
Explore macro photography from mechanics to mastering exposure, focusing, lighting, and flash in close-up scenes, then apply basic editing and focus stacking to extend depth of field.
Discover essential macro photography gear: an interchangeable lens camera, a macro lens (1:1 or 2:1, including manual focus), a solid tripod, a lens hood, and optional cable release.
Learn how magnification in macro photography depends on proximity and focal length, achieving the 1-to-1 macro ratio with a dedicated macro lens for true life-size detail.
Explore macro lens basics, sensor size and image circle, prime lenses, focal length, and macro ratio, plus how focusing distance shapes magnification.
compare macro lenses: true macro remains a prime delivering 1 to 1 at a fixed distance, unlike lenses with macro features.
Explore how macro ratios like 2:1, 1:1, and 1.5:1 vary across lenses, highlighting depth of field, autofocus versus manual focus, and macro versus non-macro performance.
Discover how depth of field in macro photography changes with proximity and distance, comparing f/2.8 and f/8 at 90 mm and ratios from 1:2 to 1:1.
Master macro exposure by balancing shutter speed, ISO, and aperture to prevent motion blur from wind, using shutter-priority or manual modes, and reading a histogram to avoid clipping.
Explore how to choose autofocus modes and focusing areas for macro imagery, using small focusing points, manual focus assist, and back button focusing to lock precise eye focus.
Explore macro lens ratios beyond 1:1, from 0.5:1 to 2:1, and learn manual focus and aperture trade-offs, tripod use, and how to frame tiny subjects like the demonstration dragon.
Learn how macro photography achieves accurate color by comparing raw versus JPEG data, and master white balance presets and post-production adjustments for daylight, shade, and cloudy conditions.
Frame the macro shot early to manage focus breathing, centering the subject at 1:1 and noting how focus distance and the nodal point shift framing.
Learn to create a focus stack using Lightroom Classic and Photoshop, auto aligning and auto blending layers, then refine with non-destructive dust removal and Healing Brush on a new layer.
Master off-camera flash in macro photography by triggering a strobe with radio frequency, syncing channels and groups, controlling exposure, and separating foreground subject from the background with flash exposure compensation.
Learn practical macro photo editing across software, focusing on exposure first, color second, and detail third, using a three-step process, histogram guidance, and tone curve mastery in Lightroom Classic.
Apply color and contrast enhancements in macro photography, using vibrance and saturation, dehaze, tone curve, color mixer for greens, white balance with gray cards, plus masking for local edits.
Master macro shooting from basics with camera, lens, and tripod to advanced topics like flash, focus stacking, and editing, then go shoot outdoors or at home.
Macro photography is the photography of the very small and the very close up. It is a relaxing and fun genre of photography and it takes very little skills, equipment, or prior experience to get started. We will cover the equipment, the exposure skills, the focusing skills, and the editing skills used to create macro imagery. We begin by understanding magnification and the macro ration. From there we move into understanding macro lenses, what makes them different from other lenses, how they work, and what kinds of magnifications they produce. From there we will examine how to build a proper exposure of up close subject matter. Focusing can prove difficult in macro environments because of the inherent shallow depth of field, so we will learn focusing skills. Once we have these essentials techniques under our belts we will add flash to the equation and learn how to use a flash to add drama to an image. Next we move into editing considerations. First we will shoot and merge a focus stack series. These are series of images, shot at different focusing distances, and merged together to create a single photograph with a longer depth of field. Last we will examine the basic goals of photo editing that we use independent of the editing software you use.