDI without a controller by activating the musical typing window (press 9) to play notes with your keyboard in Studio One, noting no touch sensitivity and limited velocity.

Master essential keyboard shortcuts for the MIDI editor, including selecting all notes, quantizing to 16th notes, and using paint, split, undo, and save tools to streamline recording and editing.

Master quantization by adjusting note divisions from whole to sixteenth and sixty fourth, applying swing for human feel, and fine-tuning MIDI notes; detach windows to optimize mixing across multiple displays.

Finish the midsection by setting up your MIDI controller, inserting software instruments, and applying advanced quantization as you prepare to record the song with optimal audio.

Capture and craft a song from scratch through the tracking process, laying down percussion, bass, acoustic guitar, and vocals, while adjusting mic placement, recording MIDI events, and editing for alignment.

Record a djembe percussion track by placing the mic 12–14 inches from the drum center, set levels, arm the track, and loop-record takes into layers for later comping and editing.

Edit the djembe track by selecting the best take, trimming and crossfading for a tight transition, then shape a mix with a channel strip, boosted low end, and reverb.

Configure your Scarlet Solo audio interface, set the bass input, and enable monitoring to capture a solid bass take. Use a tuner, set the track input, and loop for recording.

Edit the bass track by adjusting a channel strip, trying presets, tweaking compression and amp options, and aligning notes with fades and bar 14 timing.

Record acoustic guitar with a mic setup and sound baffle for isolation, then double the take and pan left and right to create a fuller rhythm track.

Record and edit the lead guitar track, re-record the solo section with auto punch, and prepare the guitar tracks to sound great for the next lecture.

Edit acoustic guitar tracks by trimming noise, grouping left/right channels, and applying soft acoustic guitar preset with chamber reverb; refine lead with note correction, fades, a dotted-eighth delay, save session.

Record electric piano with a Rhodes-style sound, use MIDI overlays and auto punch to refine takes, then quantize to 16th or 30-second notes, add a channel strip and delay, save.

record and mix a jazz organ track using a software instrument, apply distortion, reverb, and flanger, and write automation for the organ and glockenspiel across choruses.

Record lead synth parts for vamp sections using software instruments, audition various synth sounds, apply distortion and delay, set up automation, and finalize a cohesive synth texture.

Add sample-based cymbal sections to your music production workflow by inserting crash cymbals and cymbal swells at key beats, creating separation between sections and guiding builds.

Record auxiliary percussion by capturing the tambourine and shaker, setting the input, and arming the tracks. Check levels and prepare to edit and mix them in the next lecture.

Edit and balance the auxiliary percussion by adjusting tambourine and shaker levels, panning left and right, applying fades, compression, and reverb, and clean up automation to improve the mix.

Record lead vocals and backing vocal tracks with proper mic setup, mute the scratch track, manage vocal cues, and comp multiple takes in Studio One Prime without pitch correction.

Record background vocals efficiently by comping key, verse, and chorus parts in one session, creating simple oohs and ahs, adding harmonies, and preparing for ad libs in the next lecture.

Experiment with background vocal ad libs in vamp sections, applying effects to craft a dynamic build. Execute multiple takes, then comp the vocals toward a final mixdown.

Create a new background vocal track and record choruses, then plan to edit and tighten the vocals in the next lecture.

master vocal comping and three-layer stacking of leads and background vocals, then shape tone with eq and compression and add flanger and delay for a polished, airy vocal sound.

Edit the background vocal track with harmonies, fades, and effects, then prepare the mix by removing silence and organizing tracks for the session workflow.

Perform final edits to prep for mixdown by cleaning up silence, removing pops, deleting track automation, and applying fades and crossfades across tracks.

Complete tracking and edit and fine tune percussion, acoustic guitar, bass guitar, and midi instruments to prepare for the mix, while recording and shaping vocals for a professional sound.

Prepare for a mix session by identifying the key prep steps, selecting and understanding plug ins, and setting up reliable monitoring to ensure good sounds for your track.

Capture great sounds from the start to ensure a good mix, using beginner to intermediate gear, and avoid excuses by prioritizing quality tracks and strong performances.

Discover how to use studio monitors for accurate mixing, recognizing flat frequency response, and comparing monitor listening with headphones across multiple devices to ensure a consistent mix.

Explore how plug-ins shape mixdowns from tracking to final sound, and note Studio One Prime’s limits on third‑party plugins, basic EQ and compression, with references to Logic Pro and Waves.

Learn practical mixing volume: target around 85 dB as your main reference, adjust for low end to avoid mud, and check at different levels to reduce ear fatigue.

Your ears are the most important tool for mixing; protect them by avoiding high volumes, especially with ear buds. Use monitors, take breaks, and consider sonic filters to reduce exposure.

Congratulations on finishing mixing preparation; capture high-quality tracks with proper studio monitors, correct volume, and healthy ears, because what goes in is what comes out. Next, begin actual mixing.

Explore the mixer view in Studio One Prime, keyboard shortcuts, and plug-in editing and automation to craft a professional mix with advanced equalization, dynamics, and finishing touches.

Master essential keyboard shortcuts for mixing in music production, including command s save, logic key commands, secondary commands for tools, and quick zoom and navigation.

Add a channel strip plug-in to every track and use high-pass and low-pass filters to clean up the mix, saving master bus compression for mastering.

Learn how to tighten the low end in a mix using selective EQ boosts and cuts on a single drum microphone, crafting punch and present bass.

Master advanced equalization for a cohesive mix by looping sections, soloing tracks, and balancing bass, shaker, and tambourine with boosts and subtractive cuts to paint an EQ-friendly frequency picture.

Master advanced dynamics with compression across most tracks using the channel strip compressor in Studio One Prime. Set medium speeds, balance bass and vocals, and avoid compressor breathing.

Learn how to create separation between song sections by grouping drum tracks and using automation to subtly boost the core passages, with practical tips for acoustic arrangements.

Apply final edits to the mix by tweaking fades, removing the tambourine, aligning hits to the beat, and adjusting automation to boost drums and shaker in the final chorus.

Finish the track by listening end-to-end, zooming in to fix breaths and timing with fades, then balance with mindful cuts and boosts to preserve the song’s life.

Master the prime mixer view, apply plug-ins, automate and edit them, and use dynamics and key commands to finish your mix with sparkle and efficiency.

Explore the birth of a music production workflow, from drum beginnings and live practice to using samplers, drum machines, and early software like Reason to create music on a budget.

Develop a focused music production workflow by treating each production stage as its own session, from setup to mastering, with a simple checklist to stay organized and avoid overwhelm.

Organize tracks, route drums to a bus, and balance vocals and drums as you mix, layering effects and listening carefully to reveal the song.

Paint a mix with equalization by carving the low end and balancing bass, guitar, and voice using primary EQ ranges, frequency analysis, and a two-stage workflow.

Apply essential mix cleanup by using low-cut filters on everything below 100 Hz, focus bass and vocal clarity, and boost harmonics rather than fundamentals to reduce muddiness.

Start by recording songs with basic gear and a simple workflow, embracing mistakes as learning steps. You can build a professional music career using affordable tools and time.

Master basic mastering concepts, apply compression, and add sparkle to a home master to compete with market standards, while noting the difference between self mastering and pro services.

Master a track in a DAW by bouncing a mix, importing to a new session, and applying plugins, compression, and subtle reverb toward a polished final master.

Master the mastering eq by adjusting the channel strip, adding subtle high-end sparkle, and cutting around 500 Hz to smooth the mix.

Apply a medium compressor on the master mix and monitor gain reduction around -3 dB, then use a master limiter to preserve dynamic range in an acoustic track.

Finish your track by auditioning the mix with subtle reverb, moving it to the master bus after compression, confirming headroom and avoiding clipping, and exporting a final loud master.

Mastering basics, including q and compression, are reviewed to improve mic technique and the overall track sound to meet industry standards for a professional-sounding song.

Recap the end-to-end music production workflow in Studio One, including studio setup, DAW interface and controllers, session preparation, tracking, comping, editing, mixing, mastering, for efficiency.

Celebrate completing the course, request feedback, and highlight an advanced understanding of a basic environment to help producers create professional sounding music across daws.