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Paint the eyeball base color, illuminate the white, shade the ends, outline pink tear ducts and eyelid, shape the iris with highlights, then add black pupils and a white dot.
Use a flat brush to apply successive layers of the base color, building a uniform finish for the bust.
Learn how to light a WWII bust by illuminating all volumes exposed to light, using diluted paint to achieve tonal variation.
learn to paint a WWII bust using 2º light from the course material. apply the 2º light approach to capture form and mood in the WWII bust.
Apply the third light in very specific places on the WWII bust using a round brush.
Apply a touch of white to the previous color and paint the points of maximum light on the bust.
Apply the first shadow on the WWII bust using a flat brush and very diluted paint to build the initial shading.
Apply the second shadow to the lower and deeper areas of the bust, enhancing depth in the figure.
Paint the lips on the WWII bust with pink tones darker than the face, add vertical highlight stripes, emphasize the lower lip, and outline the lip separation in dark.
Apply crimson glazes under the cheeks, nose, and lips on the WWII bust. Paint yellow areas in intermediate light and apply a bluish glaze to the icepacks and tempo's.
Use stippling to render the big shadow on the bust, adding more strokes in the darker areas to enhance depth.
Learn how to paint a WWII bust in the second part of the course.
Continue the third part of painting a World War II bust, refining technique and details.
Demonstrate varnish techniques for a historical bust, applying 50 percent diluted varnish for layers and an undiluted satin varnish on the eyes and lips.
Learn to select the best color for hair and eyebrows on the WWII bust and apply it with stippling.
Learn to light a WWII bust's hair and eyebrows using three layers of illumination to create highlights and contrast, then apply an acrylic glaze and re-light to recover hair highlights.
apply the base layer to the hat and build up several coats until the finish is uniform.
Capture the first light on the bust by using a worn-out brush and stippling paint to mimic the wall texture.
Concentrate the second light on the highest parts of the wrinkles to sculpt depth on the WWII bust. Use controlled lighting to emphasize texture and contrast for realistic rendering.
Master the transitions by smoothing tones, applying the first light more diluted in water, and keeping the brush in good condition.
Apply the 3rd light only to the highest areas of the hat on the WWII bust.
Apply very dark washes to soften transitions and intensify shadows, then reinforce shadow areas with the same tone, and deepen seams and wrinkles by outlining them with pure black.
Apply the base color to match the inverted pink of the Ponza troops and dot pink lights. Paint the aluminium wire base in medium gray and add white metallic highlights.
Apply the base camouflage with the airbrush in the shadow areas, build saturation with additional layers, spray light from above, and paint the shadow from bottom up.
Explore how to apply brown stains to a WWII bust in part 1, guiding you through foundational painting techniques and color handling.
Master brown stains on a WWII bust in the second part of the series, applying focused painting techniques to enhance detail.
Master the process of painting a WWII bust, focusing on brown stains in part 3 of the technique.
Learn the fourth part of painting a WWII bust, focusing on brown staining techniques to build authentic shading and historical realism.
Apply several layers of the same shade to saturate the color, then clearly define the polygon outline.
Apply green spots to the case, building on pencil drawings; continue until the spots are well defined for a WWII bust.
Apply a general wash in a very diluted dark brown to unify camouflage tones, then use less diluted paint for general shadows, and 50 percent diluted paint to outline themes.
Apply highlights to each spot separately, starting with the brown spots, while painting a WWII bust.
Illuminate the green spots on a WWII bust, and practice painting a WWII bust properly.
Explore painting a WWII bust using a very light color to emphasize lighting, aligning the composition with the themes through soft, luminous tones.
Complete a camouflage pattern on a WWII bust by painting the chips with a brush whose tip is in perfect condition.
Continue the splinter part two lesson to learn techniques for painting a WWII bust in this course.
Learn how to paint a WWII bust through splinter 3º part, guided by the phrases 'he' and 'they'll be'.
Master the splinter 4th part of the WWII bust painting course. Paint a WWII bust in this part.
INTRODUCTION
This video contains the basics of painting a face at 1/10 scale. We will learn how to paint the eyes with a high level of detail, how to apply lights, shadows and different skin tones and also to mimic the look of a beard shadow.
I will show you techniques to paint the hair and eyebrows and how to work the hat to simulate the wool texture.
The last part of the video I will dedicate to expose all the necessary steps to represent a camouflage type “splinter” using a mixed technique of airbrush and brush.
INDEX:
Section 1:Introduction
Lecture 1:INTRODUCTION
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Section 2:EYES
Lecture 2:EYES
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Section 3:SKIN
Lecture 3:BASE
Lecture 4:1º LIGHT
Lecture 5:2º LIGHT
Lecture 6:3º LIGHT
Lecture 7:4º LIGHT
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Lecture 8:1º SHADOW
Lecture 9:2º SHADOW
Section 4:LIPS
Lecture 10:LIPS
Section 5:GLAZES
Lecture 11:GLAZES
Section 6:5 O'CLOCK SHADOW
Lecture 12:1º PART
Lecture 13:2º PART
Lecture 14:3º PART
Section 7:VARNISH
Lecture 15:VARNISH
Section 8:HAIR
Lecture 16:BASE
Lecture 17:LIGHTS AND GLAZE
Section 9:HAT
Lecture 18:BASE
Lecture 19:1º LIGHT
Lecture 20:2º LIGHT
Lecture 21:TRANSITIONS
Lecture 22:3º LIGHT
Lecture 23:GLAZE AND SHADOW
Lecture 24:SOUTACHE AND ALUMINIUM
Section 10:SPLINTER CAMO.
Lecture 25:BASE, LUZ Y SOMBRA (AIRBRUSH)
Lecture 26:BROWN STAINS 1º PART
Lecture 27:BROWN STAINS 2º PART
Lecture 28:BROWN STAINS 3º PART
Lecture 29:BROWN STAINS 4º PART
Lecture 30:BROWN STAINS 2º LAYER
Lecture 31:GREEN STAINS
Lecture 32:GLAZE, SHADOW AND SEWING
Lecture 33:BROWN STAINS LIGHT
Lecture 34:GREEN STAINS LIGHT
Lecture 35:SEWING LIGHT
Lecture 36:SPLINTER 1º PART
Lecture 37:SPLINTER 2º PART
Lecture 38:SPLINTER 3º PART
Lecture 39:SPLINTER 4º PART
Section 11:CREDITS
Lecture 40:CREDITS