MASTER ROCK & METAL GUITAR 1: KILLER Gary Moore VIBRATO!
What you'll learn
- You'll learn to master THE most elusive and sought after technique on electric guitar: a WORLD CLASS vibrato
- you'll learn to have complete control of vibrato on every area of the fretboard
- you'll learn a system of vibrato practice. With just a couple minutes a day, your progress will soar in a few weeks.
- You'll learn the mistakes to avoid and what NOT to do. Which are the same mistakes I see the worst players making. Don't be one of them!
Requirements
- the students MUST be able to read full TABS (not the type with numbers only)
Description
It had to happen. It finally happened. A serious course that teaches what is, for the majority of teachers, unteacheable: a WORLD-CLASS VIBRATO. It is time to learn a WORLD-CLASS VIBRATO and use it to empower ANY phrases, licks, solos and riffs you play. This course will teach you not just a great vibrato on guitar, but a WORLD-CLASS one. FEW guitarist TRULY master this technique, most NEVER do.But YOU will!I am not saying a GOOD vibrato, a NICE vibrato. That’s not good enough. I am saying a WORLD-CLASS VIBRATO. The kind that only players like Yngwie Malmsteen or Gary Moore can play. You will know things that EXTREMELY few players will ever know about how to achieve exactly that. A world class vibrato is THE most elusive technique on electric guitar, and it is the ONLY one that will truly set you apart from many, many other players who fixate only on things like speed. Well, here’s the truth: you can put all the speed you want, but if you have a bad or a so-so vibrato (i.e. mediocre), you will be judged a so-so player. If you have a TOP NOTCH vibrato, you will be judged as a you a far superior player. A world-class vibrato is about DISTINCTION. It makes ANYTHING you play far more exciting, interesting, turning it into a far richer experience. Solos, riffs will no doubt improve JUST because they are executed with a GREAT vibrato.
Mastering this amazing technique takes a lot more than blindly shaking the string a little bit. Yet, the majority of guitarists do exactly that, and 95 per cent of the time the only result is a BAD vibrato, or a MEDIOCRE one at best. I see players EVERYWHERE having a TERRIBLE vibrato, even experienced players, even TEACHERS. A lot of them have a SHOCKINGLY bad vibrato, and the rest have a weak and insipid one.
How do you develop, step by step, really efficiently, , a truly TOP NOTCH vibrato? How do you learn it, exactly? How do you practice it EXACTLY, with SURE-FIRE and POWERFUL results? How do you master a TOP CLASS vibrato such as that by Yngwie Malmsteen, Gary Moore or Tony MacAlpine, i.e. some of the VERY FEW true masters of vibrato on rock metal guitar?
A world class vibrato is the art of instilling tons of excitement, energy, power, and expression, even IN A SINGLE NOTE. Isn’t that strange? Speed needs a LOT of notes, vibrato works GREAT even with ONE. How neat is that? Speed is about playing a LOT of notes and probably saying little that is truly meaningful; vibrato is the OPPOSITE: say more with less. The tiniest piece of gold is far more valuable than a heap of lead. An EXCEPTIONAL vibrato is that tiny piece of gold in your technical, AND musical arsenal in your secure MASTERY of the instrument: top notch rock and metal guitar playing.
And the truth is that the majority of guitarists have absolutely no clue about how to TRULY develop their vibrato and making it OUTSTANDING. I will take you by the hand and show you EXACTLY how to do it. Why settling for a MEDIOCRE vibrato when you can have a TOP CLASS one that will make other guitarists wish they had?
Don't be ANOTHER guitarist with a BAD or MEDIOCRE vibrato. Be the ONE with a MASTERFUL vibrato.
By the end of the course, you will be armed with a knowledge that, in a few weeks, will get you where VERY few players ever get. Let’s begin today and let me show you how to get there, and arm YOU with a highly sought after technique by every player around the globe. Your playing will sound FAR more special and soulful, without just adding a bunch of meaningless fast notes.
Most guitarist spend YEARS trying to learn this. And most NEVER learn it. But YOU will!
Get started TODAY! Once you do, take your time with the course and then ask me ANY questions directly or through the fantastic Q&A section. I promise I will answer to all. Not only that, the best questions will be examined in a new video! What are you waiting for? Let’s start NOW!
Kind regards,
Luigi Pati
Who this course is for:
- intermediate to early advanced, or even advanced!
Featured review
![Stephen Johnson](data:image/svg+xml,%3Csvg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 64 64"%3E%3C/svg%3E){kind=avatar}
Instructor
- 4.6 Instructor Rating
- 33 Reviews
- 204 Students
- 6 Courses
Hello. I have mastered both electric guitar in my chosen styles, as well as classical guitar. I have also practiced classical piano seriously, every day, for several years. If in doubt, check my youtube channel: you won't find there mindless "viral" dancing monkey videos. Only music, and on 3 instruments. Of course, I have no future on Youtube, but I'll never care....my goal has always and only been being the best musician I can be.
Here's the thing... I am not going to teach you the same boring stuff most other people teach. I am not going to teach you how to pick your strings very fast, I learned all about this too and it would be too boring for me to teach this old stuff. To me, it would be like teaching how wallpaper peels off the wall. Instead, I am here to teach you how to be a much better musician, and a much more well rounded one. I have seen for myself that what is commonly taught on guitar is not conducive to these results. The best musicians in history were not playing licks. They didn't care about playing as fast as possible. These are mostly vain and trivial undertakings. I have done it all, so I do know the difference. I am not one of these boring eggheads who seem to know stuff (mostly on a superficial level, with no real depth anywhere) and create little or no music. I am a real musician. I create music on a regular basis. I breathe, eat, and drink music every day, and have done so for almost 30 years, every single day. Music to me is pervasive in almost everything I experience. I have studied every areas of music: music history (if you think you don’t need that, think again), composition, improvisation, soloing, counterpoint, songwriting, classical harmony and pop harmony, as well as music production. Taken all together, it's +20 years of DAILY study and practice about all things music, on 3 different instruments. And best of all, I write nice, solid music, that has both soul and skill. I don't write rubbish, or mediocre, insignificant stuff. And I see a LOT of guitarists doing that. Even famous ones!
I am very satisfied with the results from my own learning: it works. And it is tried and tested, 100 per cent. The best way to learn, and to learn fast, is to find the right teacher, who themselves have mastered what you want to learn, that can teach you what you need to learn, really well. I don't like sloppy teaching. I go for certainty and precision. I also tell you what not to do, which is of vital importance as it will save you years of wasted time. Skip this stuff at your peril. Time flies, we should keep this always in our mind. I always take seriously both theory and practice. I only teach what I have mastered myself. As a guitarist, I know EVERYTHING about music. This seems boastful, but it’s really not: it is perfectly possible to know everything as a guitarist, at least everything I ever wanted to know, which is a lot to start with. I have studied at music colleges, I have taken lessons from top composers, and have always, of course, diligently done my homework on my own, too. I have left no stone unturned. Period. I have lived for music by the time I turned 16. Never looked back.
I am here on Udemy to show YOU how you too can do all this, provided that you follow very exact steps. Anything else will be a huge waste of time. Trust me, I have studied that stuff for years, at my expense. The problem is not just learning and progressing, but learning and progressing as fast as possible. To master the guitar should only take a few years (IF you avoid doing certain specific things, and you do other specific things), and I am talking about MASTERING it. The piano takes a lot longer, but in my view it is essential to at least study it as a secondary instrument.