
Learn the seven gospel passing chords and how to reharmonize with extended harmonies, then learn a key-centered approach in C to sound the same across all 12 keys.
Learn how the 2-5-1 passing chords color gospel harmony from one to six in C, using dominant chords and the two chord as diminished or minor with careful voicing.
Explore two-five passing chords in the key of C using 2-5-1 to voice melodies. Choose minor or diminished by destination, and experiment with extensions: ninths and thirteenths, guided by melody.
Learn how minor chromatic passing moves between minor chords, such as D minor to D sharp minor to E minor, and apply it in gospel progressions with a consistent voicing.
Explore how to move from chord one to three using minor chromatic and 2.5 passing, with sharp 11 voicings and diatonic considerations, applied to center of my joy.
Explore diminished chromatic passing: precede minor chord with full diminished seventh chord, then use a dominant seventh flat nine as a secondary dominant passing to move from one to two.
Demonstrates secondary dominants in the key of C, turning diatonic chords into dominant sevenths and using 251 and secondary dominant passing to move between chords.
Apply secondary dominants and chromatic passing chords to gospel harmony, using 'I don’t know why Jesus loves me' in key c to propel progressions and color the melody.
Learn how tritone substitution replaces a dominant seventh with its tritone, enabling detours in ii–V progressions and extending harmonies, illustrated by C7 to F#7 and sharp 11th extensions.
Master first inversion passing by placing chords in first inversion to approach 1–4 or 5–1 progressions, using voiced ninths, double passing, and tritone substitutions for rich color.
Explore passing chords in the presence of the lord, using minor chromatic passing, 2-5-1 turnaround, and secondary dominants to reharmonize a gospel tune.
Reharmonize hymns with contemporary chord concepts. Explore passing chords, secondary dominants, tritone substitutions, and chromatic mediants in C on Jesus keep me near the cross.
Explore chromatic passing chords, two-five-one progressions, secondary dominants, and tritone substitutions in hymns like i am thine o lord, with practical voicing ideas for worship.
Explore how gospel passing chords create color with diminished chromatic passing, a25 passing to six, two-five progressions, tritone substitutions, and minor 11th voicings.
Explore the use of passing chords in hymn arrangements, including secondary dominants, two-five passing progressions, minor chromatic passing, and tritone substitutions, demonstrated within the key of C across familiar hymns.
What is the ONE tool those advanced pianists use to achieve that “Gospel Sound?”
PASSING CHORDS!
Yes, that’s correct. Passing Chords are the most powerful tool for modern Gospel pianists, and YOU can also achieve that sound. In this course, I have identified the seven most used passing chords in Gospel music, and I teach it all in the key of C.
By the end of this course, you will learn about these seven types of passing chords: 2-5-1, Minor Chromatic, Diminished Chromatic, Secondary Dominant, First Inversion, and Tritone Substitution.
You will not only master advanced chords, but you’ll also learn all those movements you hear the other guys play but never could wrap your head around what they’re doing. All those movements are revealed, and NOTHING is held back; I lay it all on the “table” in the key of C.
In this course, I also demonstrated all these passing chords on ten popular worship songs and hymns – so you’re learning “practical passing chords,” not just theory “stuff” that has no practical application during service.
This is the course I wish I had when I started playing for my church. If you’re serious about taking your worship passing chords to the next level, this is the course you MUST have.