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Learn How to Gild a Byzantine Icon with Mixtion Glue
Rating: 4.7 out of 5(9 ratings)
41 students

Learn How to Gild a Byzantine Icon with Mixtion Glue

Learn all there is about gilding a Byzantine Icon and also how to add gold decorations on areas with color
Last updated 10/2022
English

What you'll learn

  • Learn how to traditionally gild a byzantine icon step by step using Mixtion glue
  • Learn the materials required for a gilded byzantine icon that looks professional
  • Learn step by step the secrets and process of applying gold leaves and how to avoid problems
  • Gild an icon with me, and feel confident about the outcome of your finished Icon

Course content

4 sections8 lectures1h 38m total length
  • How to tranfer your drawing on the board6:31

    Learn to transfer your drawing onto the board by making transfer paper with iron oxide red, or using a blank back, then trace and maintain space and borders.

  • Brief comment on the boards0:43

Requirements

  • You must have a wood board that is primed with gesso, and have the drawing of your icon transferred on the Icon. Tou will need real gold leaved (22carads and above - This method also works with imitation gold), wax shellac, mixtion glue, white spirit or turpentine oil.

Description

In this course you will learn what boards to use for egg tempera, how to transfer your drawing from paper on the board and then how to gild the background of an icon in a traditional and professional way. I explain the process dtep by step in an easy and understandable way. Along you will learn to gild all the gold decorations that are placed on a colored area. I will give you some tips on how to write or paint on an area that has been gilded, and how to also create the borders that surround the gold background of a byzantine Icon. This is not water gilding, but gilding with mixtion glue, wax shellac and turpentine oil. This produces a background that is more matte than the one of the water gilding, but is more subtle and charming and has proven to be absolutely stable against time and humidity. This is a method most of the professional iconographers use today because is much quicker and easier than the water gilding method and the result is just astonishing. Everything in this lesson can be used with imitation gold for those students who wish to practice a little with something less pricey than actual golden leaves.

Who this course is for:

  • Everyone who needs a clear, simple and professional way of applying gold leaves on a surface