
What To Do
Using a sheet of standard printer paper (8.5 x 11), or anything similar, create two rectangles as demonstrated in the video.
Use one rectangle for positive shape study and the other for negative shape study.
You don't need to capture every single angle and nuance. But you do want to capture the overall characteristics of the subject.
Have a look at the main shape and see if you want to enhance, or change, any areas to create a more interesting shape.
Envision the background as one solid color and don't get caught up in the details.
Only focus on main subject, and every thing else is negative space.
Your Goal
Create a positive and negative shape study using an 8.5 x 11" sheet of paper similar to the demonstration image. (it doesn't have to be that exact paper or size)
Obviously your study will look different if you decide to choose a different inspiration image
You can use graphite, or charcoal for the drawing
This lesson covers the importance of creating quick composition studies. These studies will help you envision how you want your subject to appear in the picture plane. Once you have decided on how your subject will look it's time to go to the next step.
What To Do
Divide the paper in half so that you have two rectangles. One side will include your final composition drawing which is what you did in video one. The second rectangle is used for a loose value study.
Let's define value study.
What is a value study?- A proper value study is a great way to prepare for a new painting, and helps ensure that you will get the result you want when you paint your final painting. A value study is a sketch using only one color. Usually it will be much smaller than the final painting, and done far more quickly. It will help you identify your darkest darks, lightest lights and everything in-between.
Some Additional Tips- It's okay to not stick to the photograph. More often than not I change my art according to what I feel will look best for my painting. So, if you think changing the light source will help, then do it. If you want to crop your subject so that it intersects the edges of the picture plane, then do it. You are the artist so take some time and use your vision to see if any changes will enhance your work. If you feel the photo is fine that's okay, too.
Your Goal
You will use video two as an example for this project. Video one is only a tool for exploring composition. Once you know how your composition will work this will transfer to the second study which is demonstrated in video two. You goal is to
(a.) create your final composition drawing and
(b). To make a quick value study. Please use an 8.5 x 11" sheet of paper (it doesn't have to be that exact paper or size) and divide it in half. On the left side will be your composition drawing and the right will have the value study. Please include both studies on one sheet of paper and you can use graphite, or charcoal for the drawings.
What To Do
This lesson covers the importance of color and how to sample different combinations. It's common to make changes to what you see in photos in order to make a painting more compelling. Have a go at this to see how experimenting can help you create more impact by making subtle shifts in hues.
What To Do
Exploring your subject will help you add personality to your subjects. The goal here is to avoid painting the entire object and only focus on bits and pieces.
Sample different size brushes (large brushes work best), loose brushwork, negative space painting and whatever else comes to mind. Exploring is where ideas happen since this is less intimidating. To paint expressively is all about taking risks. This is time you take them!!!
Note: when you are finished with these studies be sure to keep them. Actually hang them up around your painting area so that you can view them. I find these expressive studies teach me a lot about painting and are a constant reminder to take risks.
It's time to make a final painting based on your mockup and previous studies. Now is not the time to panic, or tighten up. You want to approach it with confidence and if you have paid your dues the painting will come together nicely.
A Few Extra Tips
Even though this is a finished painting try to limit your time to 45 to 60 minutes.
Work in layers and allow 15 minutes for each one. This will help you become too fussy.
If you become too rigid switch to a very large brush; works every time.
[UPDATE] New Demo Added 10/27/2018
Online acrylic course where you will learn the essential skills needed to paint lovely, expressive still life paintings with flowers. You will start from the very beginning as you discover the importance of positive and negative space drawings, then start to explore composition alternatives, explore color combinations and ultimately finish with a step-by-step flower masterpiece.
Who is this class for?
Intermediate and advanced acrylic artists that would like to paint expressive flowers. You should have a general idea of mixing basic colors, good drawing skills and be willing to work diligently to complete the lessons.
Course Breakdown
Positive & Negative Space - this is essential in understanding the edges of your subject.
Thumbnail Sketches - a great way to compose your painting without investing a lot of materials.
Finalizing The Composition - this is a quick composition drawing based on previous thumbnails.
Value Mass Study - an essential step in understanding how to simplify values and locate lightest light and darkest dark.
Color Mock-up - an important stage that will bring drawing and color together.
Explore Color - this is a great lesson for understanding how to shade and tint colors.
Explore Subject - sometimes you just need to doodle and play with expressive techniques in order to push the boundaries a bit.
Step-By-Step Demo - now it's time to put all the lessons together and create a final painting.
Materials
4 sheets drawing paper - 60lb. 9x12"
graphite pencil, or a standard #2
4 sheets watercolor paper (140lb. cold press), or Bristol - 9x12"
small canvas (11x14 inches), watercolor paper, or Bristol for final painting (12x16 inches)
acrylic paints, ultramarine blue, titanium white, lemon yellow (or cad, Hansa yellow), deep red (Cadmium, pyrrole), alizarin crimson, burnt Sienna
brushes, small round, medium round & large flat
Ready To get Started?
The hardest part is starting and you are already here. Sign up today and start learning the process of how to create expressive flowers with acrylics.