
Part 1 Introduction: The absolute beginner starter place.
This lecture explains where and how you grip a drum stick
This lecture shows you the right way of sitting behind your drum kit
This is how you strike the drums with your drum stick
Music notation is a lot like traffic signs, you will learn to recognize them quickly. This lecture is dedicated to the Quarter Note. Download 1-A & 1-B as they form one lesson.
Rudiments are exercises developed to train your hands the ability to manipulate the drum sticks. The first one is called the single stroke roll
The Eighth Note is simply a sub-division of a Quarter Note. Download 2-A & 2-B as they form one lesson
We will learn three different ways to play the double stroke roll
The Sixteenth note is simply a sub-division of an Eighth note. Download 3-A & 3-B as they form one lesson
We will learn to play The Rock Beat & discover the notation key: where each voice of the drum kit is written on the music staff
The Paradiddle adds singles and doubles together to form one new rudiment
We will learn how to apply the first two rudiments around the drum kit (Single stroke roll & Double stroke roll)
The Triplet is one of those fun-rudiments which will stay with you for life. It is fundamental in all musical styles
Learn to apply the rudiments around the drum kit (Paradiddles and triplets)
An introduction to Stick Control for the snare drummer - by Lawrence Stone
We will learn a few variations of the Rock Beat, and how to construct your own
We will learn a few rhythm drills, which will teach you every possible rhythm and sub-division for any bar of music. They are great fun but you have to drill-them-in daily
Some new kick drum variations to spice up your rock beat
Introducing 8th note rests to the drills. Remember that these need to be drilled!
Some more kick drum variations for the Rock Beat
Rhythm drill 3 combines drill 1&2.
These are beats you have heard millions of times. 8th and 16th note variations in the kick drum.
This week should be used for revision. Re-visit each lesson and make sure that you can do everything perfectly.
This Rhythm drill uses only 8th notes and 8th note rests. Do your new drill every day.
Here we start with 16th notes on the hi-hats. We will repeat all the kick variations we have done
16th Notes are now introduced to the Rhythm Drills
Variation 3 & 4 using 16th notes in the Hi-hats
Here we introduce the Double-Paradiddle. Basically we simply add 2 single strokes to a normal paradiddle which now allows us to use it in different time signatures.
Kick drum variations 5 & 6 with 16th notes in the Hi-hats
The Flam is one of those hidden gems in the drummer's universe. You will use it more than you will ever know
Kick Variations 7, 8 & 9 using 16th notes in the Hi-hats
Adding the Flam to the Triplet gives you the Flam-Accent
Closing remarks - "a-minute-a-day"
Do Revision and write notes on what you still need to work on, and what you can do
Here we introduce the Dotted-Eighth note and explain what the dot does when added to a note
The musical style called Blues makes use of the same notes, but the feel and time signature changes. Here we introduce the 6/8 time signature
These Rhythm drills go faster and faster, keep up and check the sticking
Kick drum variations for the Blues-Rock beat
Here we explain why playing the rest in the air will help you
Now we introduce 16th notes in the hi-hats and repeat all the previous kick drum variations
You will learn how to play double strokes using your fingers only
Kick drum variations 4 & 4 using 16th notes in the Hi-hats
Congratulations on completing the beginners course. This course generally takes 1 year if you stick to one lesson per week.
You are now an intermediate drummer.
Rhythm Drill 9 introduces the triplet to our drills
Here we will learn to apply the Paradiddle in a few different ways as a beat
Here we will learn to change the accent of the triplet rudiment
Here we will learn to apply the Triplet rudiment as a beat
Here we will learn another accent change on the triplet rudiment
Applying the triplet as a beat in a normal 4/4 environment
Here we introduce a silent middle note in the triplet
Here we will learn how to use the Double-Paradiddle sticking pattern as a beat
Here we will learn how to apply the flams over normal triplet accents, and move them around
Revision of everything is super important!
Here we will learn to use a double-paradiddle in a 4/4 environment
Here we will learn the first Funk beat
Here we will apply the flam to the middle accent of the triplet
Here we will learn Blues variations in 12/8
Triplets in the Rhythm Drill with and without the middle note
Here we introduce the musical style called swing
Using only triplets, this rhythm drill covers any and every option using triplets
Here we introduce independence. Your first exercise to limb-independence
Go back and do every exercise a few times to make absolutely sure you can do all of them.
Double_Paradiddle as Triplets
Flam-Accent changes
Rhythm Drills 11 & 12
Funk variations 1 & 2
Blues variations 1 & 2
Swing variations 1 & 2
Basic Independence
Introducing 16th notes to the triplets
Here we will learn to keep a foot-pattern and play all the up-beats with our hands
Here we will learn that quarter notes can also be used as triplets
Here we will learn some beat-displacements called "Syncopations"
Here we will continue with 16th note triplets, adding a middle silent note
Variations 3& 4 of the 12/8 Blues beats
Here we will mix a lot of rudiments over written note values to show you how easy it is to switch between sticking- patterns
Continuing with swing style we will learn variations 3 & 4
Revision of Independence 2
Funk variations 3 & 4
Blues variations 3 & 4
Swing variations 3 & 4
Rhythm Drills 13 & 14
All triplets in lesson 12
Pair-a-what
Here we introduce the Paradiddle-diddle which is basically 2 singles with a double and a double
Here we introduce the Rhythm-Scale
Here we will learn to play the Paradiddle-diddle as Triplets
Here we will add some more sub-divisions to the click
Here we will continue with bars 11 - 14 of the Pair-a-what exercise
Here we will add 6 strokes to the Rhythm scale
Here we will learn to apply the Double-Paradiddle played as Triplets to a Beat
Here you will learn Pattern 1 - Movement using rudiments
Here we will learn 4 different applications of a single rudiment over Pattern 1
Here we will learn another 4 different applications of a single rudiment over Pattern 1
Here we will learn to apply the Paradiddle over pattern 1
Here we will learn 3 Applications for the Double-Paradiddle over Pattern 1
Here we will learn to apply the Flam-Accent over Pattern 1
Here we will learn a linear pattern of 5 strokes (quintuplet) over pattern 1
Pattern 2 is an extension of Pattern 1 - But it becomes more melodic
Here we will learn to apply all previous triplets over Pattern 2
Here follows the last Triplet applications over Pattern 2
Here we will learn to apply paradiddles over Pattern 2
Here we will learn to apply double-paradiddles over Pattern 2
Here we will learn to apply the Flam-Accent over Pattern 2
Here we will learn the linear 5-stroke pattern over Pattern 2
Here we will learn to split the drum kit into 2 halves, giving separate movements to each hand
Here we will learn to apply paradiddles over pattern 3
Here we introduce the first Cross-Sticking-Pattern
Here we will learn to apply Paradiddles over Pattern 4
Here we will learn to apply Double-Paradiddles over pattern 4
This is the second cross-sticking pattern we will learn
Here we will learn different 16th note applications over Pattern 5
Here we will learn different Triplet applications over Pattern 5
Here we will learn paradiddle applications over Pattern 5
Here we will aplly Double-Paradiddles to pattern 5
Here we will apply the Flam-Accent to create an awesome groove which I call "South Africa vs. New Orleans"
Here we will apply the Paradiddle-Diddle over Pattern 5
Here we will apply the linear 5-stroke pattern over Pattern 5, but we will also cover extra applications for the 5-stroke pattern
What can possibly be better than being trained by a professional career drummer.
Gideon Meintjes is a Professional & Touring Drummer. For the past 25 years he has been performing with many artists and groups both locally and internationally performing for thousands upon thousands of people. Gideon features on many CD recordings and live DVD shows as a top session-drummer, featured on many TV shows with live satellite broadcasts (Classical orchestras), magazines and news paper articles (with heavy metal bands). Gideon has also written training manuals which was prescribed on school level, wrote and taught many drum-workshops and clinics locally and internationally. Gideon ran one of the largest drumming schools in South Africa – Drummers inc, taught hundreds of students and employed 3 instructors and even fulfilled the roll of musical director for some productions.
Each lecture is accompanied by the downloadable PDF page from his book.
Lectures should be done one per week.
Each part of this course should be done over the course of 1 year.
This whole course should be done over three whole years as done in the Drummers Inc drumming school.
At the end of this course you will be a proficient drummer. Be patient, and practice every day.