
Master major and minor triads across the fretboard with step-by-step guidance and pdfs with tabs. Improve fretboard navigation and arpeggios across keys for pick or finger-play, not for beginners.
Explore what triads are by examining the major triad comprising the notes C, E, and G, and learn how this C major shape maps across the guitar fretboard with inversions.
Master C major triads across the fretboard by learning root positions and first inversions on the first three strings, while mapping notes and practicing with a metronome for fluency.
practice triads across the fretboard with a metronome, starting at 60 bpm, then gradually increase tempo toward your goal while keeping clean chord changes.
Master major triads on the fourth, third, and second strings across the fretboard. Practice root and inverted shapes with slow, mindful technique, using fingerstyle or pick as appropriate and arpeggiation.
Master the c major triad across the fretboard on the fifth, fourth, and third strings, forming 1-3-5 shapes and inversions. Practice arpeggios with a metronome for clean tone.
Master C major triad voicings on the guitar fretboard using the 654 string set, exploring second, first, and root inversions, and learn to move the same shapes to other keys.
Learn to play C major triads in position across the fretboard by moving root voicing between adjacent string sets, from the third/fifth to seventh/eighth fret, as shown in the PDF.
Explore C major triad shapes in position 2 across frets 7 to 12, using varied fingerings and an 8th fret barré, then connect the shapes with slow, metronome-guided practice.
Master C major triads across the fretboard in position 3. Practice multiple fingerings from 12th to 14th frets with a root-position option using the small finger, paced with a metronome.
Master C major triads across the fretboard by practicing voicings with a metronome at a comfortable tempo, keeping each chord to two beats.
Master C major triads across fretboard on strings one to three with rhythm-based strumming and arpeggiated voicings, at 70 to 90 bpm, using down-up strokes and first and second inversions.
Explore C major triad voicings across strings 432 and positions, using downstrokes and upstrokes with a metronome, then gradually increase tempo from 60-80 bpm toward a 150 bpm goal.
Explore the third example of c major triads, mastering an 80 bpm rhythm with down-up strums and rests, and compare strumming versus fingerstyle approaches across chord inversions.
Explore C major triads through arpeggios, using fingerpicking or picks, and practice new voicings in 3/4 time with triplets. Apply metronome pacing and flexible fingerings to adapt.
Master the C major triads on guitar with arpeggiated triplets in 3/4 time, using specific voicings and ascending and descending patterns, then practice gradually with a metronome.
Explore G major triads on the guitar's first string set, identify root positions, and practice each inversion with the voicing pattern from the C major example.
Explore the second string set for G major triads, from the third-fret root voicing GBD132 to the first inversion B, D, G, using barre and alternate fingerings.
Explore G major triad voicings across multiple string sets, emphasizing root, third, and fifth notes, and practice with a slow metronome to lock in finger shapes on the fretboard.
Practice G major triads across the fretboard using the first position from the third fret. Focus on the root, voicings, and barring with fingerings at 60 bpm.
Master G major triads across the fretboard in the seventh-fret position, focusing on root notes and multiple voicings, with a simple two-beat per-chord practice at 70 bpm.
Explore G major triads across the fretboard in the third position, using root-position shapes, varied voicings, arpeggios, and creative patterns with C and G chords, metronome pacing.
Learn to play G major triads across the fretboard by moving through positions with voicings and root-position shapes. Practice at 60 bpm with a metronome and MIDI track.
Explore G major triads across the fretboard through an etude on arpeggios, fingerstyle and pick playing, with triplet feel and arpeggio permutations.
Master second bar of the G major triad etude across the fretboard, practice transitions between shapes on strings six, five, three, and four, and apply the dotted-quarter rhythm with triplet.
Master G major triads across the fretboard by working bar 3 of the etude, using triplet patterns with high, low, and middle voicings on strings 4–3–2 from the 14th fret.
Practice the fourth and fifth bars of the G major triads on guitar, mastering voicings, jumps, and fretboard fluency to improve improvisation and overall control.
Master G major triads across the fretboard by gradually building an etude with a metronome and midi track, practicing bars 1-5, then putting them together in time and increasing tempo.
Explore ten rhythm figures and learn how to use them in composing and improvising on guitar, pairing arpeggios and rhythms with triads to boost your playing.
Combine C major and G major triads using rhythm figures like nine and three to build a practice routine with arpeggios, metronome timing, and two-finger plucking.
Explore major triads across the fretboard through circle of fifths etudes using 123234 string sets, practice closest voicings, and deepen fretboard knowledge.
Master major triads across two-string sets using circle of fifths from C to D, A, E, and beyond, identifying roots and voicings while pacing practice at 60–70 bpm.
Practice triad inversions across the fretboard by moving through root third fifth voicings, two-beat chords at 70 bpm, and progressive etudes with midi tracks for tempo control.
Learn arpeggiated triad etudes in circle of fifths, exploring various voicings across C, G, D, and beyond. Practice triplets in 4/4 with metronome, focusing on precise tone and timing.
Practice arpeggiated etudes of major triads across circle of fifths positions, learning root, third, and fifth voicings to master triad inversions on the guitar.
Master major triads across the fretboard using the anti-clockwise circle of fifths and circle of fourths; practice the 345,456 string sets with tempo-guided etudes and root-location drills.
Master major triad inversions on guitar through an etude that moves across circle of fourths and fifths. Locate roots, voice chords, and practice at varied tempos with the midi track.
Explore minor triad shapes across the fretboard in A minor, starting with the first string set, and learn parallel minor concepts with shapes from fifth to twelfth fret.
Learn minor triads across the fretboard, including root voicings on strings 4-3-2 and C-E-A inversions, practiced at 60 bpm with pick or fingers, aided by a PDF with notation.
Master minor triad inversions across the fretboard using the third, fourth, and fifth string sets with root voicings and notes C, E, and A; practice from the seventh position.
Master a minor triad set across the fretboard by learning fifth-fret root voicings and barre shapes on the sixth string, then practice with a metronome from 60 to 100 bpm.
Learn am triads in position 1, mastering root locations and voicings across the fretboard. Practice with the index barring, two beats per chord at 80 bpm, then increase speed.
master the 2nd position a minor triads across the fretboard by practicing the described voicings and smooth transitions, keeping the a note down, and training at 80 and 60 bpm.
Practice am triads in the third position across the fretboard by locating roots, applying efficient fingering, and pacing chord changes at 80 and 60 bpm.
Master minor triads across the fretboard by linking positions into seamless voicings, including ascending and descending shapes. Practice at gradually increasing tempos, using metronome guidance and rhythm sheet patterns.
Master A minor triads by applying the first rhythm to etude 1, using the rhythm sheet, tempo, and metronome to count and practice.
Learn etude 2 of a minor triads on guitar, using the same voicings in fifth position, focusing on root voicings, fingerings, and switching shapes for smooth tempo changes.
Learn Am triads across the fretboard and read rhythms with eight-note rests and dotted quarter notes, while adjusting fingerings and bass voicings with metronome practice.
Explore minor triads across the fretboard with etudes focusing on am triads, reading and counting rhythm, and voicings on strings 2–4, with tempo guidance and looping practice.
Explore etude 5 on Am triads across the fretboard, applying arpeggiated bass, voicings, and fingerings to syncopated rhythms and musical situations.
Explore Dm minor triads across the fretboard and the first string set (e, b, g), identifying root, flat third, and fifth, and compare to major triads and parallel minor concepts.
Learn d minor triad voicings and root-position shapes, practicing the seventh-fret voicing with f on sixth fret second string and first string fifth fret at 60 bpm using a metronome.
Practice d minor triads across fretboard with the 2nd string set and 234 string set, focus on the d root and voicings, gradually increasing tempo from 60 to 83 bpm.
Master the 3rd-string Dm voicings on the 345 strings, using root, minor third, and fifth. Practice with a 60 bpm metronome, then gradually increase tempo with the 234 set.
Explore the 4th string set in D minor triads across the fretboard, focusing on root voicing, arpeggios, and gradual tempo practice to master fretboard positions.
Learn the D minor triads in first position across the fretboard using close string sets, fingerings, and descending arpeggios to anchor the roots on D.
Explore the second position d minor triads across the fretboard, practicing root voicings and fingerings at the fifth fret with barre technique, then preview the upcoming third position.
Master the third position of d minor triads across the guitar fretboard, using arpeggiated shapes from the 10th to 13th frets and practicing up and down at 60 bpm.
Practice all Dm triad positions across the fretboard, moving up and down through voicings. Arpeggiate and rhythmically explore descending and ascending patterns at 60–80 bpm to reinforce fretboard mastery.
Explore a D minor triad etude in 3/4 time for guitar, featuring MIDI practice tracks at 60 and 80 bpm and a step-by-step analysis of the opening bars.
Learn the d minor triad in a 3/4 feel, count a dotted quarter followed by three eighth notes at 60 bpm with metronome, and arpeggiate two-bar voicings in descending order.
Master D minor triad arpeggios across fretboard voicings from fourth to eighth positions. Move between root voicings and adjacent voicings in two bars at 60 bpm, with pick or fingers.
Prepare by practicing bars 1–4, then work the bar 5–6 d minor triads etude with precise voicings, rhythm, and smooth jumps between sixth-string shapes and the 10th-fret root voicing.
Practice bars 7 to 9 of the d minor etude with six-string voicings and first-finger barring. Count 1-2-3, handle the tied note, and pace tempo from 60 to 100 bpm.
Master minor triads across the circle of fifths and fretboard positions, learning voicings and arpeggiated triplets in A minor and E minor to improve rhythm and musical fluency.
Develop minor triad inversions in the circle of fifths, focusing on B minor and F# minor within the D major framework, exploring voicings, roots, and parallel minor relationships.
Explore triad inversions on guitar through the circle of fifths in minor keys, focusing on C sharp minor and G sharp minor, note spellings, and sharp key signatures.
Master an easy flats-finding hack for e-flat minor across the fretboard using the circle of fifths and fourths. Prove the pattern with b-flat, e-flat, a-flat, d-flat, g-flat, and c-flat.
Move through triad inversions around the fretboard in e-flat minor and b-flat minor, locating roots and voicings across string sets with quarter-note and triplet rhythms.
Master D minor triads across the fretboard, then practice F minor and C minor voicings, focusing on root positions, four flats in F minor, and smooth arpeggio transitions.
Master the voicing movement from G minor to D minor, locate roots, switch between positions, and practice in sections with slow tempo using the included MIDI tracks.
Combine major and minor triads in the key of C, explore varied voicings across the fretboard, play the full etude at 60 bpm, then break it down slowly.
Master major and minor triads in the key of C through etude one part one, moving between voicings on different string sets and practicing 60 bpm to map the fretboard.
Explore major and minor triads in the key of c, using consistent voicings across c, d minor, e minor, and f major, with metronome practice at 60 bpm.
Explore the last three bars of the etude, moving through G major to A minor and returning to C, using one-position voicings and tempo guidance at 60 bpm.
Practice etude 2 in the key of C major, focusing on full major and minor chords at 60 bpm, with a step-by-step breakdown to master triad inversions on the fretboard.
Explore triad inversions in the key of C, moving between C major and D minor voicings across the fretboard, practicing slow two-beat chords and arpeggiation with a metronome.
Continue act two for major and minor triads across the fretboard in C, moving D minor to E minor to F major with the same voicings, looping four bars.
Master second and major/minor triads across the fretboard in the key of C, using G major voicings and metronome-guided practice to switch between F and G with confidence.
Practice major and minor triads in the key of C by staying in one position, moving to the closest voicing of each next chord at 120 bpm with half notes.
Learn creative rhythm studies for major and minor chords in C, stay in one neck position, and explore voicings, arpeggiation, and combining rhythms with metronome practice.
Explore etude four in the key of C, staying in position with major and minor triads, applying voice leading on the top note through C, Dm, Am, Em, F, G.
Explore creative rhythm ideas for etude four by applying arpeggiated voicings and looping chains across the fretboard, using E minor, F, G, and A minor, and building layered chord textures.
Master major and minor triad inversions in the key of A by practicing chord shapes and transitions (A major, B minor, C# minor, D, E, F# minor) at 80 bpm.
Practice a major and minor etude in A by moving through voicings: D major, C sharp minor, E, F sharp minor, ending on A major at 80 bpm.
Explore layering chords as a second instrument by improvising with C and D, using across-the-fretboard voicings, various arpeggios, and ten rhythms to craft engaging arrangements.
Add melodies to triads by layering top-note melodies over C major voicings, exploring scale steps from the C major key and a brief nod to Lydian for advanced players.
Experiment with adding melodies by harmonizing notes with minor chords to expand the melody and explore different voicings like A minor, D minor, and C major.
Add major chords to the melody in key of C, replacing minors with F major and G voicings to brighten the sound and reinforce fretboard triads.
This course is for intermediate guitar players who wants to understand a little bit of theory and how chords are build and be more fluent on the fretboard. You will be able to find any Major, Minor and Diminished chords in any place of the neck. Rhythm and melody examples will give more creative ideas to compose your own music as well as learn any songs much faster than ever before. Learn triads across the fretboard or major and minor chords everywhere on the neck per string sets! This knowledge will open your ears even more!
This course includes Music theory of how chords are build, where are the notes on the fretboard and how to figure out some keys that have more flats. We also look at circle of fifths.
You will learn how to make music!
This will help in any style of music! Classical guitar, acoustic guitar in rock and pop setting, electric guitar in rock and pop setting, metal, jazz, bossa nova and latin, funk, soul.. It will help song writers to better arrange their music also. Song writing examples are included in the course also! As well as arranging both finger-style chord melody as well as rhythm grooves with pick. I show both - plectrum and fingerstyle playing.
I start the course with slow explaining every single thing I do, but as we dive into chords more and more I explain things a little faster. There are pdfs and midi mp3 tracks available to practice examples and etudes.
Things like playing major and minor and dim chords in all keys as well as adding rhythm to make these things more musical.
I also encourage you, the student, to Compose your own guitar etudes!