
Discover the basic skills of location sound training for film and learn why location sound is a key, often overlooked part of every production.
Learn the essentials of a compact location sound kit, including a recorder/mixer, boom pole, wireless mics with transmitters and receivers, and monitoring gear, with sound stored to an SD card.
Learn how to assemble a basic location sound kit, including a recorder, boom pole with microphone, wireless lavalier mics, transmitters, and essential cables for syncing audio with video.
Explore wireless livelier microphones and other types, with tips for clean sound on set. Learn to coordinate with cameras, audio channels, and post-production timecode to keep production running smoothly.
Learn the essentials of a location sound kit for any production, from recorders and boom poles to wireless lav mics, XLR cables, and neutral headphones.
Explore a beginner location sound kit: set up the recorder with a boom and lav mics, manage power and SD cards, and ensure 48 kHz 24-bit wav.
Learn to connect microphones to the recorder, set input levels, enable tracks, monitor audio, and format cards while configuring time code frame rate and 24-bit 48 kHz recording.
Explore livelier mikes and boom mikes, and compare omnidirectional, cardioid, and hyper cardioid pickup patterns. Position the Sennheiser 416 one to two feet from the head, between mouth and chest.
Master boom pole operation, pickup patterns, and mic placement for dialogue, managing cable options and headroom to avoid shadows, while coordinating with the camera team for clean on-set sound.
Explore using wireless lavalier mics with the boom to capture dialogue and apply snot tape, medical tape, and gaff tape techniques to reduce clothing noise.
Explore wireless frequencies for lavalier mics, match transmitter and receiver, scan for clear channels, and plan for interference in urban events using blocks like g3, g4, and block 20.
Learn how timecode keeps audio and video in sync on set using timecode boxes linked to the audio recorder and cameras, enabling smooth post-production alignment.
Identify essential and backup gear for location sound, from extra headphones and cables to batteries, tape, and a multi-tool, ensuring redundancy and uninterrupted production.
Expand your location sound kit with a century stand, grip head, boom pole holder, and sandbag to secure a boom pole and stabilize setups for longer form interviews.
Develop professional etiquette and personal space awareness when approaching talent, discuss mic placement consent, and verify clothing and positioning with wardrobe and makeup for clear sound.
Learn to use a sound blanket or moving blanket to dampen sound and absorb waves, reducing echo in locations by laying it on the floor or hanging it on walls.
Compare analog and digital audio gear, explain metering differences and headroom, and show how preamps affect noise floor for a clean signal with practical level targets.
Record room tone for 30 seconds to a minute to maintain consistent ambience across scenes, isolating dialogue from background noise and enabling post‑production looping.
Learn how limiters prevent distortion by keeping audio from peaking, serving as a last-ditch backup during spikes. Enable a digital limiter in the recording or input settings to protect sound.
Learn how tone establishes a baseline for level matching between the recorder and the camera, using a decibel target (typically around -12 dB) and sending tone before every job.
Outdoors, reduce wind noise by using a windscreen blimp to absorb wind while the mic sits inside the shell, preserving sound quality.
Learn the difference between wild sounds and dialogue, when to capture each on set, and how to record wild takes in isolated spaces for clean lines to speed post-production.
Learn how to connect sound to camera systems on productions of varying size, negotiate access, configure audio inputs, and use camera cheat sheets with the camera team.
Explore how gain, trim, and faders shape tracks on a mixer and recorder, with pre fade and post fade guiding when to record and how to mix left and right.
In this course you will learn the basics of location sound for film and TV. Location sound is an important job on any production. Our course covers everything from understanding different types of microphones, to how to position your boom pole. If you can play guitar you can a learn location sound. Location sound has a very high rate of pay in most major cities, day rates vary from $250 - $700 per day.