
Outline the upper lashes with a very dark color, fix thick lines with white paint, and paint the irises dark blue while avoiding light tones; white adjusts size and position.
Paint the eye area with a fine brush, then the rest of the skin with a larger brush kept fluid, applying layers and letting each layer dry before the next.
Apply brush strokes from the bottom up to highlight the highest areas, layering to saturate colors gradually and achieve smooth transitions on miniature volumes.
Layer the second light over the first in a smaller area, closer to the light source, applying several layers until the shade is saturated.
learn how to paint a miniature figure in part II, with a focus on lighting in the 3ºlight lecture.
Apply a general shadow with a very diluted paint, using brush strokes from top to bottom.
Apply a second, dilated shadow to the areas most hidden from the light on the miniature figure.
Apply diluted second shade to eye sockets, nose, mouth, and outline chest and fingers in miniature figure painting; add a crimson glaze to enliven the skin and darken the nipples.
Apply a uniform base color to the straps. Add texture by applying the first light with lines perpendicular to the straps' direction.
Concentrate the paint to accentuate texture on the higher areas and edges, then apply an acrylic ink wash to unify tones and give leather a satin look in the shadows.
Apply the base hair color so the paint penetrates the sculpture's framework, then use short brush strokes to lay the first light and define general light volumes.
Advance your miniature painting skills by mastering light and shadow in this part ii course. Identify the areas in the spotlight and paint the shadows with pure black.
Apply the base color in multiple layers until the primer is fully covered, then highlight areas illuminated by the overhead light.
Apply the second light on the first, closer to the source, and dilute the first shadow on hidden planes, then deepen the darkest shadows and deepest themes and wrinkles.
Apply the base color in layers to cover the primer, then use first and second light, dilute the first shadow on hidden planes, and profile and outline the skirt.
Apply an ink wash to the shield wood, dragging the paint from top to bottom to penetrate the crevices and build layers on the bottom.
Apply a base color that penetrates recesses and add the first light to emphasize edges and protruding parts of the relief.
Apply an ink wash from top to bottom to let the ink penetrate crevices. Tap the brush to create a second light for texture and highlight the edges.
Apply the base color in multiple layers to fully cover the primer, then use the first light to cover areas illuminated by the overhead light source.
Apply the second light to the first with a smaller area near the light source, and dilute the first shadow on hidden planes; use thicker paint to create profiling.
Apply the base color in multiple layers over the primer, add irregular light to create texture, use an acrylic wash to blend tones, and highlight the edges.
Learn to paint miniature shoes by layering a base color over primer, applying first and second light to illuminated planes, diluting the first shadow, and using thicker paint for profiling.
In this video, specially designed for beginner painters, I will show you how to paint a figure in its entirety and in a simple way. It is a 75mm miniature. representing a barbarian warrior.
The purpose of this second part of the course is to apply the theoretical knowledge explained in the first part to a figure, so that those who want to start painting miniatures lose that initial fear that often arises when faced with an unknown activity.
We will begin by painting the eyes and, later, we will paint the skin applying lights and shadows as well as an additional tone that brings "life" to the figure.
We will paint the hair and beard and I will teach you to simulate the texture of leather by combining acrylic paints with a matte finish with acrylic inks.
I will show you how to paint fabrics of different colors and we will also learn to imitate the appearance of wood in a simple way.
We will see how to achieve the appearance of the stone using a technique, very easy to apply, that combines the use of a sponge with brush painting.
We will get acquainted with the use of metallic pigments and I will teach you some tricks to paint dirt.
The last part of the video is dedicated to assembling the figure once it has been painted and putting the finishing touches on it.