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Harmony +arranging 4 Classical,Acoustic Fingerstyle guitar
Rating: 4.2 out of 5(9 ratings)
49 students

Harmony +arranging 4 Classical,Acoustic Fingerstyle guitar

Learn how to harmonize & arrange any melodies on guitar LIKE A PRO/how to practice harmony on guitar/Upgrade your skill!
Created byLuigi Pati
Last updated 3/2025
English

What you'll learn

  • how to harmonize correctly and effectively any famous melodies, (or your own melodies)
  • top notch music theory about chords you won't find in the majority of guitar methods
  • Learn how to use cadences in your music
  • Learn how to use passing notes
  • Learn how to vary repeated passages and get more mileage from your music

Course content

1 section18 lectures1h 17m total length
  • Primary and Secondary chords: how and when to use5:44

    In G major, identify the primary triads—tonic, subdominant, and dominant (G major, C major, D major)—and explore secondary triads like vi (E minor) and iii, with leading-tone vii° outlined.

  • Beginner's mistakes vs musical economy2:40

    Explore practical harmonization for beginner fingerstyle guitar, focusing on robust 1–2 chord harmony and I IV V ideas, the 2–6 approach, passing chords, and avoiding weak preparation.

  • How to choose the best chord, and why4:23
  • Passing notes and how to treat them2:21

    Learn to treat passing notes in harmony by avoiding repeated bass lines and creating rhythmic, concise harmonizations for simple fingerstyle pieces.

  • Repeated notes and how to harmonize them2:31

    Explains how to harmonize repeated notes using the tonic chord to avoid monotony, introduces secondary chords, and demonstrates using the dominant two as an alternative harmony.

  • Extending the melody5:28

    Learn to harmonize a melody and extend it by ending on the dominant, shifting from a perfect to an imperfect cadence to convert eight bars into sixteen.

  • cadence in bar 43:51

    Explore cadence in bar 4 by analyzing chord choices around G major to harmonize a B, using root and fifth options and identifying strong versus weak progressions.

  • Bar 5-6, we introduce for first time a SECONDARY CHORD, the submediant3:39

    Introduces submediant as a secondary chord in bars 5–6, used after the tonic, and explores harmonizing bar 5 with G major or B minor and bar 6 with E minor.

  • Bar 7-8, chromatic basslines and secondary dominants9:28
  • Bar 7-8, how to use dom 13th chords the classical way8:15

    Analyze bar 7–8 and the use of dominant 13th chords in classical harmony for fingerstyle guitar. Examine two-phrase forms with imperfect and perfect cadences, bar 15–16 resolution to the tonic.

  • Coda and how to repeat any passages effectively!3:29

    Repeat passages effectively by rearticulating the last two bars with different inflection, tempo, or instrument tone. Extend melodies from 8 to 16 bars, balancing unity with variety to avoid monotony.

  • Proof that ALL I said WORKS in final arrangement, and final thoughts1:42
  • On being a good musician3:56

    Practice these guitar concepts by reviewing, watching again, and playing along with the examples. Experiment with different chords, harmonize melodies, explore minor chords, and develop your own voice.

  • Additional content 1: more insights about practice, plus a study5:45
  • Additional content 2: more insights about musical structure and periods+ study1:59

    Analyze the two-phrase musical structure with cadences, describe a period ending on the dominant, explain the five-one cadence in the bass, and suggest practicing bass before the top part.

  • Additional content 3: a musical study for mastering the G key as arranger1:50
  • Additional content 4: more about passing notes.6:00

    Explore passing notes as melodic building blocks, use stepwise motion with occasional leaps, fill thirds, harmonize in thirds, and explore major and minor contexts to create contrapuntal melodic interest.

  • Bonus section4:14

Requirements

  • 1: Be able to read TABS. 2: Know minor and major chords in the key of G, and 3: Know basic theory such as intervals, i.e. thirds, fifths, etc

Description

Stop trying to say 'ABC' faster and faster on guitar! Learn the art of HARMONY and HARMONIZATION. When it comes to music, this is the stuff that tells the men from the boys!

It's time to learn harmony and the art of harmonization on guitar and use the incredibly effective techniques the best composers used for HUNDREDS of years! This is not a washed down harmony course like the generic, and MEDIOCRE ones you see around. I have myself learned these skills on CLASSICAL PIANO, not guitar. But don't worry, you won't have to practice gruelling hours at the piano, because I have done that part for you and I can now DIRECTLY translate all the best things I learned, ON GUITAR. You, my friend, are in luck!

This is an INTENSE and FAST PACED course. I don't want to waste a SINGLE minute of your time. I don't hit 'record' and fill my course with 10 hours of mostly ramblings, ifs, buts, maybes, fluff, uhm and ah, and extraneous noises (I myself cannot stand any of that in an online course). It's easy enough to fill in 10 hours if one doesn't edit out useless stuff out. I do edit every second. It takes me up to 40 minutes to edit a video that will be only 2 minutes long. I am more about content and substance than how things look. Every single word I say must have tutoring weight. Also, I don't believe in 'beginner to advanced' courses, most of them are superficial and bland and will turn you into a MEDIOCRE jack of all trades and master of NONE. Learning a bit of this and a bit of that with no real depth will only turn you into a mediocrity. You need to focus on ONE specific thing at a time, step by step, LASER FOCUS style, and it takes more than a few minutes to cover a single topic in depth. This attitude changed EVERYTHING for me.

One can learn to play fast....but put him next to a real musician who plays real music by masterfully using melody and harmony, and the fast guy will shrink into insignificance. As the composer Schumann famously said: 'I don't understand these people. They say ABC faster and faster!'.

Do you want to use the power of harmony and harmonization in YOUR own arrangements on guitar? Do you want to master harmony , the one thing most players never master, or learn in a 'unfinished business that will never finish' way? Aren't sure how to take any known (or your own) melody, and harmonize/arrange it EFFECTIVELY, without weaknesses or weird results? No unfinished business with me. Follow my plans and the results are guaranteed.

Don't even know what to do, how to start, and especially, WHAT CRITERIAS to use in a PRO harmonization, NOT an AMATEURISH one?

Join me in this FAST PACED, intense course. I have edited out any pauses, even the very short ones, so one minute from me is more valuable and packs more powerful info than 5 minutes from someone else. I am not here to waste your time, not even a minute. I am here to teach you what worked GREAT for me, because I never teach anything I haven't mastered myself first. EVER! Stop watching a million youtube videos a day believing the illusion that you will master music by doing that. You need to start and finish one thing at a time, step-by-step. That's the only way that really works, as I have found out at my expense.

There are many things you have to consider when harmonizing or arranging.

Harmonizing and arranging like a pro on guitar is much more than just blindly selecting some chords by ear and hope for the best. Yet that's EXACTLY what most players do. And more often than not, this only leads to weak, boring, mediocre, weird-sounding and ineffective music! AAAARGH!

We do NOT want to be  boring and mediocre musicians. And we won't !

How do you make your harmonization STAND OUT and instill meaning and emotion in it? Which chords should you select to harmonize with the melody notes above the bass? How do you know that this chord a great choice, and that chord a poor one, even before you hear it ? Yes. The study of harmony allows you to do things the fast  ABC guy will never get.

We will learn truly powerful music theory for guitar. Not the kind that you hear once and will never use because it is explained in a superficial and mediocre way and finds no practical applications, but the type that you hear once and makes you go: 'Wow. That seems pretty powerful!';  concepts you will use, very effectively, to do your own thing on the instrument, as a music creator, not just a music performer. I care about how I perform, too, but I don't limit myself to that only. I do my own thing on the instrument, and that makes me way happier. You will be happier too once you put all these powerful tools together.

We will learn exactly which are the best chords to use, and why, and how to use them to make a neat harmonization of a melody. From then on, you are just a step away from making a full, professional arrangement.

But, get your harmonization wrong, and your arrangement will NEVER be a good one. EVER. So it's vital you get the harmonization right, because that's really the  most important step in your arrangement.

You will see the TAB on screen as I explain everything and tell you what to do and what not to do. Because the latter is as important as the former, if not more important.

You will be  on a sure and well guided path on how to easily and effectively harmonize a good melody on guitar and make it YOUR OWN. This is a skill that often not even concert guitarists have at all! Most of them only play notes off a score. Sure, that's admirable too, and useful to master the instrument. I do that A LOT too, and as serious musician MUST learn to play someone else's great music. But if that is ALL you do, it's BORING. I don't know about you, but ME, I want to do my own thing and express myself, not someone else.

Reading a great book is very instructive, but so is WRITING YOUR OWN. Playing the  Giuliani Variations op. 45  is great, but being able to play Giuliani AND my own stuff is much better! More satisfying, you don't feel too overshadowed by the great composer whose works you learned. You feel superconfident as a guitarist. You don't feel mediocre like so many other players are, no matter how fast they play!

I will break down each bar and tell you the secrets of effective harmonization on guitar. Trust me, I have seen only  RUBBISH books about this on guitar, and so far I have certainly not seen video courses on this vitally important area for a pro musician, except very superficial ones. They are a mess. I am not going to waste your time with how clever my terms sounds; my goal is to have my student reach theirs, because that's what I believe a good instructor should do.

At the end of the course you will have learned many secrets that take most players years (as it took for ME). And I am talking about the pro ones; the other ones will probably will never make it to that phase.

Harmonization and harmony are incredibly rewarding for a musician: without this vital skill, your arrangements will always sound poor and mediocre. I am seeing  all the time poor arrangements because the harmonizations are poor. Even from pros and teachers! It's shocking.

This ends now. Let's begin today to learn  the art of harmony and harmonization on guitar.

PS. You have probably noticed that, unlike some other sellers, I am not selling hundreds of courses (and this is not at all a criticism about them or their courses!). In part this is because I haven’t been too long here on Udemy, but also because I vet the students /customers more, i.e. I do not teach complete beginners (not that there is anything wrong with them), and I never write “This course is for ALL” and “no requirements needed”. This course has requirements, and I am not trying to appeal to all. At all. This basically means that I sell less courses, but also that as a smaller seller I can and will answer to ANY questions you have about anything mentioned in the course. Just post ANY questions in the Q&A section of the course, and I promise I will answer to all, as helpfully as I can. Not only that, the best questions will be examined in a new video!


If I were selling hundreds of courses, I could not answer more than a couple of student’s questions. But because I am a “smaller guy”, I can do what I mentioned above. And that is to your advantage. :)

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Who this course is for:

  • early intermediate to late intermediate