
Discover essential dslr filmmaking gear and setup, from cameras, lenses, audio, and lighting, to memory cards and monitors, then learn camera settings, B-roll, focus, and delivering natural on-camera performances.
Explore camera options for filming, from screen recordings and webcams to phones. Compare features like articulating screens and crop versus full sensor across Canon, Nikon, and micro four thirds.
Choose the right lens by considering focal lengths, aperture, and sensor type; budget wisely, rent before buying, and explore macro options to achieve blur and image quality in dslr filmmaking.
Listen to six microphones—the Rode NTG-3, Audio-Technica lavalier, Rode VideoMic Pro, Blue Yeti, iPhone mic, and built-in DSLR mic—and compare how distance, room acoustics, and gear choice affect audio quality.
Learn to set up a reliable dslr studio with ac adapters, floor marking with gaffer tape, soundproofing, and consistent lens and settings for efficient, repeatable shoots.
Learn to capture clean sound by pairing your microphone with a digital audio recorder, compare Zoom and Tascam options, and use a phone for on-the-go recording.
Explore the key stands for filmmaking, including tripods, monopods, mic stands, light stands, and the Manfrotto boom combo stand, with tips on accessories like reflectors and laptop stands.
Organize memory cards in labeled cases, import alphabetically, and flip used cards upside down to track progress; use fast sd cards or compact flash, spreading data across 16 gb cards.
Learn the basics of three-point lighting—key, fill, and hair light—positioned 30–45 degrees off camera, using about 50–60 percent key power to shape shadows.
Explore lighting options for DSLR filmmaking, from on-camera LCD lights to fluorescent and keino flows, and learn to balance daylight and tungsten using diffusion and gel kits.
Film with natural light from a single window and a reflector to balance exposure and soften shadows; position at a 45-degree angle and account for clouds and white balance.
Set your white balance manually to keep color consistent, using Kelvin or a custom white balance with a white card, and avoid auto to prevent shifts across cameras.
Learn how aperture controls depth of field and exposure, balancing ISO and shutter speed for a well-exposed video. See how distance and lens affect blur.
Learn how shutter speed and frame rate determine exposure, choosing 24 or 30 fps and using 1/50 or higher multiples for slow motion.
Apply the rule of thirds to frame subjects at intersections, shoot at eye level, and use waist-up or chest-up framing with space for thumbnails and lower thirds.
Control exposure while recording by adjusting aperture and ISO, keeping shutter speed constant, and using a histogram or waveform monitor to guide balanced brightness.
Improve screen recordings by showing yourself briefly, scripting narration, and recording actions separately, while keeping a clean desktop and hidden menu bar with Bartender, plus smooth zooms for mobile viewing.
Master quick DSLR focusing by balancing autofocus and manual focus, using magnification and rack focusing, leveraging focus peaking, and applying external monitors and exposure cards for precise framing.
Learn to capture effective b-roll with establishing shots, behind-the-scenes footage, and multiple versions. Vary movement and focus, and assess whether shots enhance the narrative while building a consistent style.
Position a lavalier for clear sound with upper chest placement, clipping options, windscreen use, and fabric noise reduction, while preferring wired setups, monitoring audio, and tidy cables.
Attach a shock mount to the on-camera shotgun microphone to reduce shake. Set plus 20 dB, switch to manual audio levels, and monitor left-right channels to avoid peaks.
Position the boom microphone above the talent, about six inches in front of the chin, to keep sound clear as they move, using a windscreen and a shock mount.
Master live audio monitoring with a digital recorder by setting gain, avoiding distortion, checking peak indicators, testing levels with headphones in a similar environment to ensure clear microphone signals.
Script your video by outlining it in byword, detailing intro, key points, roles, and a clear description, then plan b-roll and shots for engaging, self-made filmmaking.
Deliver your script in short chunks of two to four sentences, with a consistent opening for each take and edits to avoid rambling, whether you’re outlining or using a teleprompter.
Practice on camera to act natural, avoid mimicking others, and tailor talks to audiences: beginner Steve, intermediate Jerry, and expert Monica, while keeping photos by the lens as a reminder.
Plan your b-roll by scripting the role and outlining the arc, overshoot footage in the same lighting, and record multiple takes and angles—close up, medium, wide—and include archive options.
Does it take you too long to make videos?
Do they turn out how you imagined?
Making great videos by yourself in a timely manner takes the right combination of knowledge and experience.
Creating videos alone is difficult enough without having to worry about whether or not the lighting looks right, the mic sounds okay, and if you are actually in focus.
Whether you're too intimidated to make your first video or you're making them all the time, I'll share what I've learned the past few years making over a hundred videos for myself and clients like Pat Flynn, Fizzle.co, and Gumroad.
I believe that anyone can make great videos of themselves. It just takes patience, dedication, and the right amount of focused learning.
That's why I made this course.