
place left and right monitors to form a triangle with the mix point at equal distance from both monitors; keep symmetry and aim for ear-height tweeters for accurate stereo field.
Identify first reflection points at the mix point with a mirror, marking x on walls or panels, and use panels to reduce reflections that arrive after the direct sound.
Explore bit depth as audio extension, comparing 16-bit (-96db) and 24-bit (-144db), and why recording in 24 bits yields more depth for harmonics.
explain how sample rate measures impressions per second in digital audio and how higher rates like 44.100hz, 48.000hz, and 96.000hz better reproduce analog waves.
Explore the frequency fields from infrasonic 0–20 hertz to air 15,000–20,000 hertz, and learn how sub lows, lows, mids, mid highs, highs, and air guide mixing decisions in electronic music.
Explore how mid/side eq lets you process mono and stereo information separately to improve mono compatibility and balance the piano with the bass by carving lows and widening highs.
Explore how threshold and ratio control compressor behavior in Ableton Live, using gain reduction, ratios such as 2:1 and 4:1, and a limiter option to shape dynamics.
Explore how knee settings shape compression, comparing soft knee and hard knee, threshold, and ratio, and learn to adjust makeup gain to optimize bass dynamics.
Master parallel compression by blending a heavily compressed signal with a lighter one to add punch and perceived loudness while preserving transient balance.
Explore advanced parallel compression techniques with plugins like I Heart NY, EL REY, and BX OPTO, using spank, dry/wet, and send/return to add punch to drums and vocals.
Explore the main circuit types for compressors - vca, opto, tube, and fet - highlighting when each shapes peaks, balance, or warmth, with practical plugin examples.
Compare vocal compression using LA-2A and 1176, observe how each compressor tightens vocal dynamics, and learn serial compression and how to choose the best option for a track.
Learn how ducking and sidechain processing open space in electronic mixes using techniques with kickstart, lfo tool, and track spacer; shape curves, attack, and release for musical balance.
Learn how to use a limiter in your mix to clamp extreme peaks the compressor misses. Set the ceiling, adjust fast release, and balance gain to preserve dynamics.
Gate opens and closes the signal based on a threshold, using attack, hold, release, and floor controls to suppress noise leaks in vocals, guitars, and other in-room recordings.
Explore types of saturators and their analog emulations, and learn to dial drive, lowcut, and highcut to shape saturation and perceived loudness.
Explore delay as a versatile audio effect, mastering timing and repetitions from subtle fills to echo, and synchronize delays with your track's tempo.
Explore how reverb adds ambience and depth to a mix, simulating room reflections and space, and learn essential reverb types to shape your track's character.
Discover how to apply reverb and delay using channel processing or return tracks, preserving the original signal with dry/wet control and creative automation.
Explore modulation effects such as fazer, flanger, and the chorus, and learn how they bend signals to create a stereo field and enrich your track.
Explore how the chorus effect creates stereo width through delayed and modulated copies, while managing mono compatibility, delay times, polarity, feedback, and dry/wet balance.
Explore stereo creation with plugins while preserving mono compatibility, avoiding phase issues, and using tools such as S1 stereo imager, K-stereo, Izotope Imager, and MicroShift to widen sounds.
Learn how to establish healthy headroom to prevent digital clipping and keep your mix balanced. Use LEVELS to monitor peak and dynamic range, and avoid mastering on the master.
Master kick and bass by tightening the kick with careful eq, compression, and kickstart automation, while keeping the sub mono and aligned in f scale to prevent fighting.
Mix and sculpt with effects by applying reverb and delay, cleaning up crashes, using dynamic eq for tonal control, and pan positioning to prepare for mastering.
Master your tools, trust your ears, and unleash creativity in electronic music mixing by studying each plugin, customizing every element, and avoiding lazy presets.
Mastering is the final stage of electronic music production, after mixing and arrangement. It prepares the track for distribution and listening, requiring the right mindset as the last, months-long step.
Adopt the mastering mindset: listen deeply to maximize what’s already finished, not fix big problems. Apply small, non-extreme tweaks to smooth the mix and make the track sound professional.
Invest in an acoustically treated mastering studio to hear the tiniest frequencies accurately, listen to the stereo via your monitors, and make precise decisions; prioritize room treatment before upgrading gear.
Discover how additional plugins affect the master and alter your track, shifting from mindset and visual tools like meters and analyzers to hands-on manipulation in the mastering process.
Apply multiband compression in mastering with FabFilter Pro MB to sculpt bands from sub to air, using linear phase, oversampling, lookahead, and key controls: threshold, attack, release, ratio, knee, mid-side.
Mastering compression uses subtle, whole-mix processing to glue the track without squashing dynamics. It favors low ratios, slow attack, fast release, low-cut sidechain filtering, and analog emulator compressors.
Master track 03 by Illusionize and Dual Channels by balancing kick and bass, widening the stereo image, and using Pro-Q3, dynamic EQ, exciter, clipper, and limiter for peak control.
[ PLEASE READ THIS BEFORE YOU ENROLL ON THIS COURSE]
The content from this course was recorded in Portuguese, but ALL of the classes have ENGLISH SUBTITLES. Our course is known to be the biggest Mixing and Mastering Online course in Brazil and was originally recorded in Portuguese but is now 100% subtitled in English. So keep in mind before you enrol it.
Welcome to the Mixing and Mastering Complete course from FABRIEK School. My name is Bernardo Schwanka, I'm a Multi-Platinum Mixing and Mastering engineer for over 15 years, working with big artists of international renown, in projects that have already been released in some of the biggest record labels in the world, like SPINNIN 'Records, Revealed Records, Musical Freedom, Tomorrowland Music, Smash The House, Confession, Armada Records , Sony Music, Dirtybird, Sony Music, Universal Music, Warner Music and many others.
In this course you will have a complete professional qualification on Mixing and Mastering. There are more than 120 lessons, with more than 27 hours of content, with a lot of practical lessons and simple and objective didactics.
Illusionize, Victor Lou, Volkoder, Clubbers, Visage Music, Dual Channels, are great consolidated artists who have already completed and approved our course.
This is by far the most complete course on Udemy (or even the internet), at the lowest price on the market. Others large institutions sell formations with less content and up to 15 times more expensive.
I invite you to visit our website and check out our schedule, as well as free classes, benefits and testimonials from our students.