
Learn to apply tritone substitution to the dominant chord, adding tension, color, and chromatic movement for more sophisticated, jazzy harmonies common in movie themes.
Explore the tritone, an interval three whole tones apart, exemplified by C to F sharp, and understand how it creates tension that resolves quickly.
Explore the tritone interval, also called sharp four or flat five, and how its enharmonic spellings C–F sharp or C–G flat relate to jazz tritone substitutions.
Explore the tritone within a dominant seven chord, focusing on G7 in C, and identify the two tones six semitones apart to form the tritone.
Identify the two tritone tones in the G7 chord, B and F, and explain how their six-semitone interval defines the dominant seventh sound.
Explore how the g7 tritone between b and f resolves to the tonic's one and three of the c major chord, generating tension and a stable resolution.
Explore why tritone chord substitution works by linking G7 and Db7 through shared tritone tones, and apply dominant seventh substitutions within a diatonic progression from D minor to C.
Explore tritone substitution in piano harmony by hearing G7 and Db7 resolve to C, using half-step movements to achieve a more stable C chord and jazzy sounds.
Examine the tritone substitution and the 3rd and 7th tones, focusing on G7 chords and how tonal resolution creates a more stable harmony.
Navigate chromatic bass line movement using tritone substitutions in a ii- bII7- I progression, including a dominant seven chord in D minor and resolving via a D flat chord.
Explore diatonic circle-of-fifths movement in D minor and how non-diatonic, chromatic substitutions replace the standard 5-1 progression to add jazzy color to piano composition.
Discover two ways to spot the tritone substitution for the dominant 7 chord, using the b5 trick and a D-flat substitute root for G7.
Explore how Db7 substitutes for G7 in jazz piano, using tritone substitution to create rich, jazzy sounds.
Explore tritone substitution by replacing G7 with Db7 in away in a manger, and practice these substitutions on the piano. Identify G7 positions in the score and discuss potential challenges for applying Db7 substitutions.
Explore tritone chord substitution by substituting Db7 for G7 to create jazzy sounds in the piano demo for Away in a Magner.
Apply the b5 trick to find a tritone chord for Am7, unlocking jazzy sounds and chord substitutions.
Explore substituting Eb7 tritone for Am7 in Away in a Manger, using minus 7 to 7 voice leading, and chart piano progress for the next video.
Explore a piano demo of substituting Eb7 for Am7 to achieve jazzy sounds through tritone substitution.
Explore the tritone chord substitution for the C7 chord using the b5 chord trick to create jazzy sounds.
Explore tritone substitution within the secondary dominant section of the progression, using c-7 and gb7 as the example, and practice on piano to hear the jazzy color.
Demonstrate tritone substitution by swapping Gb7 for C7 on piano, delivering jazzy sounds in practice and demo contexts.
Explore piano technique for tritone chord substitution, resolving tritone chords by a half step down, and infusing the sound with jazzy textures.
Develop piano technique for crafting beautiful bass line chord progressions and explore tritone substitution to add jazzy sounds.
Explore technique 3 in tritone alternate chord substitution for a half-step bass line, adding jazzy sounds through precise chord movements.
Learn Piano Level 10 - Learn to use Tritone Chords Substitution into Away In A Manger To give you song a jazzy sound and feel.
Learn Piano Level 10 is the toughest of all 9 levels.
Imagine, now that you have learned how to do Chord Substitutions from Level 1 to Level 10, you can arrange a simple song like Away in a Manger with advanced chords and play the song with professional sounds. By reharmonizing the song in these 10 levels, you can reharmonize any simple songs in this way to give them sophisticated professional sounds.
In Level 10, we’ve come to the most dissonant chord in the Key of C: Tritone chord substitutions. 'Tritone' is the tone that is 3 (tri) whole steps above or below the original dominant 7 Chord. The most dissonant interval between any two tones is 3 whole steps up or 3 whole steps down.
When we watch musicians playing a piece of arrangement, they don't need to think too much to create new advanced chords, such as the tritone chords.
Here's the Secret: Whenever you play the Tritone Chord Substitution, use my trick. Let your fingers move to the b5 of the chord and play the new chord moving to the next chord that is 1/2 step down.
That's it!
That's why they create smooth sounding basslines that mesmerize the audience.
Learn some new tips on how to put in Tritone Chord substitutions into your music arrangement of Away in a Manger.
Tip 1: Tritone's Unique Interval - Tensed
Tip 2: Tritones present in Dominant 7 Chords
Tip 3: Dominant & Respective Tritone Chord Sub share the same 2 tones
Tip 4: Simple Trick to find Tritone Chord Sub
Tip 5: Step 1 - Do Db7 Chord Sub to G7
Tip 6: Step 2 - Do Eb7 Chord Sub to Em7
Tip 7: Step 3 - Do Gb7 Chord Sub to C7
Tip 8: Piano Technique 1: Tritone Chord resolves 1/2 step down
Tip 9: Piano Technique 2: Tritone Chord Progression - Beautiful Bass Line
Tip 10: Piano Technique 3: Alternate Tritone Chord Progression
Learn how to Insert and Substitute with these new Tritone Chords:
bII7
bIII7
bV7
bVI7
bVII7
When you know how to apply Tritone Chord substitution into Away In A Manger, you will be able to apply them to any songs.
You are going to learn some beautiul bass line arrangements with Tritone chord subs so that you can use it at the ending of songs.
Instead of playing the normal chord progression of: Em7 Am7 Dm7 G7 C
You will learn to play it in 2 possibilities using Tritone Chord Substitutions, creating 1/2 step movement from one chord to another.
1. Bb7 Am7 Ab7 G7 C
2. Em7 Eb7 Dm7 Db7 C
Come on in and enroll in this course!
Let's have some fun together,
Rosa
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