
Explore portraying the human body and near space, master light on the skin, and transform graphite into color and shine, capturing still life with a portrait in baroque drawing.
Study baroque anatomy and figure construction through Caravaggio-inspired methods, render fabrics and still life elements, and create full-body portraits, including a color chalk self-portrait.
Explore Caravaggio's biography from Milan roots to Rome, detailing his patrons, dramatic realism, and pivotal works in the Contarelli and Cerasi chapels that defined baroque painting.
Lesson originally in Spanish dubbed in English by Baudilio Bey Perez 2022
Lesson originally in Spanish dubbed in English by Baudilio Bey Perez 2022
Observe the image to learn how to occupy the entire space and balance the composition, using geometric figures, radical lines, and a three-dimensional space to study perspective.
Build the right hand from large to small, shaping each finger, then apply the same method to the face, tracing surfaces to reveal three-dimensional form and light.
Develop smoother skin tones by blurring body lines and shaping shadows with directional hatch. Enhance volume in the legs, feet, fabric, and furniture to heighten surface contrast.
Master shadows and finishes to render high-contrast reflections on masks and glass, achieving a shimmering metallic glitter. Develop your own style through patient hatching, the artist's fingerprint that conveys emotion.
Frame the subject with a darker background to enhance the body's volume and the sense of light, refining borders, hands, feet, and baroque lighting.
Imagine an imagined portrait built from the hip using the angles technique. Apply light left to right and top to bottom, and use cross-hatching to shape fabric textures.
Apply shading and color in layers, analyze illumination from left to right, and build form with precise hatching, color ranges, and color for highlights, shadows, and skin tones.
Render the mantle like the skin using two tones for light and dark; add blue collar accents and velvet texture to create depth.
Explore a realistic baroque full-body portrait with wings and a creative background, inspired by Caravaggio, using layered shading and lighting to reveal depth and a floating child.
Master realistic baroque drawing of a full-body portrait by rendering the child’s lighter skin tone with illuminated areas, using reference points from an adult angel and impasto color layering.
Realistic Baroque Drawing volume two focuses on mastering a realistic full-body portrait through repeated practice, learning what a body looks like and seeing it from new perspectives.
The Bey Atelier in Baroque Drawing is an artistic experience that will take student back to the 17th century where you will learn - together with Baudilio Bey- the secrets of artistic drawing in the greatest of the classical ages of art. Step by step you will discover the power of angles tecnique and its relationship with drawing lines. A technique used by the great baroque masters (Rembrandt, Caravaggio, and Claudio de Lorraine) to draw anything around and turn it into a masterpiece. This experience will allow students not only to learn about this extraordinary drawing technique, but also how important is telling stories through lines, shadows and strokes. On the other hand, this master course in drawing is a unique learning experience, enginered using storytelling. The main goal is immersing students in the environment of the 17th century so they can turn into a protagonists of the baroque itself.
SECOND VOLUME
In Volume 2 of the Bey Atelier on Baroque Drawing we will tackle the full-length portrait drawing by using as a mean of inspiration the work of the greatest of masters, CARAVAGGIO. Students will know his life and legacy to learn how his turbulent life stimulated the development of his extraordinary paintings. From here, students will learn from an analytical and schematic point of view to understand the human body and its gender differences. Through practical exercises students will approach the construction of the body by using the angle tecnique.
In this Volume 2, we will create two live full-length portraits, to develop all the knowledge learned not only in this Volume 2 but also in volume 1 of the Bey Atelier in Baroque Drawing. The most important thing about this second volume is that, students will enrich the live drawing exercises by learning to draw fabrics, shiny objects, still lifes and elements close to the human body. Students will understand the space where our character is located; In addition students will learn to add creative elements to drawings to tell a story and really turn it into a masterpiece.
"This course is designed with a special methodology developed at the Autonomous University of Barcelona as part of a final Master's thesis with honorable mention. It is an honor for me to be able to share this new experience of teaching an ancient art such as drawing."
Baudilio Bey Pérez