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Mixing & Mastering for Producers
Rating: 4.6 out of 5(150 ratings)
1,453 students

Mixing & Mastering for Producers

A modern approach to the age-old art of Mixing & Mastering
Last updated 5/2025
English
English [Auto],

What you'll learn

  • Apply creative mixing techniques in exciting new ways
  • Understand all important mixing tools and know when and how to use them
  • Hear what compression does, and know how to use the different types (side-chain, parallel, multiband, Mid-Side)
  • Create energetic, well-defined and full sounding mixes

Course content

1 section21 lectures7h 21m total length
  • 01.A - Introduction & Template12:19

    Explore two perspectives on mixing and production for electronic music, turning rough arrangements into finished tracks. Learn a two-part template, mastering mindset, and reference-based practice to build a practical workflow.

  • 01.B - Gain & Compression 1.038:47

    Master gain staging by using a kick drum anchor and reference tracks, then apply compression basics—threshold, ratio, attack, release, knee, makeup gain—plus discuss compressor types and headroom.

  • 02 - EQ 1.021:32

    Learn how equalization shapes frequency ranges from sub bass to treble, using cuts and shelves to create space for kick, bass, and snare while reducing overlap.

  • 03.A - Modulation FX 1.026:51

    Explore modulation effects that copy and alter signals, including phasers, flangers, choruses, and micro shift; learn to add movement and stereo width with practical demos.

  • 03.B - Delays 1.023:51

    Explore delays as a versatile tool in mixing, using Echo Boy to shape feedback, chorus-like modulation, ping-pong and dual echoes, stereo imaging, diffusion, and rhythm-based effects.

  • 04 - Stereo Imaging 1.021:38

    Learn how stereo imaging creates separation and clarity by using stereo positioning, panning, delays, and mid/side techniques to place sounds across left and right channels.

  • 05 - Distortion 1.018:35

    Explore distortion and saturation as nonlinear processes that add harmonics, color, and warmth, teaching how to glue tracks and shape sub-bass and drums using analog modeled plugins.

  • 06 - Reverbs 1.035:53

    Explore how reverbs shape space and depth with digital, plate, convolution, and spring types, understanding early reflections, diffusion, density, pre-delay, and dampening to position elements and keep mix clarity.

  • 07.A - Gain & Compression 2.017:46

    Master compression techniques, including side chaining and ghost sidechains, to create rhythmic pumping and space in sound design. Preview compression on wind recordings and snare reverb, then introduce multi-band compression.

  • 07.B - MultiBand Compression12:33

    Utilize multi-band compression to transparently duck the bass low end with a kick-driven external sidechain, shaping bands, thresholds, attack, release, knee, and filters for mastering.

  • 08 - EQ 2.011:54

    Explore advanced equalization and IQ-based modulation to sculpt sounds; create bell bands, automate random variations, and use filters to accent musical nodes and shape dynamics.

  • 09 - Modulation FX 2.033:45

    Explore modulation fx 2.0: shape sound with phasers, delays, and filters, using LFOs, step sequencers, and x/y controllers to create dynamic, distorted, stereo textures.

  • 10 - Distortion 2.029:29

    Explore advanced distortion through wave shaping and multi-band processing, using trash and Saturn to sculpt harmonics, filters, and modulation for brighter tones.

  • 11.A - Reverb 2.025:50

    Master advanced reverb techniques, including frozen reverb and impulse responses, by automating freeze and dry/wet, and exploring convolution reverbs and impulse response files for space shaping.

  • 11.B - Automation & Arrangement47:42

    Explore automation and modulation to create transitions, contrast, and energy in a mix, using EQ, filters, reverbs, and drum manipulations for dynamic arrangement.

  • 12.A - Mixing Stems31:09

    Master stems with step mastering by bouncing related tracks into groups, applying gluing compression and saturation, then re-importing for final mastering to achieve a cohesive, transparent mix.

  • 12.B - Analyzing9:24

    Before mastering, ensure the mix is ready with balanced low end and no energy gaps. Analyze reference tracks, set LUFS targets, and use a mastering plugin to assess loudness.

  • 12.C - Mastering EQ7:51

    Mastering eq requires subtle, targeted shaping: cut below 30 hertz, lightly boost the high end for air (including side channels), and adjust 300 Hz region to balance warmth and width.

  • 12.D - Mastering Stereo Image7:14

    Master stereo image using a four-band imager before the maximizer, shaping sub mono, mid, and high frequencies. Fine-tune mid/side EQ to sharpen clarity and widen the track's stereo image.

  • 12.E- Mastering Limiter5:44

    Explore how to use a mastering limiter to control peaks without sacrificing dynamics, understand true peak limiting, ceiling, threshold, attack, stereo linking, and preserving transients in the final master.

  • Bonus: Additional Support & Questions1:28

    Discover how to post timestamped questions for the course, join the Sound Comm community on Arm.com for Q&A and extra content, and access live sessions for additional support.

Requirements

  • No prior mixing experience is needed, it's all in the course

Description

Did you ever get confused by all those Youtube videos showing you how to mix a track that has already been fully produced? What about the production stage itself, isn't that sort of mixing as well? Where does one end and the other begin?
These are good questions to ask, but often difficult to find answers to.

The truth is, most modern producers don't wait until the track is done before they start mixing. With modern tools and workflows it is hard to separate where sound design/production ends and where mixing begins. In our course we explain the complete workflow: from the start (mixing/processing while producing) to the final details (arrangement, creative mixing & mastering).
The short answer? Mixing is sound-design.

This course is separated in two different parts, in the first part we'll learn all the basics about Gain Staging, Compression, EQ, Delays, Reverbs, etc. In the second half of the course we'll revisit all of these but this time from a Producer & Sound-Designer point of view, which opens up a whole new world of possibilities. You'll start to understand how one tool has multiple purposes, and how you can fluently switch between the various uses. At the end of the course you'll be able to understand sound in itself, instead of just being able to "Mix" or "Produce"

Getting control over your sound is a powerful feeling; it allows you to be more creative and it makes mixing and finishing your songs a whole lot easier.

Whether you are a beginner or advanced producer, our online training is designed to help you make your tracks sound powerful and professional, getting everything to sit right in the mix and creating engaging and interesting arrangements.

Who this course is for:

  • Producers who want to create better mixes and get a good insight in the difference between the two mindsets