
Discover how to shoot three watches with one light and low lying fog in a single scene while sourcing brands and applying post-production techniques like compositing, masking, and blend modes.
Expand your watch photography portfolio by sourcing from startup brands, leveraging social media outreach, and negotiating terms for creative white-background and model-shot imagery.
Create a mythologically inspired watch advertisement concept using Arrian’s logo of a flying horse; brainstorm via mind maps and sketches, then research and produce in studio.
Craft a moody, otherworldly watch shot by building a stacked rock set, mounting watches with tape to prevent movement, and planning a multi-frame fog composite.
Learn to mount watches into a precise loop using a coat hanger armature and tape, shaping arches and securing each piece for clean, ready-to-shoot watch photography.
Learn to frame a watch shot by testing composition, adjusting the watch angle for a straight focal plane, and shaping reflections with a diffuser and careful lighting.
Learn to set up and refine lighting for watch photography by arranging a defuser, testing angles, managing reflections, and using fog tests to shape highlights and face focus.
Learn to stage low-lying fog in watch photography by blocking light, mounting gear, and experimenting with light grids and fog directions for dramatic, wet-looking smoke.
Learn postproduction in Capture One by building a base image using brightened watch-face variants, adjusting exposure and contrast, and applying blend modes before exporting the final composites.
Retouching part 2 teaches exporting images, aligning three watch faces with opacity adjustments, and using the pen tool with layer masks and feathering to refine edges before saving the project.
Composite smoke images into a watch photo by selecting suitable smoke layers, masking with a soft brush, and refining with blend modes and color grading.
Retouching part 4 guides you to adjust smoke using layer masks, blend modes, and selective color saturation, building atmosphere while masking distractions like watches and aligning the horizon.
Students learn retouching a watch photo by masking, blending smoke elements, and refining layers using line blend mode, opacity adjustments, cloning, healing brush, and feathering for natural edges.
Learn advanced retouching techniques for watch photography, including masking smoke layers, refining edges with brush flow versus opacity, color grading with curves, and layer-based compositing to achieve a cohesive look.
Master retouching with the healing brush, replace mode, and curves adjustments to remove spots and blend edges. Brighten and refine the watch face while pushing the crowns into the case.
Learn selective retouching in watch photography by balancing contrast with curves, masking smoke, and painting highlights and shadows. Use hue and saturation tweaks for precise orange color adjustments.
Retouch watch crowns by refining edges, masking, and blending using brush, healing brush, and liquify tools; create and place crown copies on new layers for seamless integration.
Learn watch retouching techniques, including outlining and masking the crown, liquefying and cloning elements, healing and color-correcting with curves, and using dodge and burn to create realistic shadows and highlights.
Refine watch photography through postproduction retouching, using healing brush, blending, and masking across layers to clean, brighten logos, and correct edges with liquefy, curves, and color range.
Master retouching by feathering a mask to prevent overlap, applying healing on new layers, then sharpening and saving for web with metadata.
In the product photography industry, Joshua has earned as much as $1,000 per hour to create images like the one created in this course and you can too. All it takes is a bit of knowledge, creativity and the desire to make it happen.Here, commercial product & still-life photographer Joshua Geiger will walk you step by step through the process of sourcing products for free and creating a creative shot concept, then you move into the studio where he shows how to shoot products with a single light. In this shoot, Joshua will be shooting 3 watches at one and will include some low-lying fog for a special effect to add drama to the image.
If you would like to learn how to shoot products either for your own business or as a commercial product photographer, taking this course is the first step in that process. All you need is some basic photography knowledge and a single light.