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MusicInstrumentsFlute

Learn Carnatic Flute | Ramadasu Keerthanas - Volume 4

Learn Ramadasu Keerthanas in different Raagas and Thaalas
Rating: 0.0 out of 50.0 (0 ratings)
1,874 students
Created by Krishna Mohan Bhagavatula
Last updated 2/2022
English

What you'll learn

  • Students will get to learn the simple notations to understand and practice on their own
  • Students can easily pick up the fingering skills by learning each line of the Keerthanas
  • Students can play along while watching the fingering in lectures
  • Students can learn the Half Notes within the ragas while practicing on Flute.
  • Students get to know the traditional method of playing Keerthanas as per classical music nounces

Requirements

  • Students need 2 and half (D#) pitch, 8 holes Carnatic Flute to practice all the Keerthanas in lectures

Description

Bhadrachala Ramadasu

There was once a boy who lived in a small village in the State of Andhra Pradesh. One day, he found a very beautiful parakeet and, enchanted by it, brought it home. He kept the parakeet in a cage and enjoyed looking at it everyday, as the poor parakeet looked miserable and wanted to fly back to its home. Everyday, the parakeet sang, "Rama, Rama, Rama, Rama, Rama, Rama, Rama…." and so on. The boy laughed with pleasure every time the parakeet sang this, delighted by the sweet voice of the small bird. The boy kept this parakeet for 12 days before feeling sympathy for it, and letting it go. The parakeet flew away in happiness, delighted to be with its family again. Soon, the boy grew into adulthood, married, led a happy house holder life, and died in old age, satisfied with his life.

This boy got reborn as Kancherla Gopanna in 1620 C.E. in the village of Nelakondapalli in Northern Andhra Pradesh, the only son to a simple Brahmin family. His father was Linganna Murthy and his mother was Kamamba.

Kancherla Gopanna's uncle, Akkanna, was the administrative head in the court of Qutub Shahi Sultan Abul Hassan Tana Shah, the Mughal ruler of the area. Akkanna, due to his influence in the King's court, secured Kancharla Gopanna a job as Tahsildar (revenue collector) of Palvoncha Paragana. Along with his wife Kamala, who was carrying at the time, Kancherla Gopanna went to Palvoncha Paragana, and did his official duties honestly and kindly. The people of Palvoncha Paragana loved and respected Kancharla Gopanna, and listened to anything he said. It was around this time that Kancherla Gopanna became an ardent devotee to Lord Ramachandra, and composed many kritis (Carnatic Music songs) on him. Some famous compositions among many others are Anta Ramamayam and Bhadra Shaila Raja Mandira. Also, a son was born to Kancherla Gopanna and his wife Kamala. They named him Raghu Rama.

The Mughal King Tana Shah had a wife named Sitara, who disliked Kancherla Gopanna, because she had hoped the job of Tahsildar would go to her own nephew. Queen Sitara one day sent some of her trusted men to kill Kancherla Gopanna at the dead of night, so that once he died, her nephew could ascend the post. One night, when Kancherla Gopanna was walking home through a forest after collecting revenue from the people, Sitara's people jumped out from behind some trees and attacked Kancherla Gopanna, who prayed to Lord Rama to save him. Lord Rama, pleased with the humble devotion of Kancherla Gopanna, came in the farm of a fierce tiger and scared away Sitara's men. Kancherla Gopanna, with tears of happiness in his eyes, knew that the tiger was Lord Rama, and composed a kriti then and there, in which he asked Rama that, "now that you gave your darshan, I want the darshan of Sitamma talli."

One day, a few years later, Kancherla Gopanna went to Bhadrachalam for a fair, and also to see the holy site of the parnasala where Rama stayed with Sita and Lakshmana for some time during his exile. Near Bhadrachalam, there was also another site where Shabari had lived before getting moksha from Lord Rama. However, Kancherla Gopanna was very disappointed when he saw the temple of Lord Rama there, which held lots of significance for Telugu people, because that temple was the place where Potana had received darshan from Rama to write the Bhagavatham. The temple was very dilapidated, and unkempt. No priests did puja in it, and it was utterly neglected by the people of Bhadrachalam.

Kancherla Gopanna decided to raise funds and reconstruct the temple himself, with the help of his wife, son, and the people. Everyone donated something of theirs, like gold necklaces, bangles, rings, gold coins, etc, for the reconstruction of the temple, and along with Kancherla Gopanna's wealth, they made a pretty hefty sum of money. It was during this time that Shri Rama, very pleased with Kancherla Gopanna, appeared to him in a dream and gave him the name of Ramadasu (servant of Lord Rama). From there on, Kancherla Gopanna was known as Ramadasu, one of the great devotees of Lord Rama.

Who this course is for:

  • Those who are curious to learn and practice the Carnatic Music form

Instructor

Krishna Mohan Bhagavatula
Carnatic Classical Musician | Flute | Instrumental
Krishna Mohan Bhagavatula
  • 4.8 Instructor Rating
  • 195 Reviews
  • 25,011 Students
  • 36 Courses

KRISHNA MOHAN BHAGAVATULA is one of the leading artist in the field of Indian Classical Music. He has been performing from the age of 19 and belongs to a family of music connoisseurs. From a very tender age he was exposed to the classical arts.

His first concert was with his grand father Late.Bhagavatula Rama Kotaiah Shastry, who was a Harikatha exponent, at the spirit of South Indian Classical arts series in Vizianagaram, Andhra Pradesh. Since then, there has been no looking back.

He has traveled widely in India and abroad and won applause from connoisseurs and critics. He has received many awards and honours from the leading organizations like South Indian Cultural Association, Dept., of Culture, Govt. of Andhra Pradesh., SPICMACAY, Sangeeth Samaaroh, etc.

MUSIC TRAINING:


From a very tender age of 6, he started learning the South Indian Classical Instrument "Mridangam" under the guidance of Late. Sudarshana Chary garu and Jayakumara Chary garu for 6 years. Later he showed a wonderful talent in the art of Classical Vocal Music. As his father Bhagavatula Lakshmi Narayana is also a Classical musician, he grew up in a musical atmosphere and had a basic training till the varnas under his father's tutelage.

Then he was attracted to Carnatic Classical Flute at the age of 14 and had a zeal to learn the same with full interest. He use to pick up all the raagas by then over the instrument. He was gratefully trained in both Carnatic Flute and Vocal by "VENUGAANA KALAKOVIDA", "Venu vidwaan" Late.Manda Balarama Sharma garu (A PRIME DISCIPLE OF "FLUTE MAALI", THE GREAT T.R.MAHALINGAM GARU) and later he was trained by "SUNAADA VENUVAADYA PRAVEENA", Venu vidwaan Sri.V.Nagaraju garu (A PRIME DISCIPLE OF SRI.MANDA BALARAMA SHARMA GARU) an yesteryear's 'A' Top graded artistes of All India Radio, Hyderabad, INDIA.

Since 2001, Krishna Mohan Bhagavatula has been teaching numerous music aspirants in classroom and online mode of learning at his own music school "SWARA VAAHINI" in Hyderabad, India with 5 different branches in the city, as he strongly believes the divinity of "MUSIC" alone spreads "LOVE AND PEACE" in the world.

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