
Learn to mix and master music in Logic Pro X using stock plugins, with a Mac and headphones or monitors, and elevate your tracks from rough to polished.
Learn a simplified mixing approach in Logic Pro X using stock plugins, speed up your workflow, and master with EQ, compressors, reverb, and delay for clear drums, keys, and vocals.
Start your Logic Pro X mixing journey for beginners with a raw unmixed project and its mixed version, download project files, and complete a mix using only Logic stock plugins.
Learn visual panning and the stereo field to shape a mix, place kick, bass, and vocal center, balance elements left or right, and use eq across low to high frequencies.
Organize your Logic Pro X project for a smooth mix by importing stems, grouping drums, keyboards, and vocals into buses, and color-coding tracks while setting tempo and key.
Master the basics of routing in Logic Pro X by creating send tracks, assigning buses for reverb and delays, and routing signals through auxiliary tracks to shape your mix.
Learn to plan and adjust levels and panning before adding eq, ensuring the mix sounds decent without effects and preparing bus tracks with color coding for a ready mix.
Shape kick and bass with EQ, find the kick's sweet spot, apply boosts and cuts, then add punch with saturation, guided by gain staging.
Apply saturation with an overdrive distortion to fatten the bass, then use parallel side-chain compression to keep kick and bass from clashing, and adjust threshold, ratio, attack, and release.
Apply equalization and saturation to drum bus and individual hits, sculpt low end, mids, and highs, pan elements, and adjust levels for punch, headroom, and a coherent drum mix.
Add reverb and delay to percussion with a reverb plugin, adjust dry/wet, distance, and room size for depth.
Apply room-emulation reverb to percussion and drums, compare dry and reverb sounds, adjust decay between one and three seconds, and prepare to add layers in the next lecture.
Apply tape delay to percussion in Logic Pro X, adjusting feedback, mix, and tempo-sync to fill gaps and add excitement, while shaping the effect with EQ cuts and wet/dry balance.
Learn to mix keyboard sounds—including pads, synthesizers, and pianos—using eq with gentle low cuts, top-end control, mild mid-range boost, and compression for a punchy, cohesive lead.
Learn to apply compression to the lead instrument by adjusting threshold, ratio, attack, release, and make up gain, and add warmth with saturation and subtle reverb for depth.
Learn to clean and shape vocals using high-pass filtering, selective mid-range cuts, and top-end boosts. Then apply a de-esser and dynamic compression to achieve a clear, punchy lead vocal.
Compress vocal tracks in Logic Pro X to tighten dynamic range, add punch, and create a consistent, present mix by adjusting threshold, ratio, attack, release, and makeup gain.
Apply reverb and delay to vocal tracks to add depth, space, and excitement. Learn to create a vocal aux track and adjust density, size, and damping for a wider mix.
Add a tape delay to vocals via a bus send, set the delay to half notes, and adjust feedback for a fuller mix. Widen the delay spread and apply reverb.
Apply Logic Pro X stock pitch correction to tighten vocals, set key to B flat minor, adjust range and attack, and blend backing vocals with delay for a modern mix.
Apply bus compression on the drums to tighten the mix, then bounce the stereo track as a 24-bit wave export with headroom, for mastering.
Mastering is the last stage to prepare a mix for commercial release, not fixing mic issues but making it sound clearer, punchier, and louder while preserving headroom.
Use a linear phase EQ to cut the low end below 20 Hz, preventing rumble, then narrow a bell to boost the kick's dominant frequency by 2 dB for mastering.
Use imaging to widen the top mid and top frequencies with an EQ, avoid widening the low end, and employ stereo spread to keep the heart of the song centered.
Apply a single-band compressor to the whole signal with a light 1.5:1 to 2:1 ratio, about 20 ms attack, and a fast release to achieve a punchy, present sound.
Master a track by using saturation and an exciter to add bite, explore color modes, and perform a gentle 5–7 kHz top-end dip with light compression.
Apply the adaptive limiter in mastering to increase volume while preserving dynamics, set a safe ceiling, and monitor loudness with metering before bouncing a final interleaved 16-bit file with dithering.
Practice what you learn and take consistent action to get better at your mixes, consistently practice, and achieve stronger, studio-ready results.
Hello! My name is Sabelo September. I am a Producer, SAMA Nominated Mixing Engineer, and Content Creator based in Cape Town, South Africa.
I've been in the Producer/Mix Engineer seat for nearly a decade. I have produced Instrumentals featured on NETFLIX Reality Series and worked with many independent musicians and record labels. I have Produced & Engineered a variety of genres ranging from Hip Hop, RnB, Dance, Afro Beat, and more.
If you are new to Mixing or still can't figure out why your Mixes sound like _ _ _, this Course will give you the confidence you need to put out quality tracks... I remember going through Tutorial after another and still couldn't get the sound I want. Mixing seemed so hard until I stopped making it so and started developing my own "Real World" way of seeing it. Please don't be intimidated by the term "Audio Mixing", it's simpler than you think and I will prove it in this Course.
You might be a Producer who wants to expand your knowledge or an Artist who wants to produce killer-sounding tracks in your bedroom studio.
The course covers all you need to know about Mixing in Logic Pro.
What to expect in the Course:
1. You going to learn how to mix multiple instruments into one Stereo File.
2. You going to learn how to turn your Mixdown Stereo File into a Fat, Punchy, Loud, and competitive Master.
3. A different and practical approach to Mixing
4. You will learn why we use certain plugins and how to use them in your mixes.
5. Use of EQ, Compression
6. Reverb, Delay, Autotune
7. Mastering your Music
We will use 100% Stock Plugins.
You will learn why we use certain plugins and how to use them in your mixes.
Turning Raw Tracks to Pro Sounding Masters
Using Processing Effects
DAW - Logic Pro
Length - 2h:54min
To follow along:
Logic Pro
Mac or MacBook
A Basic Understanding of Logic Pro
Basic Music Production skills are desirable, but not necessary
Must be willing to Learn!
Please be patient with yourself and remember "Repetition is the only way to master any skill"
Who this course is for:
For anyone who wants to learn to Mix Music using Logic Pro.
Those interested in improving their Music Production skills
Anyone who wants to Mix and Master their own music
Anyone who may be interested in switching to Logic Prop from another DAW
Those who want to improve their sound quality.
Let's get to work!!!