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Location Sound Training 101
Rating: 3.9 out of 5(78 ratings)
275 students

Location Sound Training 101

Turn your music knowledge into a high paying job!
Created byFergus Lowrey
Last updated 8/2019
English
English [Auto],

What you'll learn

  • Students will learn how to capture great sound for TV, Film and Branded Content
  • How to hold a boom, how to place a lav mic, how to behave on set and what gear you need to get started

Course content

1 section25 lectures1h 50m total length
  • Introduction to Location Sound Training0:39

    Discover the basic skills of location sound training for film and learn why location sound is a key, often overlooked part of every production.

  • The Importance of Good Location Sound1:37

    Learn the essentials of a compact location sound kit, including a recorder/mixer, boom pole, wireless mics with transmitters and receivers, and monitoring gear, with sound stored to an SD card.

  • Overview of a Basic Sound Kit1:53

    Learn how to assemble a basic location sound kit, including a recorder, boom pole with microphone, wireless lavalier mics, transmitters, and essential cables for syncing audio with video.

  • The Basic Kit1:48

    Explore wireless livelier microphones and other types, with tips for clean sound on set. Learn to coordinate with cameras, audio channels, and post-production timecode to keep production running smoothly.

  • What to Expect on Se6:24

    Learn the essentials of a location sound kit for any production, from recorders and boom poles to wireless lav mics, XLR cables, and neutral headphones.

  • A Deeper Look at a Beginner Kit9:37

    Explore a beginner location sound kit: set up the recorder with a boom and lav mics, manage power and SD cards, and ensure 48 kHz 24-bit wav.

  • How To Connect Microphones to the Recorder6:35

    Learn to connect microphones to the recorder, set input levels, enable tracks, monitor audio, and format cards while configuring time code frame rate and 24-bit 48 kHz recording.

  • Settings, Knobs, and Recording6:35

    Explore livelier mikes and boom mikes, and compare omnidirectional, cardioid, and hyper cardioid pickup patterns. Position the Sennheiser 416 one to two feet from the head, between mouth and chest.

  • Pickup Patterns, and Microphone Placement11:31

    Master boom pole operation, pickup patterns, and mic placement for dialogue, managing cable options and headroom to avoid shadows, while coordinating with the camera team for clean on-set sound.

  • How to use the Boom Pole8:40

    Explore using wireless lavalier mics with the boom to capture dialogue and apply snot tape, medical tape, and gaff tape techniques to reduce clothing noise.

  • Lavalier Microphones and How to Mount Them3:58

    Explore wireless frequencies for lavalier mics, match transmitter and receiver, scan for clear channels, and plan for interference in urban events using blocks like g3, g4, and block 20.

  • Wireless Frequencies5:19

    Learn how timecode keeps audio and video in sync on set using timecode boxes linked to the audio recorder and cameras, enabling smooth post-production alignment.

  • Timecode and Syncing on Set2:29
  • Powering Your Devices5:47

    Identify essential and backup gear for location sound, from extra headphones and cables to batteries, tape, and a multi-tool, ensuring redundancy and uninterrupted production.

  • Expanding Your Basic Kit2:40

    Expand your location sound kit with a century stand, grip head, boom pole holder, and sandbag to secure a boom pole and stabilize setups for longer form interviews.

  • Expanding Your Basic Kit pt. II - The C-Stand5:29

    Develop professional etiquette and personal space awareness when approaching talent, discuss mic placement consent, and verify clothing and positioning with wardrobe and makeup for clear sound.

  • Set Etiquette and Personal Hygiene2:54

    Learn to use a sound blanket or moving blanket to dampen sound and absorb waves, reducing echo in locations by laying it on the floor or hanging it on walls.

  • Sound Blankets4:06

    Compare analog and digital audio gear, explain metering differences and headroom, and show how preamps affect noise floor for a clean signal with practical level targets.

  • Analog vs. Digital Recording in Mixers4:19

    Record room tone for 30 seconds to a minute to maintain consistent ambience across scenes, isolating dialogue from background noise and enabling post‑production looping.

  • Roomtone and its Importance2:32

    Learn how limiters prevent distortion by keeping audio from peaking, serving as a last-ditch backup during spikes. Enable a digital limiter in the recording or input settings to protect sound.

  • Limiters and You2:52

    Learn how tone establishes a baseline for level matching between the recorder and the camera, using a decibel target (typically around -12 dB) and sending tone before every job.

  • Tone and Calibration3:09

    Outdoors, reduce wind noise by using a windscreen blimp to absorb wind while the mic sits inside the shell, preserving sound quality.

  • Windscreens, Deadcats, and the Wind2:10

    Learn the difference between wild sounds and dialogue, when to capture each on set, and how to record wild takes in isolated spaces for clean lines to speed post-production.

  • Wildsounds, and Wildtakes2:59

    Learn how to connect sound to camera systems on productions of varying size, negotiate access, configure audio inputs, and use camera cheat sheets with the camera team.

  • Navigating How to Connect Directly to the Camera4:37

    Explore how gain, trim, and faders shape tracks on a mixer and recorder, with pre fade and post fade guiding when to record and how to mix left and right.

Requirements

  • None

Description

In this course you will learn the basics of location sound for film and TV.  Location sound is an important job on any production.  Our course covers everything from understanding different types of microphones, to how to position your boom pole.  If you can play guitar you can a learn location sound.  Location sound has a very high rate of pay in most major cities, day rates vary from $250 - $700 per day.   

Who this course is for:

  • Musicians look to make more money using what they already know!