
This introduction presents level 2 watercolor glazing techniques, showing the painting’s evolution on screen, with notes on sealing plywood boards and preparing paper while staying honest about the process.
Begin a watercolor orchard scene with underpainting, highlighting negative shapes and dappled light. Learn masking with quills and natural sponges on handmade paper, using photographs to avoid copyright issues.
Explore beginning washes in watercolor by dry-paper and wet-into-wet techniques, using spray and random color mingling with Joe's yellow, leaf green, and Gamboge to echo autumn leaves.
Apply masking across layers to reveal color depth in transparent watercolor, then use random dots and sponge effects to build texture while the lower washes shine through.
Explore glazing in watercolor by using a nearly dry sponge to build leaf textures, layering greens and blues, and refining soft edges with masking and deliberate patterns.
Adjust color value to enhance shadow areas by layering transparent washes, blending reds and greens, and modifying edges while damp to maintain life, transparency, and design flow.
Develop key shapes through free washes and controlled glazing, layering gamboge and greens to create texture, light, and defined shadows before refining with darker values.
Build strong shadows to define the subject using a dark wash, careful pigment mixtures, and contrast balancing with texture; practice dry brush technique without overworking the painting.
Adjust the painting by applying transparent washes to darken shadows and balance color, enriching yellows, using a large brush for lively, translucent color while refining shapes and negative space.
Balance depth and rhythm in watercolor landscapes by shaping leaves and foliage with careful color mixes, neutrals, and texture, using stage-wise layering, masking, and natural sponges to keep shapes flowing.
Squint to see texture in the foliage, guiding you to suggest texture rather than paint every leaf, while refining edges, layering colors for a painterly rhythm, and protecting brushes.
Stay flexible with a plan B while mastering masking removal in watercolor glazing, building texture, light-through-leaves, and painterly patterns through layered washes.
Review masking and glazing to refine tree shapes and foliage; mix Andrews turquoise and marine blue, with red and green accents, for vibrant color depth.
Defend leaf shapes and build depth with glazing and layered greens by applying bright green washes, drying, and refining; embrace flexible technique while establishing a solid foundation.
Spot lighter colors first, then add leaves and texture with glazing to create shadows, balance, and a cohesive color field. Use notan values to guide harmony.
Refine watercolor glazing techniques with simple brush strokes to render leaf shapes and limbs, creating vibrant underpaintings and depth through darker washes.
Master glazing textures in watercolor using neutral color washes to build tree trunks with warm base and cooler upper tones, plus reflected light and subtle color mixing for realism.
Explore watercolor glazing techniques in level II through diluted color mixtures, leaf spotting, and building unity, then develop shadow and volume around a tree while letting the painting guide details.
Master watercolor glazing techniques by refining shadows and trunk structure, balancing general shapes before detailing, and using the Mr. Clean Magic Eraser as a corrective tool to tame chaos.
Refine leaves and shadows to deepen the composition. Use shifting greens and neutrals of marine blue, new gamboge, and red to direct the eye to the focal area.
Apply final strokes and adjust apple shadows with a darker red to reduce brightness. Observe light and shadows, and mix leaf green with sap green for textured foreground.
Who will benefit from this course? Anyone who wants to learn more about the watercolor glazing technique. All you really need is a little bit of experience with watercolor. A lot of students will have taken my first course, Mastering Glazing Techniques in Watercolor. However, the desire to learn and a bit of exposure to watercolor will go a long way in making this course ideal for you.
A lot of people have mistaken notions about using glazing techniques in watercolor. Some think it is very slow, labor intensive and filled with tedium. Others have all sorts of misconceptions regarding paints to use, etc. Well the truth is that glazing techniques can give your paintings an extraordinary glow and vibrance of color while allowing you to get as detailed as you like without a lot of effort. You can use glazing a little or a lot. It is up to you and the challenge you face.
In Level II you get to see all of the basic techniques, that were outlined in Mastering Glazing Techniques in Watercolor, come together to complete a finished painting. This full demonstration will allow you to see just how flexible you can be while using the glazing technique. Even if you didn't take the first course.
Be prepared to watch and learn. Take notes. You can review the lessons as often as you like. Above all paint! That is the most important part. Any questions or concerns? Contact me, I'll get back to you as quickly as possible.